<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.phileumenos_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.phileumenos_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="phileumenos-bio-1" n="phileumenos_1"><head><persName xml:lang="la"><surname full="yes">Phileu'menos</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Φιλεύμενος</surname></persName>), a sculptor, whose
      name was for the first time discovered in 1808. in an inscription on the support of the left
      foot of a statue in the Villa Albani, where there is also another statue evidently by the same
      hand Zoega, to whom we owe the publication of the <pb n="268"/> artist's name, supposes that
      these statues, which are of Pentelic marble, belong to the Attic school of sculpture, in the
      age of Hadrian. (Zoega's <hi rend="ital">Leben,</hi> vol. ii. p. 366; Welcker, <hi rend="ital">Kunstblatt,</hi> 1827, pp. 330, 331 R. Rochette, <hi rend="ital">Lettre à M.
       Schorn,</hi> pp. 380, 381.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>