<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.perillus_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.perillus_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="perillus-bio-1" n="perillus_1"><head><persName xml:lang="la"><surname full="yes">Perillus</surname></persName></head><p>(<label xml:lang="grc">Πέριλλος ;</label> the form <foreign xml:lang="grc">Περίλαος</foreign> in Lucian, <hi rend="ital">Phal.</hi> l, and the Scholiast to Pindar,
       <bibl n="Pind. P. 1.185">Pind. P. 1.185</bibl>, probably arises from a confusion of A with
      A), a statuary, was the maker of the bronze hull of the tyrant Phalaris, respecting wlich see
      further under <hi rend="smallcaps">PHALARIS</hi>. Of the modern disquisitionsonr this
      instrument of torture, the most important are those of Göller (<hi rend="ital">De Situ et
       Orig. Syracus.</hi> pp. 272, &amp;c.) and Böttiger (<hi rend="ital">Kunstmythologie,</hi> vol. i. p. 380). Müller places the artist at ol, 55, <date when-custom="-560">B. C. 560</date>. Like the makers of other instruments of death, Perillus is
      said to have become one of the victims of his own handiwork. </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>