<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="S"><div type="textpart" subtype="entry" xml:id="sotades-bio-2" n="sotades_2"><head><persName xml:lang="la"><surname full="yes">So'tades</surname></persName></head><p>2. A native of Maroneia in Thrace (or, according to others, of Crete, but he is generally
      called <foreign xml:lang="grc">Μαρωνείγης</foreign>), flourished at Alexandria about <date when-custom="-280">B. C. 280</date>. He wrote lascivious poems, called <foreign xml:lang="grc">φλύακες</foreign> or <foreign xml:lang="grc">κίναιδοι</foreign>, in the Ionic dialect,
      whence they were also called <foreign xml:lang="grc">Ἰωνικοὶ λόγοι</foreign>. (Suid.
      s.v. Ath. xiv. p. 620e.) They were also called <foreign xml:lang="grc">Σωτάδεια
       ᾄσματα</foreign>. (Socrat. <hi rend="ital">H. E.</hi> 1.9.) As other examples of this
      species of composition, Athenaeus and Suidas mention the works of Alexander the Aetolian,
      Pyres (or Pyrrhus) the Milesian, Alexas, Theodorus, Timocharidas and Xenarchus. Strabo (<bibl n="Strabo xiv.p.648">xiv. p.648</bibl>) ascribes the beginning of this species to Sotades,
      who, as well as his successor, Alexander the Aetolian, wrote in prose, while Lysis and Simus
      wrote in metre; but there is some error in this statement, for we have express information
      respecting the kind of metre which Sotades employed. It would seem that Sotades carried his
      lascivious and abusive satire to the utmost lengths; this appears to be what Suidas means by
      calling him <foreign xml:lang="grc">δαιμονισθείς</foreign>. The freedoms which he took at
      last brought him into trouble. According to Plutarch (<hi rend="ital">Op. Mor.</hi> p. 11a.)
      he made a vehement and gross attack on Ptolemy Philadelphus, on the occasion of his marriage
      with his sister Arsinoe, and the king threw him into prison, where he rotted for a long time.
      According to Athenaeus (<hi rend="ital">l.c.</hi> the poet attacked both Lysimachus and
      Ptolemy, and, having fled from Alexandria, he was overtaken at Caunus by Ptolemy's general
      Patroclus, who shut him up in a leaden chest and cast him into the sea.</p><p>Of his works, we possess a few lines, and the following titles : -- <foreign xml:lang="grc">Ἄδωνις</foreign> (Hephaest. p. 8, ed. Gaisford); <foreign xml:lang="grc">Ἀμαζών</foreign> (Suid.) <foreign xml:lang="grc">εἰς ᾁδου
       κατάβασις</foreign> (Suid.); <foreign xml:lang="grc">εἰς Βελεστίχην</foreign> (Suid.);
       <foreign xml:lang="grc">Ἰλίας</foreign> (Hephaest. p. 21 ); <foreign xml:lang="grc">Πρίηπος</foreign> (Suid.).</p><p>The metre which he generally used, and which was called after him the
       <title>Sotadean</title> verse, was Ionic a Majore Tetrameter Brachycatalectic <figure/>
      admitting, however, of several variations. (Hephaest. p. 63; Gaisf. <hi rend="ital">ad
       Hephaest.</hi> p. 319).</p><p>Athenaeus (xiv. p. 620e.) refers to commentaries on Sotades and his works by his son
      Apollonius, and by Carystius of Pergamus. He appears to have had many imitators. Of the Latin
      poets, Ennius, L. Accius, and others, are said to have composed poems of the same species; and
      even among Greek churchmen Arius was accused by Athanasius of writing in a style approaching
      to the " Sotadean poems." (Fabric. <hi rend="ital">Bibl. Graec.</hi> vol. ii. pp. 495, 496;
      Clinton, <hi rend="ital">F. H.</hi> vol. iii. <hi rend="ital">s. a. 280,</hi> p. 500.)</p></div></div></body></text></TEI>
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