Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

The first great painters, whose works deserve inspection for something more than their mere antiquity, are said to have been Polygnotus and Aglaopllon, [*]( Of the painters mentioned in this and the following sections Polyglotus of Thasos, son of Aglaophon, painted at Athens in the middle of the 5th century B.C.. Zunis of Heracelea Parrhasius of Ephesus flourished 420–390, while the remainder are painters of the 4th century. Of these Palmphilus of Sicyon was the teacher of Melanthius and Apelles, the latter being the most famous painter of antiquity. ) whose simple colouring has still such enthusiastic admirers that they prefer these almost primitive works, which may be regarded as the first foundations of the art that was to be, over the works of the greatest of their successors, their motive being, in my opinion, an ostentatious desire to seem persons of superior taste.