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                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="U"><div type="textpart" subtype="entry" xml:id="l-varius-rufus-bio-1" n="l_varius_rufus_1"><head><label><persName xml:lang="la"><forename full="yes">L.</forename><surname full="yes">Va'rius</surname><addName full="yes">Rufus</addName></persName></label></head><p>one of the most distinguished poets of the Augustan age, the companion and friend of Virgil
      and Horace. By the latter he is placed in the foremost rank among the epic bards, and
      Quintilian has pronounced that his tragedy of Thyestes might stand a comparison with any
      production of the Grecian stage.</p><p>But notwithstanding the high fame which he enjoyed among his contemporaries, and which was
      confirmed by the deliberate judgment of succeeding ages, there is scarcely any ancient author
      of celebrity concerning whose personal history we are more completely ignorant. We cannot
      determine the date of his birth, nor of his death, nor are we acquainted with any of the
      leading events of his career. This has arisen partly from the absolute silence of those from
      whom we might reasonably have hoped to glean some information, partly from the circumstance
      that he upon no occasion mingled in the business of public life, and partly from the confusion
      which prevails in MSS. between the names <hi rend="ital">Varius, Varro,</hi> and <hi rend="ital">Varus,</hi> the last especially being an appellation borne by several remarkable
      personages both political and literary towards the downfal of the republic, and under the
      early emperors. If we dismiss mere fanciful conjectures the sum total of our actual knowledge
      may be expressed in a very few words.</p><p>1. We may conclude with certainty that he was senior to Virgil. This seems to be proved by
      the well-known lines of Horace (<hi rend="ital">Sat.</hi> 1.10. 44),</p><p>" forte epos acer<lb/> Ut nemo Varius ducit : molle atque facetum<lb/> Virgilio adnuerunt
      gaudentes rure Camoenae,"</p><p>for from these we may at once infer that Varius had already established his reputation in
      heroic song while Virgil was known only as a pastoral bard.</p><p>2. He enjoyed the friendship of Maecenas from a very early period, since it was to the
      recommendation of Varius in conjunction with that of Virgil, that Horace was indebted for an
      introduction to the minister, an event which took place not later than <date when-custom="-39">B. C.
       39</date>, for we know that the three poets accompanied the great man upon his mission to
      Brundisium <date when-custom="-38">B. C. 38</date>.</p><p>3. He was alive subsequent to <date when-custom="-19">B. C. 19</date>. This cannot be questioned,
      if we believe the joint testimony of Hieronymus (<hi rend="ital">Chron. Euseb.</hi> Olymp.
      exe. 4) and Donatus (<hi rend="ital">Vit. Virg.</hi> 14.53, 57), who assert that Virgil on his
      death bed appointed Plotius Tucca and Varius his literary executors, and that they revised the
      Aeneid, but in obedience to the strict injunctions of its author made no additions.</p><p>It has been supposed from a passage of Horace in the Epistle to Augustus (<bibl n="Hor. Ep. 2.1.247">Hor. Ep. 2.1. 247</bibl>), that Varius was dead at the time when it was
      published, that is, about <date when-custom="-10">B. C. 10</date>, but the words do not warrant the
      conclusion.</p><div><head>Works</head><p>The only works by Varius of which any record has been preserved are :--</p><div><head>I. <title xml:lang="la">De Morte.</title></head><p>Macrobius (<bibl n="Macr. 6.2">Macr. 6.2</bibl>) informs us that the eighty-eighth line of
        Virgil's eighth eclogue was borrowed from a poem by Varius, bearing the singular title
         <title>De Morte.</title> Hence this production must have been written in heroic verse, and
        it seems highly probable that the chief subject was a lamentation for the death of Julius
        Caesar on whose glories, John of Salisbury assures us (<hi rend="ital">Policrat.</hi> 8.14),
        the muse of Varius shed a brilliant lustre. Four fragments have been preserved by Macrobius
         (<bibl n="Macr. 6.1">Macr. 6.1</bibl>, <bibl n="Macr. 6.2">2</bibl>), in all of which
        Varius had been copied or imitated by Virgil. The longest, extending to six lines, contains
        a description of a hound couched in highly spirited and sonorous language.</p></div><div><head>II. <title xml:lang="la">Panegyricus in Caesarem Octavianum</title></head><p>From this Horace, according to the Scholiasts, borrowed the lines inserted by him in the
        sixteenth Epistle of his first book (27, foll.): <quote xml:lang="la" rend="blockquote"><l>Tene magis salvum populus velit, an populum tu,</l><l>Servet in ambiguo, qui consulit et tibi et urbi</l><l>Jupiter</l></quote></p><p>No other specimen has been preserved.</p></div><div><head>III. <title xml:lang="la">Thyestes.</title></head><p>The admiration excited by this drama, the last probably of the works of Varius, was so
        intense that it seems to have overshadowed the renown which he had previously acquired in
        epic poetry, and this may account for the omission of his name by Quintilian when
        enumerating those who had excelled in this department. A strange story grew up and was
        circulated among the mediaeval scholiasts, that Varius was not really the author of the
        Thyestes, but that he stole it, according to one account (Schol. <hi rend="ital">ad Hor.
         Ep.</hi> 1.4. 4), from Cassius of Parma, according to another from Virgil. (Serv. (<hi rend="ital">ad Virg. Ecl.</hi> 3.20; comp. Schol. <hi rend="ital">ad Virg. Ecl.</hi> 6.3;
        Donat. <hi rend="ital">Vit. Virg.</hi> 20.81.) Weichert has with much ingenuity devised a
        theory to account for the manner in which the mistake arose, but it is scarcely worth while
        to refute a fable which has ever been regarded as ridiculous. No portion of the tragedy has
        descended to us except a few words, and one sentence quoted by Marius Victorinus (A. G. p.
        2503, ed. Putsch.), which critics have in vain endeavoured to mould into verse. It appears
        from a Codex rescriptus in the royal library of Paris, of which Schneidewin <pb n="1222"/>
        has given an account (<hi rend="ital">Rheinisches Museum,</hi> vol. i. p. 106, fol. Neue
        Folge, 1842), that a MS. of the <title xml:lang="la">Thyestes</title> was extant in the
        eighth century of our era. It is from this Codex that we learn that <hi rend="ital">Rufus</hi> was the cognomen of Varius; and it is further stated that the
         <title>Thyestes</title> was performed after the return of Augustus from the battle of
        Actium, and that the poet received a million of sesterces (<hi rend="ital">sestertium
         decies</hi>) for it. (Hor. <hi rend="ital">Sat.</hi> 1.9. 23, <hi rend="ital">Carm.</hi>
        1.6, <hi rend="ital">Ar. Poet,</hi> 55; Martial, <bibl n="Mart. 8.18">8.18</bibl>, <bibl n="Quint. Inst. 10.1.98">Quint. Inst. 10.1.98</bibl>; <bibl n="Macr. 2.4">Macr. 2.4</bibl>;
        Porphyr. <hi rend="ital">ad Horat. Carm.</hi> 1.6; Donat. <hi rend="ital">Vit. Virg.</hi>
        15.56.)</p></div></div><div><head>Further Information</head><p>Weichert has collected with much industry, and combined with much ingenuity all that can be
       fixed with certainty, or surmised with probability concerning Varius, but he is obliged to
       acknowledge that with the exception of the few facts detailed above everything which has been
       advanced, rests upon simple conjecture. See his essay, " De Lucii Varii et Cassii Parmensis
       Vita et Carminibus," 8vo. Grim. 1836. </p></div><byline>[<ref target="author.W.R">W.R</ref>]</byline></div></div></body></text></TEI>
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