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                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="L"><div type="textpart" subtype="entry" xml:id="lactantius-bio-1" n="lactantius_1"><head><persName xml:lang="la"><surname full="yes">Lacta'ntius</surname></persName></head><p>Notwithstanding the high reputation enjoyed by this father, no sure record has been
      preserved by which we call determine either his exact name, or the place of his nativity, or
      the date of his birth. In modern works we find him usually denominated <hi rend="ital">Lucius
       Coelius Firmianus Lactantius ;</hi> but the two former appellations, in the second of which
       <hi rend="ital">Caecilius</hi> is often substituted for <hi rend="ital">Coelius,</hi> are
      both omitted by Hieronymus, and also in many MSS., while the two latter are frequently
      presented in an inverted order; moreover, we have no means of deciding whether <hi rend="ital">Firmianus</hi> is a family or a local designation; and sone critics, absurdly enough
      perhaps, have imagined that <hi rend="ital">Luctantius</hi> is a mere epithet, indicating the
      milk-like softness and sweetness which characterise the style of this author. Since he is
      spoken of as having been far advanced in life about <date when-custom="315">A. D. 315</date>, he
      must have been born not later than the middle of the third century, probably in Italy,
      possibly at Firmium, on the Adriatic, and certainly studied in Africa, where he became the
      pupil of Arnobius, who taught rhetoric at Sicca. His fame, which surpassed even that of his
      master, became so widely extended, that about <date when-custom="301">A. D. 301</date> he was
      invited by Diocletian to settle at Nicomedeia, and there to practise his art. The teacher of
      Latin eloquence, however, found so little encouragement in a city whose population was chiefly
      Greek, that he was reduced to extreme indigence; and, without attempting to turn his talents
      to account as a public pleader, abandoned his profession altogether, devoting himself entirely
      to literary composition. There can be little doubt that at this period he became a Christian;
      and his change of religion may in no small degree have proved the cause of his poverty; for we
      can scarcely suppose that he would have been left without support by the emperor, had he not
      in some way forfeited the patronage of the court. We know nothing farther of his career until
      we find him summoned to Gaul, about <date when-custom="312">A. D. 312</date>-<date when-custom="318">318</date>, when now an old man, to superintend the education of Crispus, son of
      Constantine, and it is believed that he died at Treves some ten or twelve years afterwards (A.
      D. 325-330).</p><div><head>Works</head><div><head>I. <title xml:lang="la">Divinarum Institutionum Libri VII.</title></head><p>Among the writings of Lactantius we must assign the first place to <title xml:lang="la">Divinarum Institutionum Libri VII.</title>, a sort of introduction to Christianity,
        intended to supersede the less perfect treatises of Minucius Felix, Tertullian, and Cyprian.
        It is partly polemical, since it contains a direct attack upon the pagan system; partly
        apologetic, since it undertakes to defend the new faith from the misrepresentations of its
        adversaries; partly didactic, since it presents an exposition of the beauty, holiness, <pb n="702"/> and wisdom of pure religion; thus seeking to recommend the principles of the true
        belief to the favour of the philosophers and educated men of the age, to whom chiefly the
        work is addressed. The period at which this manual was composed is involved in considerable
        doubt. There is on the one hand a direct allusion (5.17.5) to a persecution still raging
         (<hi rend="ital">Spectatae sunt enim spectanturque adhuc per orbem poenae cultorum.
         Dei,</hi> &amp;c.), which seems to point to the horrors under Diocletian; while on the
        other hand Constantine is addressed by name as emperor, at the beginning of the first,
        second, fourth, and fifth books. These clauses, it is true, are omitted altogether in
        several MSS., and hence have by some editors been rejected as spurious; while others avoid
        the difficulty by supposing that the task, commenced in Bithynia, was completed in Gaul,
        after a lapse of twenty years; or by adopting the plausible conjecture of Baluze, that
        copies passed into circulation at Nicomedeia, from which one family of MSS. was derived, and
        that a second edition was published at a later epoch under happier auspices. Each of the
        seven books into which the Institutions are divided bears a separate title, whether
        proceeding from the author or from a transcriber it is impossible to say, and constitutes as
        it were a separate essay. In the first, <hi rend="ital">De Falsa Religione,</hi> the ruling
        providence and unity of God are asserted, the unreasonableness of a plurality of deities is
        demonstrated, and the absurdity of the popular creed is illustrated by an examination of the
        history and legends of the ancient mythology. In the second, <hi rend="ital">De Origine
         Erroris,</hi> the same subject is pursued, with reference particularly to the folly of
        paying reverence to idols, and then the steps are traced by which men gradually wandered
        away from the plain and simple truth. The third, <hi rend="ital">De falsa Sapientia,</hi>
        exposes the empty pretences of so-called philosophy, which is pronounced to be an arrogant
        but weak imposture, a mass of flimsy speculations upon physics, morals, and theology, at
        once unsubstantial and contradictory. The fourth, <hi rend="ital">De vera Sapientia et
         Religione,</hi> points out that pure religion is the only source whence pure wisdom can
        flow, and then proceeds to prove that Christianity is the religion required, by entering
        into an inquiry with regard to the nature and history of the Messiah. The fifth, <hi rend="ital">De Justitia,</hi> is occupied with a disquisition upon righteousness, which,
        having been banished from earth by the invasion of the heathen gods, was brought back by
        Christ; and concludes with a vehement denunciation of the injustice and impiety of those who
        persecuted the followers of the Saviour. The sixth, <hi rend="ital">De Vero Cultu,</hi>
        treats of the manner in which homage ought to be rendered to the one true God. The seventh,
         <hi rend="ital">De Vita Beata,</hi> embraces a great variety of discussions; among others,
        an investigation of the chief good, the immortality of the soul, the duration of the world,
        the second coming of Christ, the general resurrection, future rewards and punishments.</p></div><div><head>II. An <hi rend="ital">Epitome</hi> of the Institutions.</head><p>An <hi rend="ital">Epitome</hi> of the Institutions, dedicated to the Pentadius, is
        appended to the larger work and is attributed to Lactantius by Hieronymus, who describes it
        as being even in his time <foreign xml:lang="grc">ἀκέφαλος</foreign>; and in fact, in
        all the earlier editions this abridgement begins at the sixteenth chapter of the fifth book
        of the original. But in the eighteenth century the work was discovered nearly entire in a
        very ancient MS. deposited in the royal library at Turin, and was published at Paris in 1712
        by C. M. Pfaff, chancellor of the university of Tübingen. It may be observed, that
        Walchius and others have doubted whether the <title>Epitome</title> really proceeded from
        the pen of Lactantius, but we can scarcely prefer their conjectures to the positive
        testimony of Jerome.</p></div><div><head>III. <title xml:lang="la">De Ira Dei</title></head><p><title xml:lang="la">De Ira Dei</title>, addressed to an unknown Donatus, is a
        controversial tract, directed chiefly against the Epicureans, who maintained that the deeds
        of men could produce no emotions either of anger or of pleasure in the Deity; a position
        which Lactantius declares to be subversive of all true religion, since it at once destroys
        the doctrine of rewards and punishments.</p></div><div><head>IV. <hi rend="ital">De Opificio Dei s. De Formatione Hominis,</hi></head><p><hi rend="ital">De Opificio Dei s. De Formatione Hominis,</hi> addressed to a certain
        Demetrianus. The first part of this book, to which there seems to be a reference in the
        Institutions (2.10.15), belongs to natural theology, being an argument in favour of the
        wisdom and beneficence of God, deduced front the wonderful contrivances and adaptations of
        means to ends discernible in the structure of the human frame; the second part is devoted to
        speculations concerning the nature of the soul.</p></div><div><head>V. <hi rend="ital">De Mortibus Persecutorum.</hi></head><p><hi rend="ital">De Mortibus Persecutorum.</hi> See <hi rend="smallcaps">CAECILIUS.</hi></p></div><div><head>VI. Poetry ascribed to Lactantius</head><p>Hieronymus speaks of Lactantius as a poet, and several pieces still extant have been
        ascribed to him, but erroneously. These are,</p><div><head>1. <title xml:lang="la">De Phoenice</title></head><p><title xml:lang="la">De Phoenice,</title> in elegiacs, containing a collection of all the
         most remarkable tales and legends regarding the far-famed Arabian bird. It is probably a
         compilation comparatively modern. For full information with regard to its history see
         Wernsdorff, <hi rend="ital">Poetae Lat. Minores,</hi> vol. iii. p. 233.</p></div><div><head>2. <title xml:lang="la">Symposium</title></head><p><title xml:lang="la">Symposium,</title> an assemblage of one hundred riddles. This is
         noticed in the article <hi rend="smallcaps">FIRMIANUS.</hi></p></div><div><head>3. <title xml:lang="la">De Pascha ad Felicem Episcopum</title></head><p><title xml:lang="la">De Pascha ad Felicem Episcopum</title>, in elegiacs, is generally
         believed to have been composed by Venantius Honorianus Clementianus Fortunatus, who
         flourished in the middle of the sixth century.</p></div><div><head>4. <title xml:lang="la">De Passione Domini</title></head><p><title xml:lang="la">De Passione Domini</title>, in hexameters, one of the most admired
         productions of the Christian muse, not unworthy of Lactantius, but bearing in its language
         the impress of a much later age.</p><div><head>Editions</head><p><title xml:lang="la">De Passione Domini</title> will be found in the <hi rend="ital">Poetarum Veterum Eccles. Op. Christiana,</hi> edited by G. Fabricius, Bas. fol. 1564,
          and in the <title>Bibliotheca Patrum Max.,</title> Lugdun. 1677, vol. ii. p. 671.</p></div></div><div><head>VII. Other works ascribed to Lactantius</head><p>Lactantius, according to Hieronymus, was the author of a <hi rend="ital">Symposium,</hi>
         of a piece called <hi rend="ital">Grammaticus,</hi> of an itinerary in hexameters, <foreign xml:lang="grc">Ὁδοιπορικόν</foreign>
         <hi rend="ital">de Africa usque Nicomediam,</hi> of two books, <hi rend="ital">Ad
          Asclepiadem,</hi> who had himself addressed to Lactantius a work <hi rend="ital">De
          Providentia summi Dei (Instit.</hi> 7.4), of four books of epistles <hi rend="ital">Ad
          Probum,</hi> two <hi rend="ital">Ad Severum,</hi> and two <hi rend="ital">Ad
          Demetrianum,</hi> all of which are now lost. It appears from his own words (<hi rend="ital">Instit.</hi> 7.1, sub fin.), that he had formed the design of drawing up a
         work against the Jews, but we cannot tell whether he ever accomplished his purpose.</p></div></div></div><div><head>Assessment</head><p>The style of Lactantius, formed upon the model of the great orator of Rome, has gained for
       him appellation of the <hi rend="ital">Christian Cicero,</hi> and not undeservedly. No
       reasonable critic, indeed, would now assert, with Picus of Mirandula, that the imitator has
       not only equalled but even surpassed the beauties of his original. But it is impossible not
       to be charmed with the purity of diction, the easy grace, the calm dignity, and the sonorous
       flow of his periods, when compared with the harsh phraseology and barbarous extravagance of
       his <pb n="703"/> African contemporaries, or the stiff affectation, vulgar finery, and empty
       pomposity, of the Graeco-Italian rhetoricians. He was unquestionably also a man of extensive
       erudition; and much curious and valuable information concerning ancient superstition and
       ancient philosophy may be gathered from his pages, in which are preserved many quotations
       from lost works of interest and importance. His merits as a theologian are more questionable.
       It is almost certain that he became a convert late in life: he probably did not receive
       instruction from a judicious teacher, nor fully comprehend all that he had learned. His
       expressions relative to the nature of Christ, his view of the redemption, his picture of the
       day of judgment, his predictions concerning the millennium, the unsuspecting confidence with
       which he quotes such authorities as the Sibylline oracles and Hermes Trismegistus, the line
       of argument adopted in the <title>De Ira Dei,</title> his remarks on the immortality of the
       soul and on early death, may be given as a few examples out of many which might be adduced of
       erroneous doctrines, of rash and unwarrantable conclusions, of unsound criticism, of
       reasoning rhetorical but not logical, of superficial investigation, and false induction. The
       charge of a leaning towards Manicheism and Anti-Trinitarian opinions seems altogether
       unfounded.</p></div><div><head>Editions</head><p><bibl>The Editio Princeps of Lactantius is one of the earliest specimens of the
        typographical art in existence, having been printed at the monastery of Subiaco in 1465 by
        Sweynheym and Pannartz</bibl>; <bibl>a second and a third impression by the same printers
        appeared at Rome in 1468</bibl> and <bibl>1470, the last under the editorial inspection of
        Andrew, bishop of Aleria</bibl>. The great popularity of this author, and the multitude of
       MSS. dispersed over Europe, gave rise to a multitude of editions, of which the most notable
       are that of <bibl>Gallaeus, Lug. Bat. 1660, forming one of the series of Variorum Classics,
        in 8vo.</bibl>; <bibl>that of C. Cellarius, Lips. 8vo. 1698</bibl>; <bibl>that of Walchius,
        Lips. 8vo. 1715</bibl>; <bibl>that of Heumann, Goetting. 8vo. 1736</bibl>; <bibl>that of
        Bünemann, Lips. 8vo. 1739</bibl>; <bibl>and that of Le Brun and Lenglet du Fresnoy,
        Paris, 2 vols. 4 to. 1748</bibl>.</p></div><div><head>Further Information</head><p>Hieronym. <hi rend="ital">de Viris Ill.</hi> 79, 80; Chronic. Euseb. ad ann. cccxviii., <hi rend="ital">Comment. in Eccles.</hi> 100.10, <hi rend="ital">Comment. in Ephes.</hi> 100.4,
        <hi rend="ital">Ad Paulin. Epist.;</hi> Lactant. <hi rend="ital">Divin. Instit.</hi> 1.1.8,
       5.2.2, 3.13.12; Schröckh, <hi rend="ital">Kirchengescht.</hi> vol. v. p. 232;
       Schönemann, <hi rend="ital">Bibliotheca Patrum Lat.</hi> vol. 1.2; Bähr, <hi rend="ital">Gesch. der Römisch. Litterat.</hi> Suppl. Band. 1e Abtheil. § 9, 2<hi rend="super">e</hi>. Abtheil. § 38-46.</p></div><byline>[<ref target="author.W.R">W.R</ref>]</byline></div></div></body></text></TEI>
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