<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.1.1-8.1.3</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:8.1.1-8.1.3</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="8" type="textpart" subtype="book"><div n="1" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>I. What the Greeks call <foreign xml:lang="grc">φράσιν</foreign> we in Latin call <hi rend="italic">elocuio</hi> or
                            style. Style is revealed both in individual words and in groups of
                            words. As regards the former, we must see that they are Latin, clear,
                            elegant and well-adapted to produce the desired effect. As regards the
                            latter, they must be correct, aptly placed and adorned with suitable
                            figures. </p></div><div n="2" type="textpart" subtype="section"><p> I have already, in the portions of the first book dealing with the
                            subject of grammar, said all that is necessary on the way to acquire
                            idiomatic and correct speech. But there my remarks were restricted to
                            the prevention of positive faults, and it is well that I should now
                            point out that our words should have nothing provincial or foreign about
                            them. For you will find <pb n="v7-9 p.197"/> that there are a number of
                            writers by no means deficient in style whose language is precious rather
                            than idiomatic. As an illustration of my meaning I would remind you of
                            the story of the old woman at Athens, who, when Theophrastus, a man of
                            no mean eloquence, used one solitary word in an affected way,
                            immediately said that he was a foreigner, and on being asked how she
                            detected it, replied that his language was too Attic for Athens. Again
                            Asinius Pollio held that Livy, </p></div><div n="3" type="textpart" subtype="section"><p> for all his astounding eloquence, showed traces of the idiom of Padua.
                            Therefore, if possible, our voice and all our words should be such as to
                            reveal the native of this city, so that our speech may seem to be of
                            genuine Roman origin, and not merely to have been presented with Roman
                            citizenship. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>