Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

Theopompus [*]( Theopompus of Chios, born about 378 B.C., wrote a history of Greece ( Hellenica ) from close of Peloponnesian war to 394 B.C., and a history of Greece in relation to Philip of Macedon ( Philippica ). His master, Isocrates, urged him to write history. ) comes next, and though as a historian he is inferior to the authors just mentioned, his style has a greater resemblance to oratory, which is not surprising, as he was an orator before he was urged to turn to history. Philistus [*]( Philistus of Syracuse, born about 430 B.C., wrote a history of Sicily. ) also deserves special distinction among the crowd of later historians, good though they may have been: he was an imitator of Thucydides, and though far his inferior, was somewhat more lucid. Ephorus, [*]( Ephorus of Cumae, flor. circ. 340 B.C., wrote a universal history. He was a pupil of Isocrates. Cp. II. viii. 11. ) according to Isocrates, needed the spur.

Clitarchus [*]( Clitarchus of Megara wrote a history of Persia and of Alexander, whose contemporary he was. ) has won approval by his talent, but his accuracy has been impugned. Timagenes [*]( Timagenes, a Syrian of the Augustan age, wrote a history of Alexander and his successors. ) was born long after these authors, but deserves our praise for the very fact that he revived the credit of history, the writing of which had fallen into neglect. I have not forgotten Xenophon, but he will find his place among the philosophers.

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There follows a vast army of orators, Athens alone having produced ten remarkable orators [*]( Antiphon, Andocides, Lysias (flor. 403–380), Isocrates (435–338), Isacus, Demosthenes, Aeschines, Lycargus, Hyperides and Dinarchus. ) in the same generation. Of these Dermosthenes is far the greatest: indeed he came to be regarded almost as the sole pattern of oratory. Such is the force and compactness of his language, so muscular his style, so free from tameness and so self-controlled, that you will find nothing in him that is either too much or too little.

The style of Aesehines is fuller and more diffuse, while his lack of restraint gives an appearance of grandeur. But he has more flesh and less muscle. Hyperides has extraordinary charm and point, but is better qualified, not to say more useful, for cases of minor importance.

Lysias belongs to an earlier generation than those whom I have just mentioned. He has subtlety and elegance and, if the orator's sole duty were merely to instruct, it would be impossible to conceive greater perfection. For there is nothing irrelevant or far-fetched in his speeches. None the less I would compare him to a clear spring rather than to a mighty river.

Isocrates was an exponent of a different style of oratory: he is neat and polished and better suited to the fencingschool than to the battlefield. He elaborated all the graces of style, nor was he without justification. For lie had trained himself for the lecture-room and not the law-courts. He is ready in invention, his moral ideals are high and the care which he bestows upon his rhythm is such as to be a positive fault.

I do not regard these as the sole merits of the orators of whom I have spoken, but have selected what seemed to me their chief excellences, while those whom I have passed over in silence were far from being indifferent. In fact, I will readily admit that the

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famous Demetrius of Phalerum, [*]( Governed Athens as Cassander's vicegerent 317–307: then tied to Egypt, where he died in 283. ) who is said to have been the first to set oratory on the downward path, was a man of great talent and eloquence and deserves to be remembered, if only for the fact that he is almost the last of the Attic school who can be called an orator: indeed Cicero [*](de Or. ii. 95. Orat. 92. The intermediate style is that which lies between the grand and the plain styles. ) prefers him to all other orators of the intermediate school.

Proceeding to the philosophers, from whom Cicero acknowledges that he derived such a large portion of his eloquence, we shall all admit that Plato is supreme whether in acuteness or perception or in virtue of his divine gift of style, which is worthy of Homer. For he soars high above the levels of ordinary prose or, as the Greeks call it, pedestrian language, and seems to me to be inspired not by mere human genius, but, as it were, by the oracles of the god of Delphi.

Why should I speak of the unaffected charm of Xenophon, so far beyond the power of affectation to attain? The Graces themselves seem to have moulded his style, and we may with the utmost justice say of him, what the writer of the old comedy [*]( Eupolis, πειθώ τις ἐπεκάθιζεν ἐπὶ τοῖς χείλεσιν. ) said of Pericles, that the goddess of persuasion sat enthroned upon his lips.

Why should I dwell on the elegance of the rest of the Socratics? or on Aristotle, [*](Sweet is the last epithet to be applied to the surviving works of Aristotle. But Dionysius of Halicarnassus and Cicero praise him no less warmly, referring, no doubt, to works that are lost. ) with regard to whom I hesitate whether to praise him more for his knowledge, for the multitude of his writings, the sweetness of his style, the penetration revealed by his discoveries or the variety of the tasks which he

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essayed? In Theophrastus [*]( Theophrastus, Aristotle's successor as head of his school (322–287). Diogenes Laertius (v. 38) says that his real name was Tyrtamus, but that Aristotle called him Theophrastus because of the divine qualities of his style ( φράσις ). ) we find such a superhuman brilliance of style that his name is said to be derived therefrom.

The ancient Stoics indulged their eloquence comparatively little. Still, they pleaded the cause of virtue, and the rules which they laid down for argument and proof have been of the utmost value. But they showed themselves shrewd thinkers rather than striking orators, which indeed they never aimed at being.