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                <requestUrn>urn:cts:latinLit:phi1348.abo013.perseus-eng2:69-70</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1348.abo013.perseus-eng2:69-70</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi1348.abo013.perseus-eng2"><div type="textpart" n="69" subtype="chapter"><p>In regard to the gods, and matters of religion, he discovered much indifference;
					being greatly addicted to astrology, and fully persuaded that all things were
					governed by fate. Yet he was extremely afraid of lightning, and when the sky was
					in a disturbed state, always wore a laurel crown on his head; because it is
					supposed that the leaf of that tree is never touched by the lightning.</p></div><div type="textpart" n="70" subtype="chapter"><p>He applied himself with great diligence to the liberal arts, both Greek and
					Latin. In his Latin style, he affected to imitate the Messala Corvinus,<note anchored="true">He is mentioned before in the Life of AUGUSTUS, c. lviii,
						and also by Horace, Cicero, and Tacitus. </note> a venerable man, to whom he
					had paid much respect in his own early years. But he rendered his style obscure
					by excessive affectation and abstruseness, so that he was thought to speak
					better extempore, than in a premeditated discourse. He composed likewise a lyric
					ode, under the title of " A Lamentation upon the Death of Lucius Caesar; " and
					also some Greek poems, in imitation of Euphorion, Rhianus, and Parthenius.<note anchored="true">Obscure Greek poets, whose writings were either full of
						fabulous stories, or of an amatory kind. </note> These poets he greatly
					admired, and placed their works and statues in the public libraries, amongst the
					eminent authors of antiquity. On this account, most of the learned men of the
					time vied with each other in publishing observations upon them, which they
					addressed to him. His principal study, however, was the history of the fabulous
					ages, inquiring even into its trifling details in a ridiculous manner; for he
					used to try the grammarians, a class of men which, as I have already observed,
					he much affected, with such questions as these: "Who was Hecuba's mother? What
					name did Achilles assume among the virgins? What was it that the Sirens used to
					sing?" And the first day that he entered the senate-house, after the death of
					Augustus, as if he intended to pay respect at once to his father's memory and to
					the gods, he made an offering of frankincense and wine, but without any music,
					in imitation of Minos, upon the death of his son.</p></div></div></body></text></TEI>
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