<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.ptolichus_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.ptolichus_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="ptolichus-bio-2" n="ptolichus_2"><head><persName xml:lang="la"><surname full="yes">Pto'lichus</surname></persName></head><p>2. Of Corcyra, the pupil of Critios of Athens (<bibl n="Paus. 6.3.2">Paus. 6.3.2</bibl>. s.
      5). Pausanias does not mention any work of his, but merely gives his name as one of the
      following artistic genealogy of teachers and pupils: Critios of Athens, Ptolichus, Amphion,
      Pison of Calauria, Damocritus of Sicyon. As Critios flourished chiefly about Ol. 75, <date when-custom="-477">B. C. 477</date>, we may place Ptolichus about Ol. 83, <date when-custom="-448">B. C.
       448</date>. He was therefore a contemporary of Pheidias. </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>