<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.chrysothemis_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.chrysothemis_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="C"><div type="textpart" subtype="entry" xml:id="chrysothemis-bio-2" n="chrysothemis_2"><head><persName xml:lang="la"><surname full="yes">Chryso'themis</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Χρυσόθεμις</surname></persName>) and EUTE'LIDAS
       (<foreign xml:lang="grc">Ευτελίδας</foreign>), statuaries of Argos, made in bronze the
      statues of Damaretus and his son Theopompus, who were each twice victorious in the Olympic
      games. The victories of Demaretus were in the 65th and 66;th Olympiads, and the artists of
      course lived at the same time (<date when-custom="-520">B. C. 520</date> and onwards). Pausanias
      describes one of the statues, and quotes the inscription, which contained the names of the
      artists, and which described them as <foreign xml:lang="grc">Τέχναν εἰδότες ἐκ
       προτέπων</foreign>, which appears to mean that, like the early artists in general, they each
      belonged to a family in which art was hereditary. (10.6.2.) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>