<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.celer_4</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.celer_4</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="C"><div type="textpart" subtype="entry" xml:id="celer-bio-4" n="celer_4"><head><persName xml:lang="la"><surname full="yes">Celer</surname></persName></head><p>an artist of considerable talent and renown, was, together with Severus, the principal
      architect of Nero's immense building, the golden house, of which only a few remains are now
      visible in the baths of Titus, and perhaps at the foot of the Palatine near the arch of Titus.
      Not satisfied with the completion of this colossal palace, both artists, whose daring and
      talent did not shrink from the mightiest works, undertook a still more gigantic enterprise.
      Since the sea-ports of Ostia and Portus were small and dangerous, so that all larger vessels
      entered the port of Puteoli, they got the emperor's consent to dig a canal from the lake
      Avernus to the mouth of the Tiber, and began actually by working a way through the hills near
      the lake, but were probably prevented from executing their intention by the death of their
      employer. (<bibl n="Tac. Ann. 15.42">Tac. Ann. 15.42</bibl>; Osann, <hi rend="ital">Kunstblatt,</hi> 1830, No. 83.) </p><byline>[<ref target="author.L.U">L.U</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>