On the Art of Horsemanship

Xenophon

Xenophon, creator; Scripta Minora; Marchant, E. C. (Edgar Cardew), 1864-1960, editor, translator; Bowersock, G. W, (Glen Warren), 1936-, editor, translator

Nevertheless, it is not necessary to reject a horse that is not perfect in these trials. For many break down in these not from want of ability, but from lack of experience. With teaching, use and discipline they will perform all these exercises well, provided they are otherwise sound and not faulty.

But one should beware of horses that are naturally shy. For timid horses give one no chance of using them to harm the enemy, and often throw their rider and put him in a very awkward situation.

It is necessary also to find out whether the horse has any vice towards horses or towards men, and whether he will not stand tickling: for all these things prove troublesome to the owner.

As regards objection to being bridled or mounted, and the other reactions, there is a much better way still of detecting these, namely, by trying to do over again, after the horse has finished his work, just what one did before starting on the ride. All horses that are willing after their work to do another spell thereby give sufficient proofs of a patient temper.

To sum up: the horse that is sound in his feet, gentle and fairly speedy, has the will and the strength to stand work, and, above all, is obedient, is the horse that will, as a matter of course, give least trouble and the greatest measure of safety to his rider in warfare. But those that want a lot of driving on account of their laziness, or a lot of coaxing and attention on account of their high spirit, make constant demands on the rider’s hands and rob him of confidence in moments of danger.