<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:S.sphinx_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:S.sphinx_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="S"><div type="textpart" subtype="entry" xml:id="sphinx-bio-1" n="sphinx_1"><head><label>SPHINX</label></head><p>(<label xml:lang="grc">Σφίγξ</label>
      <note anchored="true" place="margin">* In the Boeotian dialect the name was <foreign xml:lang="grc">φίξ</foreign> (Hes. <hi rend="ital">Theog. 326</hi>), whence the name of the Boeotian
       mountain, <foreign xml:lang="grc">Φίκιον ὄρος</foreign>. (Hes. <hi rend="ital">Scut.
        Here. 33.</hi>)</note>), a monstrous being of Greek mythology, is said to have been a
      daughter of Orthus and Chimaera, born in the country of the Arimi (Hes. <hi rend="ital">Theog.
       326</hi>), or of Typhon and Echidna (<bibl n="Apollod. 3.5.8">Apollod. 3.5.8</bibl>; Schol.
       <hi rend="ital">ad Enrip. Phoen. 46</hi>), or lastly of Typhon and Chimaera (Schol. <hi rend="ital">ad Hes.</hi> and <hi rend="ital">Eurip. l. .c.</hi>). Some call her a natural
      daughter of Laius (<bibl n="Paus. 9.26.2">Paus. 9.26.2</bibl>). Respecting her stave at Thebes
      and her connection with the fate of the house of Laius, see <hi rend="smallcaps">OEDIPUS</hi>.
      The middle which she there proposed, she is said to have learnt front the Muses (<bibl n="Apollod. 3.5.8">Apollod. 3.5.8</bibl>), or Laius himself taught her the mysterious oracles
      which Cadmus had received at Delphi (<bibl n="Paus. 9.26.2">Paus. 9.26.2</bibl>). According to
      some she had been sent into Boeotia by Hera, who was angry with the Thebans for not having
      punished Lains, who had carried off Chrysippus from Pisa. She is said to have come from the
      most distant part of Ethiopia (Apollod. <hi rend="ital">l.c. ;</hi> Schol. <hi rend="ital">ad
        <bibl n="Eur. Phoen. 1760">Eur. Phoen. 1760</bibl></hi>); according to others she was sent
      by Ares, who wanted to take revenge because Cadmus had slain his son, the dragon (<hi rend="ital">Argum. ad Eurip. Phoen.</hi>), or by Dionysus (Schol. <hi rend="ital">ad <bibl n="Hes. Th. 326">Hes. Th. 326</bibl></hi>), or by Hades (Eurip. <hi rend="ital">Phoen.
       810</hi>), and some lastly say that she was one on the women who, together with the daughters
      of Cadmus, were thrown into madness, and was metamorphosed into the monstrous figure. (Schol.
       <hi rend="ital">ad <bibl n="Eur. Phoen. 45">Eur. Phoen. 45</bibl>.</hi>)</p><p>The legend itself clearly indicates from what quarter this being was believed to have been
      introduced into Greek mythology. The figure which she was conceived to have had is originally
      Egyptian or Ethiopian; but after her incorporation with Grecian story, her figure was
      variously modified. The Egyptian Sphinx is the figure of an unwinged lion in a lying attitude,
      but the upper part of the body is human. They appear in Egypt to have been set up in avenues
      forming the approaches to temples. The greatest among the Egyptian representations of Sphinxes
      is that of Ghizeh, which, with the exception of the paws, is of one block of stone. The
      Egyptian Sphinxes are often called <foreign xml:lang="grc">ἀνδρόσφιγγες</foreign> (<bibl n="Hdt. 2.175">Hdt. 2.175</bibl>; Menandr. <hi rend="ital">Fragm.</hi> p. 411, ed. Meineke),
      not describing them as <hi rend="ital">male</hi> beings, but as lions with the upper part <hi rend="ital">human,</hi> to distinguish them from those Sphinxes whose upper part was that of
      a sheep or ram. The common idea of a Greek Sphinx, on the other hand, is that of a winged body
      of a lion, having the breast and upper part of a woman (Aelian, <bibl n="Ael. NA 12.7">Ael. NA
       12.7</bibl>; Auson. <hi rend="ital">Griph. 40 ;</hi>
      <bibl n="Apollod. 3.5.8">Apollod. 3.5.8</bibl>; Schol. <hi rend="ital">ad <bibl n="Eur. Phoen. 806">Eur. Phoen. 806</bibl></hi>). Greek Sphinxes, moreover, are not always
      represented in a lying attitude, but appear in different positions, as it might suit the fancy
      of the sculptor or poet. Thus they appear with the face of a maiden, the breast, feet, and
      claws of a lion, the tail of a serpent, and the wings of a bird (Schol. <hi rend="ital">ad
        <bibl n="Aristoph. Frogs 1287">Aristoph. Frogs 1287</bibl> ;</hi> Soph. <hi rend="ital">Oed.
       Tyr. 391 ;</hi>
      <bibl n="Ath. 6.253">Athen. 6.253</bibl>; Palaephat. 7); or the fore part of the body is that
      of a lion, and the lower part that of a man, with the claws of a vuiture and the wings of an
      eagle (Tzetz. <hi rend="ital">ad Lycoph. 7</hi>). Sphinxes were frequently introduced by Greek
       <pb n="896"/> artists, as ornaments of architectural and other works. (<bibl n="Paus. 3.18.8">Paus. 3.18.8</bibl>, <bibl n="Paus. 5.11.2">5.11.2</bibl>; Eurip. <hi rend="ital">Elect.
       471.</hi>) </p><byline>[<ref target="author.L.S">L.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>