<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.tryphon_5</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.tryphon_5</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="T"><div type="textpart" subtype="entry" xml:id="tryphon-bio-5" n="tryphon_5"><head><persName xml:lang="la"><surname full="yes">Tryphon</surname></persName></head><p>(<label xml:lang="grc">Τρύφων</label>), artists.</p><p>1. An eminent engraver of precious stones, whose beryl, engraved with a figure of the
      sea-nymph Galene, is mentioned in an epigram by Addaeus (No. 6, Brunck, <hi rend="ital">Anal.</hi> vol. ii. p. 242), who appears to have lived in the time of Alexander the Great
      and his successors. There is a very celebrated gem by him in the collection of the Duke of
      Marlborough, representing the reconciliation of Eros and Psyche (Bracci, 2.114), of which
      there are several copies; one of the best of these is in the Museum at Naples (Visconti, <hi rend="ital">Op. Var.</hi> vol. ii. p. 192, No. 114). There is also a carnelian, engraved with
      a figure of Eros riding on a lion, bearing the inscription <foreign xml:lang="grc">ΤΡΥΦΩΝ</foreign>, in the Museum of the Hague (De Jonge, <hi rend="ital">Notice,</hi>
      p. 148, No. 16); and another gem, mentioned by Raspe (<hi rend="ital">Catal. de Tassie,</hi>
      No. 15454), with the inscription <foreign xml:lang="grc">ΤΡΥΦΩΝ
      ΕΠΟΙΕΙ</foreign>. His name also occurs on another gem, in the Museum of the Hague (De
      Jonge, p. 151, No. 12; Caylus, <hi rend="ital">Recueil,</hi> v. pl. liii. No. 5, p. 148); but
      in this case the inscription is certainly a modern forgery. (R. Rochette, <hi rend="ital">Lettre à M. Schorn,</hi> pp. 157. 158.)</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>