<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.philiscus_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.philiscus_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="philiscus-bio-2" n="philiscus_2"><head><persName xml:lang="la"><surname full="yes">Philiscus</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Φιλίσκος</surname></persName>), literary.</p><p>1. An Athenian comic poet of the Middle Comedy, of whom little is known. Suidas simply
      mentions him as a comic poet, and gives the following titles of his plays : <foreign xml:lang="grc">Ἄδωνις, Διὸς γοναί, Θημιστοκλῆς, Ὄλυμπος, Πανὸς γοναί,
       Ἑρμοῦ καὶ Ἀφροδίτης γοναί, Ἀρτέμιδος καὶ Ἀπόλλωνος.</foreign> These
      mythological titles sufficiently prove that Philiscus belonged to the Middle Comedy. The
      nativities of the gods, to which most of them relate, formed a very favourite class of
      subjects with the poets of the Middle Comedy. (Meineke, <hi rend="ital">Hist. Crit. Com.
       Graec.</hi> pp. 278, &amp;c.) Eudocia omits the title <title xml:lang="grc">Ἑρμοῦ καὶ
       Ἀφροδίτης γοναί</title>, and Lobeck has pointed out the difficulty of seeing how the
      nativities of Hermes and Aphrodite could be connected in one drama (<hi rend="ital">Aglaoph.</hi> p. 437); a difficulty which Meineke meets by supposing that we ought to read
       <foreign xml:lang="grc">Ἑρμοῦ γοναί, Ἀφροδίτης γοναι</foreign>, as two distinct
      titles (<hi rend="ital">Hist. Crit.</hi> pp. 281, 282). The <hi rend="ital">Themistocles</hi>
      is, almost without doubt, wrongly ascribed by Suidas to the comie poet Philiscus, instead of
      the tragic poet of the same name. Another play is cited by Stobaeus (<hi rend="ital">Serm.</hi> 73.53), namely the <foreign xml:lang="grc">Φιλάργυροι</foreign>, or, as
      Meineke thinks it ought to be, <foreign xml:lang="grc">Φιλάργυρος</foreign>.</p><p>Philiscus must have flourished about <date when-custom="-400">B. C. 400</date>, or a little later,
      as his portrait was painted by Parrhasius, in a picture which Pliny thus describes (<hi rend="ital">H. N.</hi> 35.10. s. 36.5) :--"<hi rend="ital">et Philiscum, et Liberum patrem
       adstante Virtute,"</hi> from which it seems that the picture was a group, representing the
      poet supported by the patron deity of his art, and by a personified representation of Arete,
      to intimate the excellence he had attained in it. <pb n="294"/> Naeke has clearly shown that
      this statement can only refer to Philiscus the comic poet, and not to any other of the known
      persons of the same name. (<hi rend="ital">Sched. Crit.</hi> p. 26; <hi rend="ital">Opusc.</hi> vol. i. p. 42).</p><p>There are very few fragments of Philiscus preserved. Stobaeus (<hi rend="ital">l.c.</hi>)
      quotes two verses from the <foreign xml:lang="grc">Φιλάργυροι</foreign>, and elsewhere
      (29.40), two from an unknown play. Another verse from an unknown play is quoted by Dicaearchus
       (<hi rend="ital">Vit. Graec.</hi> p. 30, Buttmann); and another is preserved in the Palatine
      Anthology (11.441, vol. i. p. 445, ed. Jacobs), which Jacobs wrongly ascribes to the
      rhetorician of Miletus. (Meineke, <hi rend="ital">Frag. Com. Graec.</hi> vol. i. pp. 423, 424,
      vol. iii. pp. 579, 580 ; Naeke, <hi rend="ital">l.c.</hi>)</p></div></div></body></text></TEI>
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