<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:N.nicochares_1</requestUrn>
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                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:N.nicochares_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="N"><div type="textpart" subtype="entry" xml:id="nicochares-bio-1" n="nicochares_1"><head><persName xml:lang="la"><surname full="yes">Nico'chares</surname></persName></head><p>(<label xml:lang="grc">Νικοχάρης</label>), an Athenian poet of the Old Comedy, the son
      of Philonides, also a comic poet. He was contemporary with <pb n="1190"/> Aristophanes
      (Suidas, s. v. <foreign xml:lang="grc">Νικοχάρης</foreign>), and of the ward <foreign xml:lang="grc">Κυδαθήναιον</foreign> (Steph. Byz. <hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Κυδαθήναιον</foreign>). If the conjecture of Böckh be correct
       (<hi rend="ital">Corp. Inscript.</hi> vol. i. p. 354), he was alive so far down as <date when-custom="-354">B. C. 354</date>. The names of his plays, as enumerated by Suidas (<hi rend="ital">l.c.</hi>), are, <foreign xml:lang="grc">Ἀμυμώνη</foreign>, <foreign xml:lang="grc">Πέλοψ</foreign>, <foreign xml:lang="grc">Γαλάτεια</foreign>, <foreign xml:lang="grc">Ἡρακλῆς γαηῶν</foreign>, <foreign xml:lang="grc">Ἡρακλμ͂ς
       χορηγός</foreign>, <foreign xml:lang="grc">Κρῆτες</foreign>. <foreign xml:lang="grc">Λακωνες</foreign>, <foreign xml:lang="grc">Λήμνιαι</foreign>, <foreign xml:lang="grc">Κένταυποι</foreign>, <foreign xml:lang="grc">Χειπογάοτοπες</foreign>. Meineke (<hi rend="ital">Com. Graec. Frag.</hi> vol. i. p. 253) ingeniously conjectures that the two first
      are but different names for the same comedy, from the fact that <foreign xml:lang="grc">Πέλοψ</foreign> does not occur in its alphabetical place, like the rest, and from the name
      Oenomaus occurring in a quotation from the <foreign xml:lang="grc">Ἀμυμώνη</foreign>,
      given by Athenaeus (two lines, x. p. 426e.). Of the Galatea two small fragments are preserved.
      (Pollux, 10.93; Schol. <hi rend="ital">in A ristoph. Plut.</hi> vv. 179, 303.) To "Heracles
      marrying," reference is made, Pollux 7.40, 10.135. In the former passage the play is spoken of
       <foreign xml:lang="grc">ἐν Ἡπακλεῖ γαμουμένω</foreign>; this use of the verb, perhaps,
      like the Latin <hi rend="ital">nubo,</hi> indicating the hero's unhusbaind-like subjection to
      Omphale. And in the latter passage the poet is spoken of thus: <foreign xml:lang="grc">κατἁ
       Νικόχαπιν</foreign>. Of the <title>Lacones,</title> we learn from the Argument to the
      Plutus III. of Aristophanes, that it was represented <date when-custom="-388">B. C. 388</date>, in
      competition with the <foreign xml:lang="grc">Πλουτος Β́</foreign>. of Aristophanes.
      Reference is made to it, <bibl n="Ath. 15.667">Athen. 15.667</bibl>e. Of the Lemniae, the
      subject of which seems to have been the loves of Jason and Hypsipyle, we have two lines
      preserved by Athenaeus (vii. p. 328e.). Other short fragments, but without the names of the
      plays, are preserved by Athenaeus (as i. p. 34d.), Pollux, and others. From these fragments we
      can only infer that he treated in the style of the Old Comedy-sometimes rising into tragic
      dignity-the legends and local traditions of his country, no doubt ridiculing the peculiarities
      of the neighbouring states. (Meineke, <hi rend="ital">l.c.</hi> and vol. ii. p. 842; Athen.
      Suid. Steph. Byz. <hi rend="ital">ll. cc.;</hi> Clinton, <hi rend="ital">F. H.</hi> vol. ii.
      pp. 42, 101; Fabric. <hi rend="ital">Bibl. Graec.</hi> vol. 2.471.)</p><p>Aristotle mentions (<hi rend="ital">Art. Poet.</hi> 2.7) one Nicochares as the author of a
      poem called the <foreign xml:lang="grc">Δηλιάς</foreign>, in which he represents men as
      worse than they are Whether the comic Nicochares be the author or not. as Aristotle mentions
      this poem in connection with the parody of Hegemon, and, immediately after, expressly
      distinguishes between the characters represented in tragedy and in comedy as a separate
      illustration, the Deliad cannot have been a comedy, as Fabricius (<hi rend="ital">Bibl.
       Graec.</hi> vol. ii. p. 471) inadvertently states <foreign xml:lang="grc">Δειλιἀς</foreign>, " the Poltroniad," has beer. suggested as the probable name. But,
      looking at the practice of the comic poet to amuse himself with local peculiarities, it seems
      probable enough that he wrote a satirical extravaganza on the inhabitants of Delos. (Aristot.
      l.c.; Twining's transl. vol. i. p. 266, 2d ed.; Meineke, <hi rend="ital">Com. Graec.</hi> Fr.
      vol. i. p. 256; Fabric. <hi rend="ital">Bibl. Graec. l.c.</hi>) </p><byline>[<ref target="author.W.M.G">W.M.G</ref>]</byline></div></div></body></text></TEI>
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