<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.anyte_1</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.anyte_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="A"><div type="textpart" subtype="entry" xml:id="anyte-bio-1" n="anyte_1"><head><persName xml:lang="la"><surname full="yes">A'nyte</surname></persName></head><p>of Tegea (<foreign xml:lang="grc">Ἀνύτη Τεγεᾶτις</foreign>), the authoress of several
      epigrams in the Greek Anthology, is mentioned by Pollux (5.5) and by Stephanus Byzantinus (<hi rend="ital">s. v.</hi>
      <foreign xml:lang="grc">Τεγέα</foreign>). She is numbered among the lyric poets by
      Meleager (Jacobs, <hi rend="ital">Anthol.</hi> 1.1, 5.5), in whose list she stands first, and
      by Antipater of Thessalonica (<hi rend="ital">Ibid.</hi> 2.101, no. 23), who names her with
      Praxilla, Myro, and Sappho, and calls her the female Homer (<foreign xml:lang="grc">Θῆλυν
       Ὅμηρον</foreign>), an epithet which might be used either with reference to the martial
      spirit of some of her epigrams, or to their antique character. From the above notices and from
      the epigrams themselves, which are for the most part in the style of the ancient Doric choral
      songs, like the poems of Alcman, we should be disposed to place her much higher than the date
      usually assigned to her, on the authority of a passage in Tatian (<hi rend="ital">ad v.
       Graecos,</hi> 52, p. 114, Worth.), who says, that the statue of Anyte was made by Euthycrates
      and Cephisodotus, who are known to have flourished about 300 B. C. But even if the Anyte here
      mentioned were certainly the poetess, it would not follow that she was contemporary with these
      artists. On the other hand, one of <pb n="220"/> Anyte's epigrams (15, Jacobs) is an
      inscription for a monument erected by a certain Damis over his horse, which had been killed in
      battle. Now, the only historical personage of this name is the Damis who was made leader of
      the Messenians after the death of Aristodemus, towards the close of the first Messenian war.
       (<bibl n="Paus. 4.10.4">Paus. 4.10.4</bibl>, <bibl n="Paus. 4.13.3">13.3</bibl>.) We know
      also from Pausanias that the Arcadians were the allies of the Messenians in that war. The
      conjecture of Reiske, therefore, that the Damis mentioned by Anyte of Tegea is the same as the
      leader of the Messenians, scarcely deserves the contempt with which it is treated by Jacobs.
      This conjecture places Anyte about 723 B. C. This date may be thought too high to suit the
      style and subjects of some of her epigrams. But one of these (17) bears the name of " Anyte of
       <hi rend="ital">Mytilene,</hi>" and the same epigram may be fixed, by internal evidence, at
      279 B. C. (Jacobs, xiii. p. 853.) And since it is very common in the Anthology for epigrams to
      be ascribed to an author simply by name, without a distinctive title, even when there was more
      than one epigrammatist of the same name, there is nothing to prevent the epigrams which bear
      traces of a later date being referred to Anyte of Mytilene. </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>