<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.taleides_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:T.taleides_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="T"><div type="textpart" subtype="entry" xml:id="taleides-bio-1" n="taleides_1"><head><persName xml:lang="la"><surname full="yes">Taleides</surname></persName></head><p>a maker of painted vases, an interesting work by whom has been found in a tomb at
      Agrigentum, representing the destruction of the Minotaur, in the stiff archaic style. It is
      now in the collection of Mr. Hope, and is one of the vases engraved by Moses. (Lanzi, <hi rend="ital">dei Vasi antichi dipinti,</hi> pl. iii. pl. 147; Millin, <hi rend="ital">Peint.
       de Vas.</hi> vol. ii. pl. lxi.) Another specimen of his workmanship has been more recently
      discovered at Vulci. namely. a small cup, bearing the inscription <pb n="973"/>
      <foreign xml:lang="grc">ΤΑΔΕΙΔΕΣ ΕΠΟΙΕΣΕΝ</foreign>, and now in the Museum
      at Berlin. (Levezow, <hi rend="ital">Verzeichniss,</hi> No. 685, p. 136; Gerhard, <hi rend="ital">Berlin's ant. Bildwerke.</hi> No. 685, p. 223.) It is remarkable that vases by
      the same maker should be found in Sicily and in Etruria; and also that the two specimens are
      in quite different styles of workmanship. The first of these facts is taken by R. Rochette as
      an indication of the early commercial intercourse between Sicily and Etroria, by which the
      former country obtained the manufactures of the latter. Müller supposes Taleides to have
      been of the Attic school of art, because the subject of the work found at Agrigentum is
      exactly repeated on an Attic vase. (R. Rochette, <hi rend="ital">Lettre à M.
       Schorn,</hi> pp. 17, 60, 2d ed.; Müller, <hi rend="ital">Archäol. d, Kunst,</hi>
      § 99, n. 3, No. 2.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>