<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:S.strattis_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:S.strattis_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="S"><div type="textpart" subtype="entry" xml:id="strattis-bio-2" n="strattis_2"><head><persName xml:lang="la"><surname full="yes">Strattis</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Στράττις</surname></persName> or <foreign xml:lang="grc">Στράτις</foreign>, but the former is the more correct orthography), an
      Athenian comic poet of the Old Comedy, flourished, according to Suidas, a little later than
      Callias. He must therefore have begun to exhibit about Ol. 92, <date when-custom="-412">B. C.
       412</date>. He was in part contemporary with Sannyrion and Philyllius, both of whom are
      attacked in extant quotations from his works (Schol. <hi rend="ital"><bibl n="Aristoph. Pl. 1195">Aristoph. Pl. 1195</bibl> ;</hi> Ath. xii. p. 551c.; Poll. 10.189.)
      The drama of Strattis in which Philyllius was attacked was the <foreign xml:lang="grc">Ποτάμιοι</foreign>, which, the Scholiast says, was brought out before the
       <title>Ecclesiazusae</title> of Aristophanes, and therefore not later than <date when-custom="-394">B. C. 394</date> or 393 (see Clinton, <hi rend="ital">F. H.</hi> vol. ii. <hi rend="ital">s.
       a. 394</hi>). Again, in his <title xml:lang="grc">Ἀνθρωπορραίστης</title> he attacked
      Hegelochus, the actor of the <title>Orestes</title> of Euripides; so that this play must have
      been brought out later than <date when-custom="-408">B. C. 408</date>. the year in which the
       <title>Orestes</title> was exhibited (Schol. <hi rend="ital"><bibl n="Eur. Orest. 278">Eur.
        Orest. 278</bibl> ;</hi> Clinton, <hi rend="ital">F. H.</hi> vol. ii. <hi rend="ital">s. a.
       407</hi>). Strattis was still exhibiting at the end of the 99th Olympiad, <date when-custom="-380">B. C. 380</date>, for we cannot well refer to an earlier period his attack on Isocrates on
      account of his fondness for Lagisca when he was far advanced in years (Ath. xiii. p. 592d.;
      Harpocr. <hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Λαγίσκα</foreign>). We have little opportunity of forming a
      judgment on the poetical character of Strattis. His intense admiration of the
       <title>Orestes</title> of Euripides does not say much for his taste (Schol. <hi rend="ital"><bibl n="Eur. Orest. 278">Eur. Orest. 278</bibl></hi>). From the epithet <foreign xml:lang="grc">φορτικόν</foreign>, applied to one of his plays, it may be inferred that he
      indulged in that low and insipid buffoonery, with which Aristophanes frequently charges his
      rivals (Hesych. <hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">κολεκάνοι</foreign>; comp. <bibl n="Aristoph. Cl. 524">Aristoph.
       Cl. 524</bibl>, <hi rend="ital">Vesp. 66 ;</hi>
      <bibl n="Aristot. Nic. Eth. 4.8.1">Aristot. EN 4.8</bibl>; Plut. <hi rend="ital">Op. Mor.</hi>
      p. 348c.)</p><p>According to an anonymous writer on Comedy (p. xxxiv.) Strattis composed sixteen dramas.
      Suidas mentions the following titles of his plays : <foreign xml:lang="grc">Ἀνθρωπορέστης</foreign>, or, as it should be, <foreign xml:lang="grc">Ἀνθρωπορραίστης</foreign>, <foreign xml:lang="grc">Ἀταλάντη</foreign>, <foreign xml:lang="grc">Ἀγαθοί ἤτοι Ἀργυρίου ἀφανισμόρ</foreign>, <foreign xml:lang="grc">Ἰφιγέρων</foreign>, <foreign xml:lang="grc">Καλλιπίδης</foreign>,
       <foreign xml:lang="grc">Κινησίας</foreign>, <foreign xml:lang="grc">Λιμνομέδων</foreign>, <foreign xml:lang="grc">Μακεδόνες</foreign>, <foreign xml:lang="grc">Μήδεια</foreign>, <foreign xml:lang="grc">Τρωϊͅλορ</foreign>, <foreign xml:lang="grc">Φοἰνισσαι</foreign>, <foreign xml:lang="grc">Φιλοκτήτης</foreign>,
       <foreign xml:lang="grc">Χρύσιππος</foreign>, <foreign xml:lang="grc">παυσανίας</foreign>, <foreign xml:lang="grc">ψυχασταί</foreign>, in addition to which,
      four titles are mentioned by other writers, namely, <foreign xml:lang="grc">Ζώπυρος
       περικαιόμενος</foreign>, <foreign xml:lang="grc">Μυρμιδόνερ</foreign>, <foreign xml:lang="grc">ποτάμιοι</foreign>, <foreign xml:lang="grc">πύτισος</foreign>. His name
      sometimes appears in the corrupted form <foreign xml:lang="grc">Στράτων</foreign>, and
      some scholars have supposed the comic poets Strattis and Straton to be one and the same
      person; but this opinion is undoubtedly erroneous. (Meineke, <hi rend="ital">Frag. Com.
       Graec.</hi> vol. i. pp. 221-236, 427, vol. ii. pp. 763, foil., Editio Minor, pp. 428, foil.;
      Bergk, <hi rend="ital">Reliq. Com. Att. Ant.</hi> pp. 284, 285; Clinton, <hi rend="ital">F.
       H.</hi> vol. ii. Introd. p. xliv. note r.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
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