<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.philippides_1</requestUrn>
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                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.philippides_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="philippides-bio-1" n="philippides_1"><head><persName xml:lang="la"><surname full="yes">Phili'ppides</surname></persName></head><p>(<label xml:lang="grc">Φιλιππίδης</label>), of Athens, the son of Pliilocles, is
      mentioned as one of the six principal comic poets of the New Comedy by the grammarians (<hi rend="ital">Proleg. ad Aristoph.</hi> p. 30; Tzetz. <hi rend="ital">Prole. ad Lycohr.</hi> p.
      257, with the emendation of <foreign xml:lang="grc">Φιλιππίδης</foreign> for <foreign xml:lang="grc">Φιλιστίων</foreign>, see <hi rend="smallcaps">PHILISTION</hi>). According
      to Suidas, he flourished in the 111th Olympiad, or <date when-custom="-335">B. C. 335</date>, a date
      which would throw him back rather into the period of the Middle Comedy. There are, however,
      several indications in the fragments of his plays that he flourished under the successors of
       <ref target="alexander-the-great-bio-1">Alexander</ref>; such as, first, his attacks on
      Stratocles, the flatterer of Demetrius and Antigonus, which would place him between Ol. 118
      and 122 (Plut. <hi rend="ital">Demrtr.</hi> 12, 26, pp. 894, 100.900, f., <hi rend="ital">Amator.</hi> p. 730f.), and more particularly his ridicule of the honours which were paid to
      Demetrius through the influence of Stratocles, in <date when-custom="-301">B. C. 301</date>
      (Clinton, <hi rend="ital">F. H. sub ann.</hi>); again, his friendship with king Lysimachus,
      who was induced by him to confer various favours on the Athenians, and who assumed the royal
      title in Ol. 118. 2, <date when-custom="-306">B. C. 306</date> (<bibl n="Plut. Demetr. 12">Plut.
       Demetr. 12</bibl>); and the statements of Plutarch (<hi rend="ital">l.c.</hi>) and Diodorus
       (<bibl n="Diod. 20.110">20.110</bibl>), that he ridiculed the Eleusinian mysteries, into
      which he had been initiated in the archonship of Nicocles, <date when-custom="-302">B. C.
      302</date>. It is true, as Clinton remarks (<hi rend="ital">F.H.</hi> vol. ii. introd. p.
      xlv), that these indications may be reconciled with the <hi rend="ital">possibility</hi> of
      his having flourished at the date given by Suidas; but a sounder criticism requires us to
      alter that date to suit these indications, which may easily be done, as Meineke proposes, by
      changing <foreign xml:lang="grc">ριαʼ</foreign>, 111, into <foreign xml:lang="grc">ριδʼ</foreign>, 114, the latter Olympiad corresponding to <date when-custom="-323">B. C.
       323</date> (Meineke, <hi rend="ital">Menand. et Philem. Reliq.</hi> p. 44, <hi rend="ital">Hist. Crit. Com. Graec.</hi> p. 471; in the latter passage Meineke explains that the
      emendation of Suidas proposed by him in the former, <foreign xml:lang="grc">ρκδʼ</foreign>,
      was a misprint for <foreign xml:lang="grc">ριδʼ</foreign>). It is a confirmation of this
      date, that in the list above referred to of the six chief poets of the New Comedy, Philippides
      comes, not first, but after Philemon, Menander, and Diphilus : for if the list had been in
      order of merit, and not of time, Menander would have stood first. The mistake of Suidas may be
      explained by his confounding Philippides, the comic poet, with the demagogue Philippides,
      against whom Hyperides composed an oration, and who is ridiculed for his leanness by Alexis,
      Aristophon, and other poets of the Middle Comedy; an error into which other writers also have
      fallen, and which Clinton (<hi rend="ital">l.c.</hi>) has satisfactorily refuted.</p><p>Philippides seems to have deserved the rank assigned to him, as one of the best poets of the
      New Comedy. He attacked the luxury and corruptions of his age, defended the privileges of his
      art, and made use of personal satire with a spirit approaching to that of the Old Comedy (see
      Meineke, <hi rend="ital">Hist. Crit.</hi> pp. 437, 471). Plutarch eulogizes him highly
      (Demetr. <hi rend="ital">l.c.</hi>). His death is said to have been caused by excessive joy at
      an unexpected victory (<bibl n="Gel. 3.15">Gel. 3.15</bibl>) : similar tales are told of the
      deaths of other poets, as for example, Sophocles, Alexis, and Philemon. It appears, from the
      passage of Gellius just quoted, that Philippides lived to an advanced age.</p><p>The number of his dramas is stated by Suidas at forty-five. There are fifteen titles extant,
      namely : --<foreign xml:lang="grc">Ἀδωνιάζουσαι, Ἀμφιόραος, Ἀνανέωσις, Ἀργυρίου
       ἀφανισμός, Αὐλοί, Βασανιζομένη, Λακιάδαι, Μαστροπός, Ὀλυνθία,
       Συμπλέουσαι</foreign>, or perhaps <foreign xml:lang="grc">Συνεκπλέουσαι, Φιλάδελφοι,
       Φιλαθήναιος, Φιλάργυρος Φίλαρχος, Φιλευριπίδης.</foreign> In the <foreign xml:lang="grc">Ἀμφιάραος</foreign> we have one of those titles which show that the poets
       <pb n="270"/> of the New Comedy did not abstain from mythological subjects. To the above list
      should perhaps be added the <foreign xml:lang="grc">Τρίοδοι ἢ Ῥωποπώλης.</foreign>
      The <foreign xml:lang="grc">Κόθορνοι</foreign> of Philonides, and the <foreign xml:lang="grc">Νάννιον</foreign> of Eubulus or Philippus, are erroneously ascribed to
      Philippides. The latter is only one of several instances in which the names of Philippides and
      Philippus are confounded (see Meineke, <hi rend="ital">Hist. Crit.</hi> pp. 341, 342, 343).
      Some of the ancient critics charge Philippides with infringing upon the purity of the Attic
      dialect (Phryn. <hi rend="ital">Ecl.</hi> p. 365; Pollux, 9.30), and Meineke produces several
      words from his fragments as examples. (Fabric. <hi rend="ital">Bibl. Graec.</hi> vol. ii. pp.
      479, 480 ; Meineke, <hi rend="ital">Frag. Com. Graec.</hi> vol. i. pp. 470-475, vol. iv. pp.
      467-478, 833, 834; Bernhardy, <hi rend="ital">Gesch. d. Griech. Lit.</hi> vol. ii. p. 1017.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
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