<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:B.bassus_saleius_1</requestUrn>
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            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:B.bassus_saleius_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="B"><div type="textpart" subtype="entry" xml:id="bassus-saleius-bio-1" n="bassus_saleius_1"><head><label><persName xml:lang="la"><addName full="yes">Bassus</addName>,
        <surname full="yes">Saleius</surname></persName></label></head><p>a Roman epic poet, contemporary with Statius.</p><p>Quintilian thus characterises his genius: <quote xml:lang="la">vehemens et poeticum fuit nec
       ipsum senectute maturum.</quote> The last words are somewhat obscure, but probably signify
      that he died young, before his powers were ripened by years. He is the <quote xml:lang="la">tenuis Saleius</quote> of Juvenal, one of the numerous band of literary men whose poverty
      and sufferings the satirist so feelingly deplores ; but at a later period his wants were
      relieved by the liberality of Vespasian, as we learn from the dialogue on the decline of
      eloquence, where warm praise is lavished on his abilities and moral worth.</p><div><head>Works</head><div><head><ref target="piso-bio-31-work-1">Panegyric on Piso</ref></head><p>We have not even a fragment acknowledged as the production of this Bassus. A panegyric,
        indeed, in 261 heroic hexameters, on a certain Calpurnius Piso, has been preserved, the
        object and the author of which are equally uncertain; and hence we find it attributed to
        Virgil, to Ovid, to Statius, and very frequently to Lucan, whose name is said to be prefixed
        in some MSS., while Wernsdorf, rejecting all these suppositions, labours hard to prove that
        it ought to be ascribed to Saleius Bassus, and that the Piso who is the hero of the piece
        must be the well-known leader of the great conspiracy against Nero. The strong points in the
        position are the allusions (1. 180) to the game of draughts in which this Piso is known to
        have been an adept (Vet. Schol. <hi rend="ital">ad Juv.</hi> 5.109), and the references by
        the writer to his own humble origin and narrow means, a description altogether inapplicable
        to the well-born and wealthy bard of Corduba. Granting, however, that Wernsdorf is right so
        far as Piso and Lucan are concerned, it by no means follows, from the simple fact that the
        author in question was poor and neglected, that we are entitled, in the absence of all other
        evidence direct or circumstantial, to identify him with Saleius Bassus, for it is certain
        that the same conditions would hold good of Statius, Serranus, and a long list of versifiers
        belonging to the same period.</p></div></div><div><head>Further Information</head><p>Quint. 10.1, 90; <hi rend="ital">Dialog. de Oratt.</hi> cc. 5, 9; <bibl n="Juv. 7.80">Juv.
        7.80</bibl>; Wernsdorf, <hi rend="ital">Poett. Latt. Minn.</hi> vol. iv. r. i. pp. 36, 72,
       75, 236 </p></div><byline>[<ref target="author.W.R">W.R</ref>]</byline></div></div></body></text></TEI>
                </passage>
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