<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.3.9-8.3.12</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.3.9-8.3.12</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="8" type="textpart" subtype="book"><div n="3" type="textpart" subtype="chapter"><div n="9" type="textpart" subtype="section"><p> Again, is beauty an object of no consideration in the planting of fruit
                            trees? Certainly not! For my trees must be planted in due order and at
                            fixed intervals. What fairer sight is there than rows of trees planted
                            in échelon <note anchored="true" place="unspecified"><hi rend="italic">Quincunx.</hi> The formation may be thus represented </note>
                            which present straight lines to the eye from whatever angle they be
                            viewed? But it has an additional advantage, since this form of
                            plantation enables every tree to derive an equal share of moisture from
                            the soil. </p></div><div n="10" type="textpart" subtype="section"><p> When the tops of my olive trees rise too high, I lop them away, with the
                            result that their growth expands laterally <pb n="v7-9 p.217"/> in a
                            manner that is at once more pleasing to the eye and enables them to bear
                            more fruit owing to the increase in the number of branches. A horse
                            whose flanks are compact is not only better to look upon, but swifter in
                            speed. The athlete whose muscles have been formed by exercise is a joy
                            to the eye, but he is also better fitted for the contests in which he
                            must engage. </p></div><div n="11" type="textpart" subtype="section"><p> In fact true beauty and usefulness always go hand in hand. It does not,
                            however, require any special ability to discern the truth of this. It is
                            more important to note that such seemly ornament must be varied to suit
                            the nature of the material to which it is applied. To begin with the
                            primary classification of oratory, the same form of ornament will not
                            suit demonstrative, deliberative and forensic speeches. For the oratory
                            of display aims solely at delighting the audience, and therefore
                            develops all the resources of eloquence and deploys all its ornament,
                            since it seeks not to steal its way into the mind nor to wrest the
                            victory from its opponent, but aims solely at honour and glory. </p></div><div n="12" type="textpart" subtype="section"><p> Consequently the orator, like the hawker who displays his wares, will
                            set forth before his audience for their inspection, nay, almost for
                            their handling, all his most attractive reflexions, all the brilliance
                            that language and the charm that figures can supply, together with all
                            the magnificence of metaphor and the elaborate art of composition that
                            is at his disposal. For his success concerns himself, and not his cause.
                        </p></div></div></div></div></body></text></TEI>
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            </reply>
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