<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:L.lesches_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:L.lesches_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="L"><div type="textpart" subtype="entry" xml:id="lesches-bio-1" n="lesches_1"><head><persName xml:lang="la"><surname full="yes">Lesches</surname></persName></head><p>or LESCHEUS (<foreign xml:lang="grc">Λέσχης</foreign>, <foreign xml:lang="grc">Λέσχευς</foreign>), one of the so-called cyclic poets, the son of Aeschylinus, a native of
      Pyrrha, in the neighbourhood of Mytilene (<bibl n="Paus. 10.25.5">Paus. 10.25.5</bibl>), and
      thence also called a Mytilenean or a Lesbian. He flourished about the 18th Olympiad; and
      therefore the tale, which is related about a contest between him and Arctinus, who lived about
      the beginning of the Olympiads, is an anachronism. This tradition is explained by the fact
      that Lesches treated, at least to some extent, the same events in his <title xml:lang="la">Little Iliad</title> (<foreign xml:lang="grc">Ἰλιὰς ἡ ἐλάσσων</foreign> or <foreign xml:lang="grc">Ἰλιὰς μικρά</foreign>), which were the subject of Arctinus's Aethiopis.
      The little Ilias, like all the other cyclic poems, was ascribed to various poets -- to Homer
      himself, to Thestorides of Phocaea (Herod. <hi rend="ital">Vit. Hom.</hi> 16), to the
      Lacedaemonian Cinaethon, and Diodorus of Erythrae. The poem consisted of four books, according
      to Proclus, who has preserved an extract from it. It was evidently intended as a supplement to
      the Homeric Iliad; consequently it related the events after the death of Hector, the fate of
      Ajax, the exploits of Philoctetes, Neoptolemus, and Ulysses, and the final capture and
      destruction of Troy (Arist. <hi rend="ital">Poct.</hi> 23, Bekk.), which part of the poem was
      called <hi rend="ital">The Destruction of Troy</hi> (<foreign xml:lang="grc">Ἰλίου
       πέρσις</foreign>). There was no unity in the poem, except that of historical and
      chronological succession. Hence Aristotle remarks that the little Iliad furnished materials
      for eight tragedies, whilst only one could be based upon the <title>Iliad</title> or Odyssey
      of Homer. The extracts which Proclus gives of the poem of Lesches are interwoven with those
      from the Aethiopis of Arctinus. It is not to be presumed, as Müller shows (<hi rend="ital">Hist. of Greek Lit.</hi> 6.3), that either poet should have broken off in the
      middle of an event, in order that the other might fill up the gap. The different times at
      which they lived is sufficient proof to the contrary, and there are fragments extant which
      show that Lesches had treated of those events also which in Proclus's extract are not taken
      from him, but from Arctinus. (Comp. Welcker, <hi rend="ital">der Epische Cydus,</hi> pp. 272,
      358, 368.) </p><byline>[<ref target="author.W.I">W.I</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>