<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.tryphon_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.tryphon_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="T"><div type="textpart" subtype="entry" xml:id="tryphon-bio-2" n="tryphon_2"><head><persName xml:lang="la"><surname full="yes">Tryphon</surname></persName></head><p>2. The son of Hermes, the author of an epigram in the Greek Anthology. on the sudden death
      of the harp-player Terpes, who was killed in the Scias of Sparta, by having a fig thrown into
      his open mouth. There is a passage of Suidas (<hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Γλυκὺ μέλι καὶ πνιξάτω</foreign>), which makes it all but
      certain that the Terpes of the epigram is no other than the celebrated Terpander, and that the
      epigram refers to a traditional account of his death, in which, as in similar stories of the
      end of other poets, even the manner of his decrease was made symbolical of the sweetness of
      his compositions. Respecting Tryphon himself we have no further information. (Brunck. <hi rend="ital">Anal.</hi> vol. ii. p. 451 ; Jacobs, <hi rend="ital">Anth. Graec.</hi> vol. iii.
      p. 157, vol. x. p. 296, vol. xiii. p. 963.)</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>