On Architecture

1. IT is now in place to describe the preparation of white lead and of verdigris, which with us is called “aeruca.” In Rhodes they put shavings in jars, pour vinegar over them, and lay pieces of lead on the shavings; then they cover the jars with lids to prevent evaporation. After a definite time they open them, and find that the pieces of lead have become white lead. In the same way they put in plates of copper and make verdigris, which is called “aeruca.”

2. White lead on being heated in an oven changes its colour on the fire, and becomes sandarach. This was discovered as the result of an accidental fire. It is much more serviceable than the natural sandarach dug up in mines.

1. I SHALL now begin to speak of purple, which exceeds all the colours that have so far been mentioned both in costliness and in the superiority of its delightful effect. It is obtained from a marine shellfish, from which is made the purple dye, which is as wonderful to the careful observer as anything else in nature;

2. That which is found in Pontus and Gaul is black, because those countries are nearest to the north. As one passes on from north to west, it is found of a bluish shade. Due east and west, what is found is of a violet shade. That which is obtained in southern countries is naturally red in quality, and therefore this is found in the island of Rhodes and in other such countries that are nearest to the course of the sun.

3. After the shellfish have been gathered, they are broken up with iron tools, the blows of which drive out the purple fluid like a flood of tears, and then it is prepared by braying it in mortars. It is called “ostrum” because it is taken from the shells of marine shellfish. On account of its saltness, it soon dries up unless it has honey poured over it.

1. PURPLE colours are also manufactures by dyeing chalk with madder root and with hysginum. Other colours are made from flowers. Thus, when fresco painters wish to imitate Attic yellow ochre, they put dried violets into a vessel of water, and heat them over a fire; then, when the mixture is ready, they pour it onto a linen cloth, and squeeze it out with the hands, catching the water which is now coloured by the violets, in a mortar. Into this they pour chalk and bray it, obtaining the colour of Attic yellow ochre.