<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.cinesias_1</requestUrn>
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            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.cinesias_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="C"><div type="textpart" subtype="entry" xml:id="cinesias-bio-1" n="cinesias_1"><head><persName xml:lang="la"><surname full="yes">Cine'sias</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Κινησίας</surname></persName>), a dithyrambic poet of
      Athens. The Scholiast on Aristophanes (<bibl n="Aristoph. Frogs 153">Aristoph. Frogs
       153</bibl>) calls him a Theban, but this account seems to be virtually contradicted by
      Plutarch (<hi rend="ital">de Glor. Ath.</hi> 5), and may perhaps have arisen, as Fabricius
      suggests (<hi rend="ital">Bibl. Graec.</hi> ii. p. 117), from confounding him with another
      person of the same name, (Comp. Aristot. apud <hi rend="ital">Schol. ad Aristoph. Av.</hi>
      1379.) Fabricius himself mentions Evagoras as his father, on the authority apparently of a
      corrupt fragment of Plato, the comic poet, which is quoted by Galen. (See Dalechamp, <hi rend="ital">ad Atthen.</hi> xii. p. 551.) In the " Gorgias" of Plato (p. 501e.) he is
      expressly called the son of Meles. His talents are said to have been of a very inferior order.
      Plutarch (<hi rend="ital">l.c.</hi>) calls him a poet of no high repute or creative genius.
      The comic writer, Pherecrates (apud <hi rend="ital">Plut, de Mus.</hi> 30), accuses him of
      having introduced sad corruptions into music , and to this Aristophanes perhaps alludes in the
      ward <foreign xml:lang="grc">ᾀσματοκάμπτας</foreign>. (<hi rend="ital">Nub.</hi> 332.) In
      the <title>Birds</title> (1372-1409), he is introduced as wishing to fly up to Olympus to
      bring down from the clouds, their proper region, a fresh supply of " rambling odes, air-tost
      and snowbeaten" <pb n="754"/> (<foreign xml:lang="grc">ἀεροδονήτους καὶ νιφοβόλους
       ἀναβολάς</foreign>, comp. <bibl n="Aristot. Rh. 3.9.1">Aristot. Rh. 3.9.1</bibl>). But he
      presented many salient points, besides the character of his poems, to the attacks of comedy.
      Athenaeus tells us (xii. p. 551), that he was so tall and thin as to be obliged to wear, for
      the support of his body, a species of stays made of the wood of the linden tree. Hence
      Aristophanes (<bibl n="Aristoph. Birds 1378">Aristoph. Birds 1378</bibl>) calls him <foreign xml:lang="grc">φιλύρινον</foreign>: hence, too (<hi rend="ital">Ran.</hi> 1433), he makes
      Euripides propose to fit Cinesias, by way of wings, to a fellow-rogue, Cleocritus; and in a
      fragment of the <foreign xml:lang="grc">Γηρυτάδης</foreign> (apud <hi rend="ital">Athen.
       l.c.</hi>) he speaks of him as a fit ambassador from the Dithyrambic poets to their shadowy
      brethren of the craft in Hades. (Comp. Strattis, apud <hi rend="ital">Athen. l.c.;</hi>
      Dalechamp, <hi rend="ital">ad loc.,</hi> and the authors there referred to.) A more legitimate
      ground of satire was furnished by his impiety, which was open and excessive, and his very
      profligate life; and we learn from Lysias, the orator (apud <hi rend="ital">Athen. l.c.</hi>),
      who himself attacked him in two orations,--now lost with the exception of the fragment here
      referred to,--that not a year passed in which he was not assailed on this score by the comic
      poets. He had his revenge however; for he succeeded in procuring (probably about <date when-custom="-390">B. C. 390</date>) the abolition of the Choragia, as far as regarded comedy,
      which had indeed been declining ever since the Archonship of Callias in <date when-custom="-406">B.
       C. 406</date>. In consequence of this Strattis attacked him in his play called "Cinesias."
      (Schol. <hi rend="ital">ad Arist. Ran.</hi> 404; Fabric. <hi rend="ital">Bibl. Graec.</hi> ii.
      p. 497; Böckh, <hi rend="ital">Publ. Econ. of Athens,</hi> bk. iii. ch. 22; Clinton, sub
      annis 406, 388, 337.) From Lysias also (apud <hi rend="ital">Athen. l.c.</hi>) we learn, that
      Cinesias abandoned prudently the practice of his art, and betook himself to the trade of an
      informer, which he found a very profitable one. (Comp. Perizon. <hi rend="ital">ad Ael. V.
       H.</hi> 3.8, 10.6; Schol. <hi rend="ital">ad Aristoph. ll. cc.;</hi> Plut. <hi rend="ital">de
       Superst.</hi> 10 Harpocrat. and Suid. <hi rend="ital">s. v.</hi> Kinhsi/as.) </p><byline>[<ref target="author.E.E">E.E</ref>]</byline></div></div></body></text></TEI>
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