<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.peirasus_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:P.peirasus_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="P"><div type="textpart" subtype="entry" xml:id="peirasus-bio-1" n="peirasus_1"><head><persName xml:lang="la"><surname full="yes">Pei'rasus</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Πείρασος</surname></persName>), or PEIRAS, the son of
      Argus, a name belonging to the mythical period of Greek art. Of the statues of Hera, which
      Pausanias saw in the Heraeum near Mycenae, the most ancient was one made of the wild
      pear-tree, which Peirasus, the son of Argus, was said to have dedicated at Tiryns, and which
      the Argives, when they took that city, transferred to the Heraeum (<bibl n="Paus. 2.17.5">Paus. 2.17.5</bibl>). The account of Pausanias and the mythographers, however, does not
      represent Peirasus as the artist of this image, as some modern writers suppose, but as the
      king who dedicated it. (Comp. <bibl n="Paus. 2.16.1">Paus. 2.16.1</bibl>; Schol. <hi rend="ital">ad Eurip. Orest.</hi> 920; <bibl n="Apollod. 2.1.2">Apollod. 2.1.2</bibl>; Euseb.
       <hi rend="ital">Praep. evan.</hi> 3.8; Thiersch, Epochen, 20.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>