Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

I will repeat the words which I heard Domitius Afer use in my young days. I asked what poet in his opinion came nearest to Homer, and he replied,

Virgil comes second, but is nearer first than third.
And in truth, although we must needs bow before the immortal and superhuman genius of Homer, there is greater diligence and exactness in the work of Virgil just because his task was harder. And perhaps the superior uniformity of the Roman's excellence balances Homer's pre-eminence in his outstanding passages.

All our other poets follow a long way in the rear. Macer and Lucretius are, it is true, worth reading, but not for the purpose of forming style, that is to say, the body of eloquence: both deal elegantly with their themes, but the former is tame and the latter difficult. The poems by which Varro of Atax [*]( Varro of Atax in Gaul (82–37 B.C. ) was specially famous for his translation of the Argontautica of Apollonius Rhodius. he also wrote didactic poetry and historical epic. ) gained his reputation were translations, but he is by no means to be despised, although his diction is not sufficiently rich to be of much

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service in developing the resources of eloquence.

Ennius deserves our reverence, but only as those groves whose age has made them sacred, but whose huge and ancient trunks inspire us with religious awe rather than with admiration for their beauty. There are other poets who are nearer in point of time and more useful for our present purpose. Ovid has a lack of seriousness even when he writes epic and is unduly enamoured of his own gifts, but portions of his work merit our praise.

On the other hand, although Cornelius Severus [*]( Friend and contemporary of Ovid. A considerable fragment is preserved by Sen. Suas. vi. 26. The Sicilian War was the war with Sextus Pompeius (38–36) and perhaps formed a portion of a larger work on the Civil War. The surviving fragment deals with the death of Cicero. The priunus liber may therefore perhaps be the first book of this larger work. ) is a better versifier than poet, yet if, as has been said, he had written his poem on the Sicilian war in the same style throughout as his first book, he would have had a just claim to the second place. A premature death prevented the powers of Serranus [*](Nothing is known of this poet except the name.) from ripening to perfection, but his youthful works reveal the highest talent and a devotion to the true ideal of poetry, which is remarkable in one so young.

We have suffered serious loss in the recent death of Valerius Flaccus. Saleius Bassus [*]( Nothing is known of this poet save that he is highly praised by Tacitus in his Diblogues, and was patronized by Vespasian. The unfinished Argonautica of Valerius Flaccus survives. ) showed an ardent and genuinely poetic genius, but, like that of Serranus, it was not mellowed by years. Rabirius [*]( A contemporary of Ovid, believed to be the author of a fragment on the battle of Actium, found at Hereulaneum. ) and Pedo [*]( C. Albinovanns Pedo wrote a poem on the voyage of Germanicus to the north of Germany. A fragment is preserved by Sen. Suas. i. 14. ) deserve to be studied by those who have the time. Lucan is fiery and passionate and remarkable for the grandeur of his general reflexions, but, to be frank, I consider that he is more suitable for imitation by the orator than by the poet.