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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="X"><div type="textpart" subtype="entry" xml:id="xenophanes-bio-3" n="xenophanes_3"><head><persName xml:lang="la" xml:id="tlg-0267"><surname full="yes">Xeno'phanes</surname></persName></head><p>(<label xml:lang="grc">Ξενοφάνης</label>), of Colophon, was the son of Orthomenes, or
      according to others, of Dexius (<bibl n="D. L. 9.18">D. L. 9.18</bibl>, <hi rend="ital">ib.</hi> Interp.). He was mentioned in the writings of Heracleitus and Epicharmus (ib. 9.1.
      &amp;c; Arist. <hi rend="ital">Met.</hi> 3.5. p. 1010. 6), and had himself made mention of
      Thales, Epimenides, and Pythagoras (<bibl n="D. L. 9.18">D. L. 9.18</bibl>, <bibl n="D. L. 1.111">1.111</bibl>, <bibl n="D. L. 8.36">8.36</bibl>), and is placed in connection
      with tire musician Lasus of Hermione in the time of the <pb n="1296"/> Athenian Hipparchus.
      (Plut. <hi rend="ital">de vitioso pudore,</hi> p. 530.) On the other hand, his expression
      respecting Simonides (Schol. in Aristoph. <hi rend="ital">Pac. 696 ;</hi> comp. S. Karsten, p.
      81) is very doubtful. In a fragment of his elegies mention is made of the Median invasion as
      an event that took place in his time, by which we should probably understand the expedition of
      Harpagus against the Greek cities in Asia (Ol. 59), not the Persian invasion of Greece (Ol. 72
      or 75; comp. <hi rend="ital">Theol. Arithm.</hi> p. 40, and Cousin, <hi rend="ital">Nouveaux
       Fragmens philosophiques,</hi> p. 12, &amp;c). Yet the widely different significations of
      these lines may have given rise to the chronological statements of Apollodorus and Timaeus,
      the former of whom placed his birth (undoubtedly too early), in the 40th Olympiad, and made
      him live to the times of Dareius and Cyrus, while the latter made him a contemporary of Hiero
      (Ol. 75. 3) and Epicharmus (<bibl n="Clem. Al. Strom. i. p. 361">Clem. Al. Strom. i. p.
       361</bibl>; Sext. Emp. <hi rend="ital">ad v. Math.</hi> 1.257). Other statements are still
      more uncertain (<bibl n="D. L. 9.18">D. L. 9.18</bibl>, <bibl n="D. L. 8.56">8.56</bibl>,
       <bibl n="D. L. 8.20">20</bibl> ; Euseb. <hi rend="ital">Chron.</hi> Ol. 60. 2. and 56. 4);
      but the first mentioned references are sufficient to fix the period when he flourished to
      between the 60th and 70th Olympiads. According to the fragments of one of his elegies (<bibl n="D. L. 9.19">D. L. 9.19</bibl>), he had left his native land at the age of 25, and had
      already lived 67 years in Hellas, when, at the age of 92, he composed that elegy. He left his
      native land as a fugitive or exile (<foreign xml:lang="grc">ἐκπεσών</foreign>), and betook
      himself to the Ionian colonies in Sicily, Zancle and Catana (<bibl n="D. L. 9.18">D. L.
       9.18</bibl>). There can be no doubt that he, the founder of the Eleatic school (Plat. <hi rend="ital">Soph.</hi> p. 224d.), lived at least for some time in Elea (Velia, founded by the
      Phocaeans in Ol. 61), the foundation of which he had sung (comp. Arist. <hi rend="ital">Rhet.</hi> 2.23; <bibl n="D. L. 9.10">D. L. 9.10</bibl>).</p><div><head>Works</head><div><head>Historical Poems</head><p>Besides this poem on the foundation of Elea, one on the building of Colophon is mentioned
        (ibid.), and a didactic poem, in like manner composed in the epic metre, which, as usual,
        was probably provided by later writers with the title " On Nature" (<bibl n="Stob. Ecl. Phys. 1.294">Stob. Ecl. Phys. 1.294</bibl>; Pollux, 6.46), and was imitated
        by Empedocles (<bibl n="D. L. 8.56">D. L. 8.56</bibl>; comp. Plut. <hi rend="ital">de Pyth.
         Orac.</hi> p. 402e).</p></div><div><head>Didactic Poems</head><p>Of the two historical poems only the titles have been preserved; of the didactic poem some
        not inconsiderable fragments (in S. Karsten, i.--xvi.), but unfortunately not such as to
        display the compass and foundation of the doctrines peculiar to him. He stands more clearly
        before us as an elegiac poet, and we can have no hesitation in placing him side by side with
        Mimnermus and other distinguished cultivators of this species of poetry. In his elegies also
        we see exhibited the direction of his mind towards investigation, and his earnest view of
        life. He derides in them the Pythagorean doctrine of the migration of souls (fr. xviii.);
        makes good the claims of wisdom in opposition to the excessive admiration of the bodily
        strength and activity by which the victory was gained in athletic games (fr. xix.); lashes
        the effeminate luxury of the Ionians, which they had imitated from the Lydians (fr. xx.);
        recommends that at cheerful banquets, moderation and noble deeds and the praise of virtue
        should be sung, not the contests of Titans, giants, and other worthless stories (fr.
        xxi.).</p></div><div><head>Dubiously ascribed work</head><div><head>Iambics and Silli</head><p>Iambics and Silli are also attributed to Xenophanes (Diog. Laert. <hi rend="ital">l.c.
          ;</hi>
         <bibl n="Strabo xiv.p.643">Strabo xiv. p.643</bibl>; Schol. in Aristoph. <hi rend="ital">Equit. 406</hi>); the latter probably because Timon had introduced him as a speaker in
         his Silli, induced probably in the first instance by the ridicule with which the
         Colophonian had expressed himself respecting the doctrines of his predecessors.</p></div><div><head>Parodies</head><p>As little can we regard Xenophanes as the author of parodies, which, according to the
         testimony of Aristotle (<bibl n="Aristot. Poet. 1448a">Aristot. Poet. 2</bibl>, <hi rend="ital">ib.</hi> Interp.) were first composed by Hegemon, a contemporary or
         Epicharmus. Besides, the hexameters which profess to be taken from the parodies of
         Xenophanes (<bibl n="Ath. 2.54">Athen. 2.54e</bibl>. fr. xvii.) do not at all bear the
         character of this species of poetry.</p></div><div><head>Tragic Poetry</head><p>Lastly, when he is called a tragic poet (<foreign xml:lang="grc">τραγῳδοποιός</foreign> in Euseb. <hi rend="ital">Chron. l.c.,</hi> unless we are to
         read <foreign xml:lang="grc">ἐλεγειοποιός</foreign> with J. Scaliger, or <foreign xml:lang="grc">τραγῳδοποιος</foreign> with Rossi) it can only be in the sense in which
         elegiac poetry generally was included under that name. We do not even feel inclined to
         refer the word, as S. Karsten does (p. 22, &amp;c), to chorus-songs, the beginnings of
         tragedy.</p></div></div><div><head>Assessment</head><p>How much Xenophanes lived in the midst of poetry, we see from the statement that he
        recited his poems in the manner of rhapsodies. (Ding. Laert. 9.18.)</p></div></div><div><head>As Originator of the Eleatic Doctrine</head><p>Xenophanes was universally regarded by antiquity as the originator of the Eleatic doctrine
       of the oneness of the universe. (Plat. <hi rend="ital">Soph.</hi> p. 242 ; Arist. <hi rend="ital">Met.</hi> 2.5.) At the same time, however, it is mentioned, in some cases with
       the quotation of verses of the Colophonian bearing upon the point, that he maintained, in the
       first instance, the unity of the Deity (Arist. <hi rend="ital">Met.</hi> A, 5, p. 986b, 24 ;
       Timon. ap. Sext. Emp. <hi rend="ital">Pyrrh, Hyp.</hi> 1.224, &amp;c), and denied that the
       Deity was originated or perished (Arist. <hi rend="ital">Rhet.</hi> 2.23, p. 1399b, 5. 1400,
       b, 5, <hi rend="ital">de Xenoph. G. et M.</hi> 100.3; Stob. <hi rend="ital">Ecl. Phys.</hi>
       p. 416; Plut. <hi rend="ital">Plac.</hi> 2.4, &amp;c); that he strenuously denounced the
       transference to the deity of the human form, and human sins and weaknesses (fr. i. vi.), and
       inveighed against Homer and Hesiod as the originators of godless myths (fr. vii.); and that
       he attributed to the Deity undivided activity (fr. ii.), and taught regarding it that without
       weariness it overcomes every thing by mind (<foreign xml:lang="grc">φρενί</foreign>, fr.
       iii.), free from motion in space (fr. iv.). That the Deity was in his view the animating
       power of the universe, is expressed by Aristotle (<hi rend="ital">l.c. ;</hi> comp. Timon.
       ap. Sext. Emp. <hi rend="ital">l.c.</hi>) in the words, that, directing his glance on the
       whole universe, he said, " God is the One." The outlines of the demonstration of Xenophanes
       are to be found in the little book which has come down to us, in a corrupted form, among the
       writings of Aristotle, <hi rend="ital">De Xenophane, Gorgia et Melisso,</hi> 100.3, &amp;c;
       for we are justified in attributing it to the Colophonian, not to Zeno, who is named in the
       heading of the section treating of it, or to some other philosopher unknown to us, by the
       testimony of Simplicius, who (<hi rend="ital">in Arist. Phys.</hi> f. 6) without any
       important variation, refers it to him, and speaks of it as taken from Theophrastus, whether,
       as is likely, he had the little treatise before him, and regarded it as the work of
       Theophrastus, or as derived from a work of Theophrastus which has not come down to us.
       According to this demonstration, the Existent, which Xenophanes sets down as the same with
       the Deity, cannot have originated either out of like or out of unlike, whether the latter be
       regarded as stronger or weaker. Further, the Deity, inasmuch as his essence consists in
       ruling, must be one only, and neither finite nor infinite, neither moved nor unmoved. We are
       not induced to deny these conclusions to be those of Xenophanes, as does E. Zeller, who in
       part follows <pb n="1297"/> earlier writers (<hi rend="ital">Philosophie der Griechen,</hi>
       i. p. 134, &amp;c), either by the erroneous superscription, which is corrected by the
       testimony of Simplicius, or by a proposition, which is set down as belonging to Zeno, in the
       third section of the same book (100.5, p. 979. 22. b, 22), which in reality is different from
       the doctrine ascribed to Xenophanes (p. 977b, 3, 13, &amp;c p. 979. 4), or by the dialectic
       development, with which it is pretended Xenophanes cannot be accredited, or by the apparent
       contradiction that the Deity is represented on the one hand as neither finite nor infinite.
       on the other (p. 977b, 1; comp. Simpl. <hi rend="ital">l.c.</hi>) as bounded and spherical;
       on the one hand, as neither moved nor unmoved, on the other (fr. iv.) as freed from motion,
       nor by the statement of Aristotle (<hi rend="ital">Metaph.</hi> A, 5. p. 926b, 18) that
       Xenophanes had not decided whether he regarded the One as limited or as unlimited. For to
       begin with the removal of the last difficulty,--the passage of Aristotle referred to only
       asserts that from the doctrine of Xenophanes it could not be concluded with certainty whether
       he had conceived of the Deity as ideal or as material, and to show this, he may have appealed
       to that antinomical attempt to exclude from the Deity the conditions of rest and motion,
       limitation, and infinity. To this attempt Xenophanes may have been induced by his endeavour
       (which exhibits itself unmistakeably in the fragments of his which have been preserved) to
       exalt the idea of the Deity above the region of anthropomorphic definitions. That he
       nevertheless found himself driven, in what at least seemed contradiction to this, to describe
       the self-complete Divine essence as shut up in itself and motionless, exhibits a wavering,
       not yet thoroughly formed tone of thought, for which indeed Aristotle finds fault with him
        (<hi rend="ital">l.c.</hi> p. 986b, 26). We cannot admit again, that no trace of the
       original epic style is to be found in his conclusions and propositions. Such expressions as
        <foreign xml:lang="grc">κρατεῖν ἀλλὰ μὴ κρατεῖσθαι</foreign> (p. 977. 27, comp. 31,
       38), <foreign xml:lang="grc">οὔτι ἀτρεμεῖν οὔτι κινεῖσθαι</foreign> (<hi rend="ital">ib.</hi> 6, 16) show the contrary.</p><p>While, however, Xenophanes identified the existent with the Deity, and conceived of it as
       the basis of phenomena, he could not yet, like his successor Parmenides, who proceeded in a
       dialectic manner, hold the manifold, in opposition to the one existence, as non-existent
       (comp. Arist. <hi rend="ital">de Xenoph. &amp;c.</hi> 100.4, p. 977b., 24); and certainly his
       sceptical expressions (fr. xiv. xv.), which must have heightened Timon's preference for him,
       are not to be understood as Sextus Empiricus (<hi rend="ital">Pyrrh. Hyp.</hi> 1.225) and
       others understood them, as though he had attributed certainty to the conviction of the unity
       and eternity of the divine essence, but probability only to the assumption respecting the
       plurality of gods and the world of phenomena. Of the scanty, and in part doubtful, statements
       respecting his mode of explaining the latter (see Brandis, <hi rend="ital">Handbuch der
        Geschichte der Griech. Röm. Phil.</hi> vol. i. p. 373, &amp;c) all that deserves
       mention here is his endeavour to establish that the surface of the earth had gradually risen
       out of the sea, by appealing to the shells and petrifactions of marine products found on
       mountains and in quarries (<hi rend="ital">Orig. Philos.</hi> 100.4).</p></div><div><head>Editions</head><p>Respecting the life, doctrines, and fragments of Xenophanes, compare <bibl>Fülleborn's
        essay; <hi rend="ital">Xenophanes,</hi> in his <title xml:lang="la">Beiträge</title>
        (i. p. 59, &amp;c)</bibl>; <bibl>C. A. Brandis, <hi rend="ital">Comment. Eleat.</hi> pars
        prima (Altonae, 1813)</bibl>; <bibl><hi rend="ital">Xenophane, Fondateur de l'Ecole
         d'Elée,</hi> by Victor Cousin, in his <title xml:lang="la">Nouveaux Fragments
         philosophiques,</title> p. 9, &amp;c</bibl>; <bibl>and especially <hi rend="ital">Xenophanis Colophonii Carminum Reliquiae; de Vita ejus et Studiis disseruit, Fragmenta
         explicavit, Placita illustravit</hi> Simon Karsten, Bruxellis, 1830 (<hi rend="ital">Philosophorum Graecorum Veterum Reliqu.</hi> vol. i. pars 1).</bibl>
      </p></div><byline>[<ref target="author.CH.A.B">Ch. A. B.</ref>]</byline></div></div></body></text></TEI>
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