Satires

Horace

Horace. The Works of Horace. Vol. II. Smart, Christopher, translator. Buckley, Theodoore Alois, editor. New York: Harper and Brothers, 1862.

THE poets Eupolis, and Cratinus, and Aristophanes, and others, who are authors of the ancient comedy,[*](Comoedia prisca. Comedy was divided into ancient and modern. In the first, the subject and the names of the actors were real. In the second, the drama was formed on history, but the names of the actors were invented. In the third, both the story and actors were formed by the poet.) if there was any person deserving to be distinguished for being a rascal or a thief, an adulterer or a cut-throat, or in any shape an infamous fellow, branded him with great freedom. Upon these [models] Lucilius entirely depends, having imitated them, changing only their feet[*](Mutatis pedibus. Ennius and Pacuvius had written satires before Lucilius. He was rather the restorer than inventor of this kind of poetry; he formed himself upon the Grecian comedy, and only changed the measure of his verse, hexameter for iambics.) and numbers: a man of wit, of great keenness,[*](Emunctae naris. Of a sagacious, penetrating genius, to discover the follies of mankind, and of an agreeable, spirited, raillery, to turn them into ridicule, facetus. Such is the character of Lucilius by Cicero and Quintilian: perurbanum and abunde salis.) inelegant in the composition of verse: for in this respect he was faulty; he would often, as a great feat, dictate two hundred verses in an hour, standing in the same position. As he flowed muddily, there was [always] something that one would wish to remove; he was verbose, and too lazy to endure the fatigue of writing-of writing accurately: for, with regard to the quantity [of his works], I make no account of it. See! Crispinus challenges me even for ever so little a wager.[*](Minimo me provocat. We should understand pignore or pretio; nor is there any instance in the Latin tongue of provocare minimo digito, as the commentators explain it. A man well assured of the truth of what he asserts, is willing to bet a large wager against a small one, which Horace means by minimo provocare.) Take, if you dare, take your tablets, and I will take mine; let there be a place, a time, and persons appointed to see fair play: let us see who can write the most. The gods have done a good part by me, since they have framed me of an humble and meek disposition, speaking but seldom, briefly: but do you, [Crispinus,] as much as you will, imitate air which is shut up in leathern bellows, perpetually puffing till the fire softens the iron. Fannius is a happy man, who, of his own accord, has presented his manuscripts[*](Ultro delatis capsis. When a poet was generally esteemed, his works and his statue were placed in the public libraries. But Horace congratulates Fannius upon the happiness of finding a method of immortalizing his name, without being obliged to pass through the usual forms. He thought he had a right to take an honor, which he was conscious he deserved, and perhaps imagined it a proper manner of resenting the public insensibility of his merit.) and picture [to the Palatine Apollo]; when not a soul will peruse my writings, who am afraid to rehearse in public, on this account, because there are certain persons who can by no means relish this kind [of satiric writing], as there are very many who deserve censure. Single any man out of the crowd; he either labors under a covetous disposition, or under wretched ambition. One is mad in love with married women, another with youths; a third the splendor of silver captivates: Albius is in raptures with brass; another exchanges his merchandize from the rising sun, even to that with which the western regions are warmed: but he is hurried headlong through dangers, as dust wrapped up in a whirlwind; in dread lest he should lose any thing out of his capital, or [in hope] that he may increase his store. All these are afraid of verses, they hate poets. "He has hay on his horn,[*](Faenum habet in cornu. A metaphorical expression taken from a custom of tying hay on the horns of a mischievous bull. The laws of the Twelve Tables ordered, that the owner of the beast should pay for what damages it committed, or deliver it to the person injured. Si quadrupes pauperiem faxit, dominus sarcito, noxaeve dedito. ) [they cry;] avoid him at a great distance: if he can but raise a laugh for his own diversion, he will not spare any friend: and whatever he has once blotted upon his paper, he will take a pleasure in letting all the boys and old women know, as they return from the bakehouse or the lake." But, come on, attend to a few words on the other side of the question.