<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.plutarchus_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.plutarchus_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="plutarchus-bio-2" n="plutarchus_2"><head><persName xml:lang="la"><surname full="yes">Pluta'rchus</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Πλούταρχος</surname></persName>), 1. The younger, was
      a son of the famous biographer of the same name, and is supposed by some to have been the
      author of several of the works which pass usually for his father's, as e. g. the
       <title>Apophthegmata,</title> and the treatises <foreign xml:lang="grc">περὶ
       ποταμῶν</foreign> and <foreign xml:lang="grc">περὶ τῶν ἀρεσκόντων τοῖς
       φιλοσόφοις.</foreign> His explanation of the fabled Sirens as seductive courtezans (Tzetz.
       <hi rend="ital">Chil.</hi> 1.14, comp. <hi rend="ital">ad Lycophr.</hi> 653) only shows that
      he belonged to that class of dull and tasteless critics, referred to by Niebuhr with just
      indignation, who thought that they were extracting historical truth from poetry by the very
      simple and ingenious process of turning it into prose. (See Voss. <hi rend="ital">de Hist.
       Graec.</hi> pp. 251, 252, ed. Westermann; Niebuhr, <hi rend="ital">Hist. of Rome,</hi> vol.
      i. p. 232.)</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>