On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

8. There is also another kind of winter dial, called the Anaphoric and constructed in the following way. The hours, indicated by bronze rods in accordance with the figure of the analemma, radiate from a centre on the face. Circles are described upon it, marking the limits of the months. Behind these rods there is a drum, on which is drawn and painted the firmament with the circle of the signs. In drawing the figures of the twelve celestial signs, one is represented larger and the next smaller, proceeding from the centre. Into the back of the drum, in the middle, a revolving axis is inserted, and round that axis is wound a flexible bronze chain, at one end of which hangs the “cork” which is raised by the water, and at the other a counterpoise of sand, equal in weight to the “cork.”

9. Hence, the sand sinks as the “cork” is raised by the water, and in sinking turns the axis, and the axis the drum. The revolution of this drum causes sometimes a larger and sometimes a smaller portion of the circle of the signs to indicate, during the revolutions, the proper length of the hours corresponding to their seasons. For in every one of the signs there are as many holes as the corresponding month has days, and a boss, which seems to be holding the representation of the sun on a dial, designates the spaces for the hours. This, as it is carried from hole to hole, completes the circuit of a full month.

10. Hence, just as the sun during his passage through the constellations makes the days and hours longer or shorter, so the boss on a dial, moving from point to point in a direction contrary

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to that of the revolution of the drum in the middle, is carried day by day sometimes over wider and sometimes over narrower spaces, giving a representation of the hours and days within the limits of each month. To manage the water so that it may flow regularly, we must proceed as follows.

11. Inside, behind the face of the dial, place a reservoir, and let the water run down into it through a pipe, and let it have a hole at the bottom. Fastened to it is a bronze drum with an opening through which the water flows into it from the reservoir. Enclosed in this drum there is a smaller one, the two being perfectly jointed together by tenon and socket, in such a way that the smaller drum revolves closely but easily in the larger, like a stopcock.

12. On the lip of the larger drum there are three hundred and sixty-five points, marked off at equal intervals. The rim of the smaller one has a tongue fixed on its circumference, with the tip directed towards those points; and also in this rim is a small opening, through which water runs into the drum and keeps the works going. The figures of the celestial signs being on the lip of the larger drum, and this drum being motionless, let the sign Cancer be drawn at the top, with Capricornus perpendicular to it at the bottom, Libra at the spectator's right, Aries at his left, and let the other signs be given places between them as they are seen in the heavens.

13. Hence, when the sun is in Capricornus, the tongue on the rim touches every day one of the points in Capricornus on the lip of the larger drum, and is perpendicular to the strong pressure of the running water. So the water is quickly driven through the opening in the rim to the inside of the vessel, which, receiving it and soon becoming full, shortens and diminishes the length of the days and hours. But when, owing to the daily revolution of the smaller drum, its tongue reaches the points in Aquarius, the opening will no longer be perpendicular, and the water must give up its vigorous flow and run in a slower stream. Thus, the less the

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velocity with which the vessel receives the water, the more the length of the days is increased.

14. Then the opening in the rim passes from point to point in Aquarius and Pisces, as though going upstairs, and when it reaches the end of the first eighth of Aries, the fall of the water is of medium strength, indicating the equinoctial hours. From Aries the opening passes, with the revolution of the drum, through Taurus and Gemini to the highest point at the end of the first eighth of Cancer, and when it reaches that point, the power diminishes, and hence, with the slower flow, its delay lengthens the days in the sign Cancer, producing the hours of the summer solstice. From Cancer it begins to decline, and during its return it passes through Leo and Virgo to the points at the end of the first eighth of Libra, gradually shortening and diminishing the length of the hours, until it comes to the points in Libra, where it makes the hours equinoctial once more.