<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.thales_3</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.thales_3</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="T"><div type="textpart" subtype="entry" xml:id="thales-bio-3" n="thales_3"><head><persName xml:lang="la"><surname full="yes">Thales</surname></persName></head><p>(<label xml:lang="grc">Θαλῆς</label>) of Sicyon, a painter.</p><p>He is mentioned with the epithet <foreign xml:lang="grc">μεγαλοφυής</foreign> by Diogenes
      Laertius (1.38), on the authority of Demetrius Magnes. In the same passage, Diogenes speaks of
      another Thales, as mentioned in the work of Duris on painting; and it may be presumed,
      therefore, that this Thales was a painter ; but whether the two were different persons, or the
      same person differently mentioned by Demetrius and by Duris, cannot be determined.</p><p>A curious passage respecting an artist of this name has been discovered by Osann, in an
      oration of Theodorus Hyrtacenus, published in Boissonade's <hi rend="ital">Anecdota
       Graeca,</hi> vol. i. p. 156 : --<foreign xml:lang="grc">Ἕλληνες Φειδίαν Θαλῆν τε
       καὶ Ἀπελλῆν</foreign>, <foreign xml:lang="grc">τὸν μὲν λιθοξοϊκῆς</foreign>,
       <foreign xml:lang="grc">τὸν δʼ αὖ πλαστικῆς</foreign>, <foreign xml:lang="grc">Ἀπελλῆν δὲ γραφικῆς ἕνεκα καὶ τῶν ἐκεῖθεν χαρίτων ἐθαύμαζον</foreign>. It is
      certainly remarkable to find a statuary, otherwise unknown (or, if he be the same person as
      the painter, little better than unknown), placed by a late Byzantine writer on a level with
      Pheidias and Apelles. There is probably some error; but whether it rests with the author or
      the transcriber, and what is its correction, we have not the means of deciding. Perhaps Osann
      may have discussed the question, but we have no opportunity of referring to his paper in the
       <title>Kunstblatt,</title> which we mention on the authority of Raoul-Rochette, who only
      observes that " the difficulty is not serious, as there were many artists who practised at the
      same time statuary and painting," as if <hi rend="ital">that</hi> were the difficulty !</p><div><head>Further Information</head><p>Osann, <hi rend="ital">Kunstblatt,</hi> 1832, No. 74; Rochette, <hi rend="ital">Lettre
        à M. Schorn,</hi> p. 415, 2d ed.</p></div><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>