<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.4.10-8.4.23</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.4.10-8.4.23</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="8" type="textpart" subtype="book"><div n="4" type="textpart" subtype="section"><div n="10" type="textpart" subtype="section"><p><quote> If this had befallen you at the dinner-table in the midst of your
                                amazing potations, who would not have thought it unseemly? But it
                                occurred at an assembly of the Roman people. </quote> Or take this
                            passage from the speech against Catiline: <note anchored="true" place="unspecified"><hi rend="italic">Phil.</hi> I. vii. 17. xi 32.
                                </note>
                        <quote> In truth, if my slaves feared me as all your
                                fellowcitizens fear you, I should think it wise to leave my house.
                            </quote>
                     </p></div><div n="11" type="textpart" subtype="section"><p> At times, again, we may advance a parallel to make something which we
                            desire to exaggerate seem greater than ever, as Cicero does in the <hi rend="italic">pro Cluentio,</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">cp.</hi> v. xiii. 24. </note>
                            where, after telling a story of a woman of Miletus who took a bribe from
                            the reversionary heirs to prevent the birth of her expected child, lie
                            cries, <quote> How much greater is the punishment deserved by Oppianicus
                                for the same offence! For that woman, by doing violence to her own
                                body did but torture herself, whereas he procured the same result by
                                applying violence and torture to the body of another. </quote>
                     </p></div><div n="12" type="textpart" subtype="section"><p> I would not, however, have anyone think that this method is identical
                            with that used in argument, where the greater is inferred from the less,
                            although there is a certain resemblance between the two. For in the
                            latter case we are aiming at proof, in the former at <hi rend="italic">amplification;</hi> for example, in the passage just cited about
                            Oppianicus, the object of the comparison is not to show that his action
                            was a crime, but that it was even worse than another crime. There is,
                            however, a certain affinity between the two methods, and I will
                            therefore repeata passage which I quoted there, although my present
                            purpose is different. </p></div><div n="13" type="textpart" subtype="section"><p> For what I have now to demonstrate is that when amplification is our
                            purpose we <pb n="v7-9 p.271"/> compare not merely whole with whole, but
                            part with part, as in the following passage: <note anchored="true" place="unspecified"><hi rend="italic">Cat.</hi> i. i. 3. <hi rend="italic">Phil.</hi> ii. xxv. 63. </note>
                        <quote> Did that
                                illustrious citizen, the pontifex maximus, Publius Scipio, acting
                                merely in his private capacity, kill Tiberius Gracchus when he
                                introduced but slight changes for the worse that did not seriously
                                impair the constitution of the state, and shall we as consuls suffer
                                Catiline to live, whose aim was to lay waste the whole world with
                                fire and sword? </quote>
                     </p></div><div n="14" type="textpart" subtype="section"><p> Here Catiline is compared to Gracchus, the constitution of the state to
                            the whole world, a slight change for the worse to fire and sword and
                            desolation, and a private citizen to the consuls, all comparisons
                            affording ample opportunity for further individual expansion, if anyone
                            should desire so to do. </p></div><div n="15" type="textpart" subtype="section"><p> With regard to the <hi rend="italic">amplificalion</hi> produced by <hi rend="italic">reasoning,</hi> we must consider whether <hi rend="italic">reasoning</hi> quite expresses my meaning. I am not a
                            stickler for exact terminology, provided the sense is clear to any
                            serious student. My motive in using this term was, however, this, that
                            this form of amplification produces its effect at a point other than
                            that where it is actually introduced. One thing is magnified in order to
                            effect a corresponding augmentation elsewhere, and it is by reasoning
                            that our hearers are then led on from the first point to the second
                            which we desire to emplasise. </p></div><div n="16" type="textpart" subtype="section"><p> Cicero, when he is about to reproach Antony with his drunkenness and
                            vomiting, says, <note anchored="true" place="unspecified"><hi rend="italic">Cat.</hi> i. i. 3. <hi rend="italic">Phil.</hi>
                                ii. xxv. 63. </note>
                        <quote> You with such a throat, such flanks,
                                such burly strength in every limb of your prize-fighter's body,
                            </quote> etc. What have his throat and flanks to do with his
                            drunkenness? The reference is far from pointless: for by looking at them
                            we are enabled to estimate the quantity of <pb n="v7-9 p.273"/> the wine
                            which he drank at Hippias' wedding, and was unable to carry or digest in
                            spite of the fact that his bodily strength was worthy of a prizefighter.
                            Accordingly if, in such a case, one thing is inferred from another, the
                            term <hi rend="italic">reasoning</hi> is neither improper nor
                            extraordinary, since it has been applied on similar grounds to one of
                            the <hi rend="italic">bases.</hi>
                        <note anchored="true" place="unspecified">See III. vi. 43 sqq. VII. v. 2.</note> So,
                            again, </p></div><div n="17" type="textpart" subtype="section"><p> amplification results from subsequent events, since the violence with
                            which the wine burst from him was such that the vomiting was not
                            accidental nor voluntary, but a matter of necessity, at a moment when it
                            was specially unseemly, while the food was not recently swallowed, as is
                            sometimes the case, but the residue of the revel of the preceding day.
                        </p></div><div n="18" type="textpart" subtype="section"><p> On the other hand, <hi rend="italic">amplification</hi> may equally
                            result from antecedent circumstances; for example, when Juno made her
                            request to Aeolus, the latter <note anchored="true" place="unspecified"><hi rend="italic">Aen.</hi> i. 81. </note>
                        <quote rend="blockquote"><l part="M">"Turned his spear and smote</l><l part="N">The mountain's caverned side, and forth the winds</l><l part="I">Rushed in a throng,"</l></quote> whereby the poet shows
                            what a mighty tempest will ensue. </p></div><div n="19" type="textpart" subtype="section"><p> Again, when we have depicted some horrible circumstance in such colours
                            as to raise the detestation of our audience to its height, we then
                            proceed to make light of them in order that what is to follow may seem
                            still more horrible: consider the following passage from Cicero: <note anchored="true" place="unspecified"><hi rend="italic">Verr.</hi> 5,
                                44, 177. </note>
                        <quote> These are but trivial offences for so great
                                a criminal. The captain of a warship from a famous city bought off'
                                his threatened scourging for a price: a humane concession! Another
                                paid down a sum of money to save his head from the axe: <milestone n="20" unit="section"/> a perfectly ordinary circumstance!
                            </quote> Does <pb n="v7-9 p.275"/> not the orator employ a process of
                            reasoning to enable the audience to infer how great the implied crime
                            must be when such actions were but humane and ordinary in comparison?
                            So, again, one thing may be magnified by allusion to another: the valour
                            of Scipio is magnified by extolling the fame of Hannibal as a general,
                            and we are asked to marvel at the courage of the Germans and the Gauls
                            in order to enhance the glory of Gaius Caesar. </p></div><div n="21" type="textpart" subtype="section"><p> There is a similar form of <hi rend="italic">amplification</hi> which is
                            effected by reference to something which appears to have been said with
                            quite another purpose in view. The chiefs of Troy <note anchored="true" place="unspecified"><hi rend="italic">Il.</hi> iii. 156. </note>
                            think it no discredit that Trojan and Greek should endure so many woes
                            for so many years all for the sake of Helen's beauty. How wondrous,
                            then, must her beauty have been! For it is not Paris, her ravisher, that
                            says this; it is not some youth or one of the common herd; no, it is the
                            elders, the wisest of their folk, the counsellors of Priam. </p></div><div n="22" type="textpart" subtype="section"><p> Nay, even the king himself, worn out by a ten years' war, which had cost
                            him the loss of so many of his sons, and threatened to lay his kingdom
                            in the dust, the man who, above all, should have loathed and detested
                            her beauty, the source of all those tears, hears these words, calls her
                            his daughter, and places her by his side, excuses her guilt, and denies
                            that she is the cause of his sorrows. </p></div><div n="23" type="textpart" subtype="section"><p> Again, when Plato in the Symposium <note anchored="true" place="unspecified">218B–219D.</note> makes Alcibiades confess how
                            he had wished Socrates to treat him, he does not, I think, record these
                            facts with a view to blaming Aleibiades, but rather to show the
                            unconquerable self-control of Socrates, which would not yield even to
                            the charms which the greatest beauty of his day so frankly placed at his
                            disposal. <pb n="v7-9 p.277"/>
                     </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>