<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.evanthes_4</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.evanthes_4</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="E"><div type="textpart" subtype="entry" xml:id="evanthes-bio-4" n="evanthes_4"><head><persName xml:lang="la"><surname full="yes">Evanthes</surname></persName></head><p>(<label xml:lang="grc">Εὐάνθης</label>), a painter of unknown date, two of whose
      pictures, in the temple of Zeus Casius at Pelusium, are described very minutely, <pb n="60"/>
      and with great affectation, by Achilles Tatius (3.6-8). The subjects of them were, the release
      of Andromeda by Perseus, and the release of Prometheus by Heracles. (Comp. Lucian, <hi rend="ital">de Domo,</hi> 22; Philostr. <hi rend="ital">Imag.</hi> 1.29.) Both subjects are
      represented on existing works of art in a manner similar to that of the pictures of Evanthes.
      (Müller, <hi rend="ital">Arch. d. Kunst,</hi> § 396. n. 2.414, n. 3; <hi rend="ital">Pitt. Ere.</hi> 4.7, 61; <hi rend="ital">Mus. Borb.</hi> 5.32, 6.50, 9.39; Gell, <hi rend="ital">Pomp.</hi> pl. 42.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>