<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.callon_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:C.callon_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="C"><div type="textpart" subtype="entry" xml:id="callon-bio-1" n="callon_1"><head><persName xml:lang="la"><surname full="yes">Callon</surname></persName></head><p>(<label xml:lang="grc">Κάλλων</label>).</p><p>1. An artist of the island of Aegina, the pupil of Angelio and Tectaeus, who were themselves
      pupils of Dipoenus and Scyllis. (<bibl n="Paus. 2.32.4">Paus. 2.32.4</bibl>.) As the latter
      two flourished <date when-custom="-580">B. C. 580</date>, the age of Callon must be fixed at <date when-custom="-516">B. C. 516</date>. This is confirmed by the statement of Pausanias (<bibl n="Paus. 7.18.6">7.18.6</bibl>), that Callon was a contemporary of Canachus, who we know
      flourished from <date when-custom="-540">B. C. 540</date> to 508. [<hi rend="smallcaps">CANACHUS.</hi>] There are two passages in Pausanias which seem to contradict this
      conclusion; but K. O. Müller (<hi rend="ital">Aeginet.</hi> p. 100) and Thiersch (<hi rend="ital">Epoch. Anm.</hi> p. 40) have clearly shewn that one of them is interpolated, and
      that the other, if explained properly, does not place Callon either in the time of the
      Miessenian wars, or as late as the battle of Aegospotamos, as some interpreters had believed.
      (Comp. Sillig, <hi rend="ital">Cat. Art. s. v.</hi>) We are acquainted with two works of
      Callon: the tripod ornamented by a statue of Cora and a xoanon of Athene. Quintilian (12.10)
      calls his works "duriora atque Tuscanicis proxima."</p></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>