<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.eumarus_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.eumarus_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="E"><div type="textpart" subtype="entry" xml:id="eumarus-bio-1" n="eumarus_1"><head><persName xml:lang="la"><surname full="yes">Eu'marus</surname></persName></head><p>a very ancient Greek painter of monochromes, was the first, according to Pliny, who
      distinguished, in painting, the male from the female, and who " dared to imitate all figures."
      His invention wits improved upon by Simon of Cleonae. (35.8. s. 34.) Müller (<hi rend="ital">Arch. d. Kunst,</hi> § 74) supposes that the distinction was made by a
      difference of colouring; but Pliny's words seem rather to refer to the drawing of the figure. </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>