<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.ecphantides_1</requestUrn>
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            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:E.ecphantides_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="E"><div type="textpart" subtype="entry" xml:id="ecphantides-bio-1" n="ecphantides_1"><head><persName xml:lang="la"><surname full="yes">Ecpha'ntides</surname></persName></head><p>(<label xml:lang="grc">Ἐκφαντίδης</label>), an Athenian comic poet of the old comedy,
      flourished after Magnes, and a little before Cratinus and Telecleides. (Näke, <hi rend="ital">Choerilus,</hi> p. 52.) He is called by Aspasius (ad <bibl n="Aristot. Nic. Eth. 4.2.1">Aristot. EN 4.2</bibl>) <foreign xml:lang="grc">τῶν ἀρχαίων
       παλαιότατον ποιητήν</foreign>, which words some writers understand as implying that he was
      older than Chionides and Magnes. But we have the clear testimony of Aristotle (<hi rend="ital">Poct.</hi> 5.3), that all the poets before Magnes furnished their choruses at their own
      expense, whereas the name of a person who was choragus for Ecphantides is mentioned also by
      Aristotle. (<hi rend="ital">Polit.</hi> 8.6.) Again, a certain Androcles, to whom Cratinus and
      Telecleides often refer, was also attacked by Ecphantides, who could not, therefore, have
      flourished long before those poets. (Schol. <bibl n="Aristoph. Wasps 1182">Aristoph. Wasps
       1182</bibl>.) The date of Ecphantides may be placed about Ol. 80 (<date when-custom="-460">B. C.
       460</date>), and onwards. The meaning of the surname of <foreign xml:lang="grc">Καπνίας</foreign>, which was given to Ecphantides by his rivals, has been much disputed,
      but it seems to imply a mixture of subtlety and obscurity. He ridiculed the rudeness of the
      old Megaric comedy, and was himself ridiculed on the same ground by Cratinus, Aristophanes,
      and others. (Hesych. <hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Καπνίας</foreign>; Schol. <bibl n="Aristoph. Wasps 151">Aristoph.
       Wasps 151</bibl>; Näke, <hi rend="ital">Choeril.</hi> p. 52; Lehrs, <hi rend="ital">Quaest. Epic.</hi> p. 23; Meineke, p. 36.)</p><p>There is only one certain title of a play by Ecphantides extant, namely, the <foreign xml:lang="grc">Σατύροι</foreign>, a line of which is preserved by Athenaeus (iii. p.96,
      b., c.). Another play, <foreign xml:lang="grc">Πύραυνος</foreign> is ascribed to him by
      Näke on conjectural grounds; but Meineke ascribes it to Autiphanes. Another title,
       <foreign xml:lang="grc">Δώνυσος</foreign>, is obtained by Näke from a comparison of
      Suidas (<hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Εὔϊε</foreign>) with Hephaestion (15.13, p. 96, Gaisf.; see
      Gaisford's note). Ecphantides was said to have been assisted in composing his plays by his
      slave <hi rend="smallcaps">CHOERILUS.</hi>
     </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
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