Satires

The tribes of female flute-players,[*](Ambubaiarum, "Women who played on the flute." It is derived from a Syrian word; for the people of that country usually excelled in this instrument. Pharmacopolae is a general name for all who deal in spices, essence, and perfumes.) quacks, vagrants, mimics, blackguards;[*](Mendici, mimae, balatrones. The priests of Isis and Cybele were beggars by profession, and under the vail of religion were often guilty of the most criminal excesses. Mimae were players of the most debauched and dissolute kind; and balatrones, in general, signifies all scoundrels, buffoons, and parasites, who had their name, according to the old commentator, from Servilius Balatro. Balatrones hoc genus omne, for omne hoc balatronum genus, is a remarkable sort of construction.) all this set is sorrowful and dejected on account of the death of the singer Tigellius; for he was liberal [toward them]. On the other hand, this man, dreading to be called a spendthrift, will not give a poor friend wherewithal to keep off cold and pinching hunger. If you ask him why he wickedly consumes the noble estate of his grandfather and father in tasteless gluttony, buying with borrowed money all sorts of dainties; he answers, because he is unwilling to be reckoned sordid, or of a mean spirit: he is praised by some, condemned by others. Fufidius, wealthy in lands, wealthy in money put out at interest, is afraid of having the character of a rake and spendthrift. This fellow deducts 5 per cent. interest[*](Quinas hic capiti mercedes exsecat. Caput is the principal; merces the interest; and exsecare is to deduct the interest before the money is lent. For instance, Fufidius lent a hundred pounds, and at the end of the month the borrower was to pay him a hundred and five, principal and interest. But he gives only ninety-five pounds, deducting his interest when he lends the money, which thus increases in twenty months equal to his principal. The laws allowed a usury called usura centesima, which doubled the capital sum in a hundred months, or eight years and four months.) from the principal [at the time of lending]; and, the more desperate in his circumstances any one is, the more severely he pinches him: he hunts out the names[*](Nomina sectatur. Nomen signifies a debt, because the borrower gave the lender a note of acknowledgment for the money, signed with his name. The laws forbade lending money to minors, or persons under the age of twenty-five years.) of young fellows that have just put on the toga virilis under rigid fathers. Who does not cry out, O sovereign Jupiter! when he has heard [of such knavery]? But [you will say, perhaps,] this man expends upon himself in proportion to his gain. You can hardly believe how little a friend he is to himself: insomuch that the father, whom Terence's comedy introduces as living miserable after he had caused his son to run away from him, did not torment himself worse than he Now if any one should ask, "To what does this matter tend?" To this: while fools shun [one sort of] vices, they fall upon their opposite extremes. Malthinus walks with his garments trailing upon the ground; there is another droll fellow who [goes] with them tucked up even to his middle; Rufillus smells like perfume itself, Gorgonius like a he-goat. There is no mean. There are some who would not keep company with a lady, unless her modest garment perfectly conceal her feet. Another, again, will only have such as take their station in a filthy brothel. When a certain noted spark came out of a stew, the divine Cato [greeted] him with this sentence: "Proceed (says he) in your virtuous course. For, when once foul lust has inflamed the veins, it is right for young fellows to come hither, in comparison of their meddling with other men's wives." I should not be willing to be commended on such terms, says Cupiennius, an admirer of the silken vail.

Ye, that do not wish well to the proceedings of adulterers, it is worth your while to hear how they are hampered on all sides; and that their pleasure, which happens to them but seldom, is interrupted with a great deal of pain, and often in the midst of very great dangers. One has thrown himself long from the top of a house; another has been whipped almost to death: a third, in his flight, has fallen into a merciless gang of thieves: another has paid a fine, [to avoid] corporal [punishment]: the lowest servants have treated another with the vilest indignities. Moreover, this misfortune happened to a certain person, he entirely lost his manhood. Every body said, it was with justice: Galba denied it.

But how much safer is the traffic among [women] of the second rate! I mean the freed-women: after which Sallustius is not less mad, than he who commits adultery. But if he had a mind to be good and generous, as far as his estate and reason would direct him, and as far as a man might be liberal with moderation; he would give a sufficiency, not what would bring upon himself ruin and infamy. However, he hugs himself in this one [consideration]; this he delights in, this he extols: "I meddle with no matron." Just as Marsaeus, the lover of Origo[*](Origo. There lived in Horace's time three famous courtesans at Rome; Origo, Cytheris, and Arbuscala, all comedians. The poet was probably acquainted with them all. We are at a loss to know who Marsaeus was.) he who gives his paternal estate and seat to an actress, says, "I never meddle with other men's wives." But you have with actresses, you have with common strumpets: whence your reputation derives a greater perdition, than your estate. What, is it abundantly sufficient to avoid the person, and not the [vice] which is universally noxious? To lose one's good name, to squander a father's effects, is in all cases an evil. What is the difference, [then, with regard to yourself,] whether you sin with the person of a matron, a maiden, or a prostitute?[*](Togata. A prostitute. Women of this kind were obliged, when they went abroad, to wear a robe, called toga. The resemblance of it to the robe worn by men, made it a mark of infamy.)