<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.amyclaeus_2</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.amyclaeus_2</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="A"><div type="textpart" subtype="entry" xml:id="amyclaeus-bio-2" n="amyclaeus_2"><head><persName xml:lang="la"><surname full="yes">Amyclaeus</surname></persName></head><p>(<persName xml:lang="grc"><surname full="yes">Ἀμυκλαῖος</surname></persName>), a Corinthian
      sculptor, who, in conjunction with Diylius, executed in bronze a group which the Phocians
      dedicated at Delphi, after their victory over the Thessalians at the beginning of the Persian
      war, <date when-custom="-480">B. C. 480</date>. (<bibl n="Paus. 10.1.4">Paus. 10.1.4</bibl>, <bibl n="Paus. 10.13.4">13.4</bibl>; <bibl n="Hdt. 8.27">Hdt. 8.27</bibl>.) The subject of this
      piece of sculpture was the contest of Heracles with Apollo for the sacred tripod. Heracles and
      Apollo were represented as both having hold of the tripod, while Leto and Artemis supported
      Apollo, and Heracles was encouraged by Athene. The legend to which the group referred is
      related by Pausanias (<bibl n="Paus. 10.13.4">10.13.4</bibl>); the reason for such a subject
      being chosen by the Phocians on this occasion, seems to be their own connexion with Apollo as
      guardians of the Delphic oracle, and, on the other hand, because the Thessalian chiefs were
      Heracleidae, and their war-cry "Athene Itonia." (Müller, <hi rend="ital">Archäol.
       der Kunst,</hi> § 89, an. 3.) The attempt of Heracles to carry off the tripod seems to
      have been a favourite subject with the Greek artists : two or three representations of it are
      still extant. (Winckelmann, <hi rend="ital">Werke,</hi> ix. p. 256, ed. 1825; Sillig, s.v.
      compare <hi rend="smallcaps">DIYLLUS</hi>, <hi rend="smallcaps">CHIONIS.</hi>) </p><byline>[<ref target="author.P.S">P.S</ref>]</byline></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>