<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.aesculapius_1</requestUrn>
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                <urn>urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1:A.aesculapius_1</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:base="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><body xml:lang="eng" n="urn:cts:pdlrefwk:viaf88890045.003.perseus-eng1"><div type="textpart" subtype="alphabetic_letter" n="A"><div type="textpart" subtype="entry" xml:id="aesculapius-bio-1" n="aesculapius_1"><head><persName xml:lang="la"><surname full="yes">Aescula'pius</surname></persName></head><p>(<label xml:lang="grc">Ἀσκληπιός</label>), the god of the medical art. In the Homeric
      poems Aesculapius does not appear to be considered as a divinity, but merely as a human being,
      which is indicated by the adjective <foreign xml:lang="grc">ἀμύμων</foreign>, which is
      never given to a god. No allusion is made to his descent, and he is merely mentioned as the
       <foreign xml:lang="grc">ἰητὴρ ἀμύμων</foreign>, and the father of Machaon and
      Podaleirius. (<bibl n="Hom. Il. 2.731">Il. 2.731</bibl>, <bibl n="Hom. Il. 4.194">4.194</bibl>, <bibl n="Hom. Il. 11.518">11.518</bibl>.) From the fact that Homer (<bibl n="Hom. Od. 4.232">Hom. Od. 4.232</bibl>) calls all those who practise the healimlg art
      descendants of Paeeon, and that Podaleirius and Machaon are called the sons of Aesculapius, it
      has been inferred, that Aesculapius and Paeeon are the same being, ad consequently a divinity.
      But wherever Homer mentions the healing god, it is always Paeeon, and never Aesculapius; and
      as in the poet's opinion all physicians were descended from Paeeon, he probably considered
      Aesculapius in the same light. This supposition is corroborated by the fact, that in later
      times Paeeon was identified with Apollo, and that Aesculapius is universally described as a
      descendant of Apollo. The two sons of Aesculapius in the <title>Iliad</title>, were the
      physicians in the Greek army, and are described as ruling over Tricca, Ithome, and Oechalia.
       (<bibl n="Hom. Il. 2.729">Il. 2.729</bibl>.) According to Eustathius (<bibl n="Eustath. ad Hom. p. 330">Eustath. ad Hom. p. 330</bibl>), Lapithes was a son of Apollo and
      Stilbe, and Aesculapius was a descendant of Lapithes. This tradition seems to be based on the
      same groundwork as the more common one, that Aesculapius was a son of Apollo and Coronis, the
      daughter of Phlegyas, who is a descendant of Lapithes. (<bibl n="Apollod. 3.10.3">Apollod.
       3.10.3</bibl>; <bibl n="Pind. P. 3.14">Pind. P. 3.14</bibl>, with the Schol.)</p><p>The common story then goes on as follows. When Coronis was with child by Apollo, she became
      enamoured with Ischys, an Arcadian, and Apollo informed of this by a raven, which he had set
      to watch her, or, according to Pindar, by his own prophetic powers, sent his sister Artemis to
      kill Coronis. Artemis accordingly destroyed Coronis in her own house at Lacereia in Thessaly,
      on the shore of lake Baebia. (Comp. Hom. <hi rend="ital">Hymn.</hi> 27. 3.) According to Ovid
       (<bibl n="Ov. Met. 2.605">Ov. Met. 2.605</bibl>, &amp;c.) and Hyginus (<hi rend="ital">Poet.
       Astr.</hi> 2.40), it was Apollo himself who killed Coronis and Ischys. When the body of
      Coronis was to be burnt, Apollo, or, according to others (<bibl n="Paus. 2.26.5">Paus.
       2.26.5</bibl>), Hermes, <pb n="45"/> saved the child (Aesculapius) from the flames, and
      carried it to Cheiron, who instructed the boy in the art of healing and in hunting. (<bibl n="Pind. P. 3.1">Pind. P. 3.1</bibl>, &amp;c.; <bibl n="Apollod. 3.10.3">Apollod.
       3.10.3</bibl>; Paus. <hi rend="ital">l.c.</hi>) According to other traditions Aesculapius was
      born at Tricca in Thessaly (<bibl n="Strabo xiv.p.647">Strab. xiv. p.647</bibl>), and others
      again related that Coronis gave birth to him during an expedition of her father Phlegyas into
      Peloponnesus, in the territory of Epidaurus, and that she exposed him on mount Tittheion,
      which was before called Myrtion. Here he was fed by a goat and watched by a dog, until at last
      he was found by Aresthanas, a shepherd, who saw the boy surrounded by a lustre like that of
      lightning. (See a different account in <bibl n="Paus. 8.25.6">Paus. 8.25.6</bibl>.) From this
      dazzling splendour, or from his having been rescued from the flames, he was called by the
      Dorians <foreign xml:lang="grc">αἰγλαήρ</foreign>. The truth of the tradition that
      Aesculapius was born in the territory of Epidaurus, and was not the son of Arsinoe, daughter
      of Leucippus and born in Messenia, was attested by an oracle which was consulted to decide the
      question. (<bibl n="Paus. 2.26.6">Paus. 2.26.6</bibl>, <bibl n="Paus. 4.3.2">4.3.2</bibl>;
      Cic. <hi rend="ital">De Nat. Deor.</hi> 3.22, where three different Aesculapiuses are made out
      of the different local traditions about him.) After Aesculapius had grown up, reports spread
      over all countries, that he not only cured all the sick, but called the dead to life again.
      About the manner in which he acquired this latter power, there were two traditions in ancient
      times. According to the one (Apollod. <hi rend="ital">l.c.</hi>), he had received from Athena
      the blood which had flowed from the veins of Gorgo, and the blood which had flowed from the
      veins of the right side of her body possessed the power of restoring the dead to life.
      According to the other tradition, Aesculapius on one occasion was shut up in the house of
      Glaucus, whom he was to cure, and while he was standing absorbed in thought, there came a
      serpent which twined round the staff, and which he killed. Another serpent then came carrying
      in its mouth a herb with which it recalled to life the one that had been killed, and
      Aesculapius henceforth made use of the same herb with the same effect upon men. (Hygin. <hi rend="ital">Poet. Astr.</hi> 2.14.) Several persons, whom Aesculapius was believed to have
      restored to life, are mentioned by the Scholiast on Pindar (<bibl n="Pind. P. 3.96">Pind. P.
       3.96</bibl>) and by Apollodorus. (<hi rend="ital">l.c.</hi>) When he was exercising this art
      upon Glaucus, Zeus killed Aesculapius with a flash of lightning, as he feared lest men might
      gradually contrive to escape death altogether (<bibl n="Apollod. 3.10.4">Apollod.
       3.10.4</bibl>), or, according to others, because Pluto had complained of Aesculapius
      diminishing the number of the dead too much. (<bibl n="Diod. 4.71">Diod. 4.71</bibl>; comp.
      Schol. <hi rend="ital">ad Pind. Pyth.</hi> 3.102.) But, on the request of Apollo, Zeus placed
      Aesculapius among the stars. (Hygin. <hi rend="ital">Poet. Astr.</hi> 2.14.) Aesculapius is
      also said to have taken part in the expedition of the Argonauts and in the Calydonian hunt. He
      was married to Epione, and besides the two sons spoken of by Homer, we also find mention of
      the following children of his : Janiscus, Alexenor, Aratus, Hygieia, Aegle, laso, land
      Panaceia (Schol. <hi rend="ital">ad Pind. Pyth.</hi> 3.14; <bibl n="Paus. 2.10.3">Paus.
       2.10.3</bibl>, <bibl n="Paus. 1.34.2">1.34.2</bibl>), most of whom are only personifications
      of the powers ascribed to their father.</p><p>These are the legends about one of the most interesting and important divinities of
      antiquity. Various hypotheses have been brought forward to explain the origin of his worship
      in Greece; and, while some consider Aesculapius to have been originally a real personage, whom
      tradition had connected with various marvellous stories, others have explained all the legends
      about him as mere personifications of certain ideas. The serpent, the perpetual symbol of
      Aesculapius, has given rise to the opinion, that the worship was derived from Egypt, and that
      Aesculapius was identical with the serpent Cnuph worshipped in Egypt, or with the Phoenician
      Esmun. (Euseb. <hi rend="ital">Praep. Evang.</hi> 1.10; comp. <bibl n="Paus. 7.23.6">Paus.
       7.23.6</bibl>.) But it does not seem necessary to have recourse to foreign countries in order
      to explain the worship of this god. His story is undoubtedly a combination of real events with
      the results of thoughts or ideas, which, as in so many instances in Greek mythology, are, like
      the former, considered as facts. The kernel, out of which the whole myth has grown, is perhaps
      the account we read in Homer; but gradually the sphere in which Aesculapius acted was so
      extended, that he became the representative or the personification of the healing powers of
      nature, which are naturally enough described as the son (the effects) of Helios,--Apollo, or
      the Sun.</p><p>Aesculapius was worshipped all over Greece, and many towns, as we have seen, claimed the
      honour of his birth. His temples were usually built in healthy places, on hills outside the
      town, and near wells which were believed to have healing powers. These temples were not only
      places of worship, but were frequented by great numbers of sick persons, and may therefore be
      compared to modern hospitals. (Plut. <hi rend="ital">Quaest. Rom.</hi> p. 286, D.) The
      principal seat of his worship in Greece was Epidaurus, where he had a temple surrounded with
      an extensive grove, within which no one was allowed to die, and no woman to give birth to a
      child. His sanctuary contained a magnificent statue of ivory and gold, the work of
      Thrasymedes, in which he was represented as a handsome and manly figure, resembling that of
      Zeus. (<bibl n="Paus. 2.26">Paus. 2.26</bibl> and 27.) He was seated on a throne, holding in
      one hand a staff, and with the other resting upon the head of a dragon (serpent), and by his
      side lay a dog. (<bibl n="Paus. 2.27.2">Paus. 2.27.2</bibl>.) Serpents were everywhere
      connected with the worship of Aesculapius, probably because they were a symbol of prudence and
      renovation, and were believed to have the power of discovering herbs of wondrous powers, as is
      indicated in the story about Aesculapius and the serpents in the house of Glaucus. Serpents
      were further believed to be guardians of wells with salutary powers. For these reasons a
      peculiar kind of tame serpents, in which Epidaurus abounded, were not only kept in his temple
       (<bibl n="Paus. 2.28.1">Paus. 2.28.1</bibl>), but the god himself frequently appeared in the
      form of a serpent. (<bibl n="Paus. 3.23.4">Paus. 3.23.4</bibl>; <bibl n="V. Max. 1.8.2">V.
       Max. 1.8.2</bibl>; <bibl n="Liv. Epit. 11">Liv. Epit. 11</bibl>; compare the account of
      Alexander Pseudomantis in Lucian.) Besides the temple of Epidaurus, whence the worship of the
      god was transplanted to various other parts of the ancient world, we may mention those of
      Tricca (<bibl n="Strabo ix.p.437">Strab. ix. p.437</bibl>), Celaenae (xiii. p. 603), between
      Dyme and Patrae (viii. p. 386), near Cyllene (viii. p. 337), in the island of Cos (xiii. p.
      657; <bibl n="Paus. 3.23.4">Paus. 3.23.4</bibl>), at Gerenia (<bibl n="Strabo viii.p.360">Strab. viii. p.360</bibl>), near Caus in Arcadia (Steph. Byz. <hi rend="ital">s. v.</hi>),
      at Sicyon (<bibl n="Paus. 2.10.2">Paus. 2.10.2</bibl>), at Athens (1.21.7), near Patrae
      (7.21.6), at Titane in the territory of Sicyon (7.23.6), at Thelpusa (8.25.3), in Messene
      (4.31.8), at Phlius (2.13. <pb n="46"/> § 3), Argos (2.23.4), Aegium (2.23.5), Pellene
      (7.27.5), Asopus (3.22.7), Pergamum (3.26.7), Lebene in Crete, Smyrna, Balagrae (2.26.7),
      Ambracia (<bibl n="Liv. 38.5">Liv. 38.5</bibl>), at Rome and other places. At Rome the worship
      of Aesculapius was introduced from Epidaurus at the command of the Delphic oracle or of the
      Sibylline books, in <date when-custom="-293">B. C. 293</date>, for the purpose of averting a
      pestilence. Respecting the miraculous manner in which this was effected see Valerius Maximus
      (1.8.2), and Ovid. <hi rend="ital">Met.</hi> 15.620, &amp;c.; comp. Niebuhr, <hi rend="ital">Hist. of Rome,</hi> iii. p. 408, &amp;c.; <bibl n="Liv. 10.47">Liv. 10.47</bibl>, <bibl n="Liv. 29.11">29.11</bibl>; <bibl n="Suet. Cl. 25">Suet. Cl. 25</bibl>.)</p><p>The sick, who visited the temples of Aesculapius, had usually to spend one or more nights in
      his sanctuary (<foreign xml:lang="grc">καθεύδειν</foreign>, <hi rend="ital">ineubare,</hi>
      <bibl n="Paus. 2.27">Paus. 2.27</bibl> § 2), during which they observed certain rules
      prescribed by the priests. The god then usually revealed the remedies for the disease in a
      dream. (<bibl n="Aristoph. Pl. 662">Aristoph. Pl. 662</bibl>, &amp;c.; Cic. <hi rend="ital">De
       Div.</hi> 2.59 ; Philostr. <hi rend="ital">Vita Apollon.</hi> 1.7; Jambl. <hi rend="ital">De
       Myst.</hi> 3.2.) It was in allusion to this <hi rend="ital">incubatio</hi> that many temples
      of Aesculapius contained statues representing Sleep and Dream. (<bibl n="Paus. 2.10.2">Paus.
       2.10.2</bibl>.) Those whom the god cured of their disease offered a sacrifice to him,
      generally a cock (Plat. <hi rend="ital">Phacd.</hi> p. 118) or a goat (<bibl n="Paus. 10.32.8">Paus. 10.32.8</bibl>; Serv. <hi rend="ital">ad Virg. Georg.</hi> 2.380), and hung up in his
      temple a tablet recording the name of the sick, the disease, and the manner in which the cure
      had been effected. The temples of Epidaurus, Tricca, and Cos, were full of such votive
      tablets, and several of them are still extant. (<bibl n="Paus. 2.27.3">Paus. 2.27.3</bibl>;
       <bibl n="Strabo viii.p.374">Strab. viii. p.374</bibl>; comp. <hi rend="ital">Dict. of
       Ant.</hi> p. 673.) Respecting the festivals celebrated in honour of Aesculapius see <hi rend="ital">Dict. of Ant.</hi> p. 103. &amp;c. The various surnames given to the god partly
      describe him as the healing or saving god, and are partly derived from the places in which he
      was worshipped. Some of his statues are described by Pausanias. (2.10.3, 10.32.8.) Besides the
      attributes mentioned in the description of his statue at Epidaurus, he is sometimes
      represented holding in one hand a phial, and in the other a stalf; sometimes also a boy is
      represented standing by his side, who is the genius of recovery, and is called Telesphorus,
      Euamerion, or Acesius. (<bibl n="Paus. 2.11.7">Paus. 2.11.7</bibl>.) We still possess a
      considerable number of marble statues and busts of Aesculapius, as well as many
      representations on coins and gems. (Böttiger, <hi rend="ital">Amalthea,</hi> i. p. 282;
      ii. p. 361; Hirt, <hi rend="ital">Mythol. Bilderb.</hi> i. p. 84; Müller, <hi rend="ital">Handb. der Archäol.</hi> p. 597, &amp;c. 710.)</p><p>There were in antiquity two works which went under the name of Aesculapius, which, however,
      were no more genuine than the works ascribed to Orpheus. (Fabricius, <hi rend="ital">Bibl.
       Graec.</hi> i. p. 55, &amp;c.)</p><p>The descendants of Aesculapius were called by the patronymic name <hi rend="ital">Asclepiadae.</hi> (<foreign xml:lang="grc">Ἀσκληπιάδαι</foreign>.) Those writers, who
      consider Aesculapius as a real personage, must regard the Asclepiadae as his real descendants,
      to whom he transmitted his medical knowledge, and whose principal seats were Cos and Cnidus.
      (Plat. <hi rend="ital">de Re Publ.</hi> iii. p. 405, &amp;c.) But the Asclepiadae were also
      regarded as an order or caste of priests, and for a long period the practice of medicine was
      intimately connected with religion. The knowledge of medicine was regarded as a sacred secret,
      which was transmitted from father to son in the families of the Asclepiadae, and we still
      possess the oath which every one was obliged to take when he was put in possession of the
      medical secrets. (Galen, <hi rend="ital">Anat.</hi> ii. p. 128 Aristid. <hi rend="ital">Orat.</hi> i. p. 80; comp. K. Sprengel, <hi rend="ital">Gesch. der Medicin.</hi> vol. i.) </p><byline>[<ref target="author.L.S">L.S</ref>]</byline></div></div></body></text></TEI>
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