<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.canidia_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.canidia_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="C"><div type="textpart" subtype="entry" xml:id="canidia-bio-1" n="canidia_1"><head><persName xml:lang="la"><surname full="yes">Cani'dia</surname></persName></head><p>whose real name was Gratidia, as we learn from the scholiasts, was a Neapolitan hetaira
      beloved by Horace; but when she deserted him, he revenged himself upon her by holding her up
      to contempt as an old sorceress. This was the object of the 5th and 17th Epodes, and of the
      8th Satire of the first book. The Palinodia in the 16th ode of the 1st book is supposed to
      refer to these poems. Horace attacks her by the name of Canidia because her real name Gratidia
      conveyed the idea of what was pleasing and agreeable, while the assumed one was associated
      with gray hairs and old age. (Comp. Hor. <hi rend="ital">Sat.</hi> 2.1. 48; Schol. Acr. and
      Cruqu. <hi rend="ital">ad loc.</hi> and <hi rend="ital">ad Sat.</hi> 1.8. 24.)</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>