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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:7.10.12-8.pr.7</requestUrn>
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                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:7.10.12-8.pr.7</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="7" type="textpart" subtype="book"><div n="10" type="textpart" subtype="chapter"><div n="12" type="textpart" subtype="section"><p> when we should omit the statement of facts altogether; when we should
                            begin by dealing with the arguments advanced by our opponents, and when
                            with our own; when we should place the strongest proofs first and when
                            the weakest; in what cases we should prefix <hi rend="italic">questions</hi> to the <hi rend="italic">exordium,</hi> and what
                            preparation is necessary to pave the way for these questions; what
                            arguments the judge will accept at once, and to what he requires to be
                            led by degrees; whether we should refute our opponent's arguments as a
                            whole or in detail; whether we should reserve emotional appeals for the
                            peroration or distribute them throughout the whole speech; whether we
                            should speak first of law or of equity; whether we should first advance
                            (or refute) charges as to past offences or the charges connected with
                            the actual trial; </p></div><div n="13" type="textpart" subtype="section"><p> or, again, if the case is complicated, what order we should adopt, what
                            evidence or documents of any kind should be read out in the course of
                            our speech, and what reserved for a later stage. This gift of
                            arrangement is to oratory what generalship is to war. The skilled
                            commander will know how to distribute his forces <pb n="v7-9 p.171"/>
                            for battle, what troops he should keep back to garrison forts or guard
                            cities, to secure supplies, or guard communications, and what
                            dispositions to make by land and by sea. </p></div><div n="14" type="textpart" subtype="section"><p> But to possess this gift, our orator will require all the resources of
                            nature, learning and industrious study. Therefore let no man hope that
                            he can acquire eloquence merely by the labour of others. He must burn
                            the midnight oil, persevere to the end and grow pale with study: he must
                            form his own powers, his own experience, his own methods: he must not
                            require to hunt for his weapons, but must have them ready for immediate
                            use, as though they were born with him and not derived from the
                            instruction of others. </p></div><div n="15" type="textpart" subtype="section"><p> The road may be pointed out, but our speed must be our own. Art has done
                            enough in publishing the resources of eloquence, it is for us to know
                            how to use them. </p></div><div n="16" type="textpart" subtype="section"><p> And it is not enough merely to arrange the various parts: each several
                            part has its own internal economy, according to which one thought will
                            come first, another second, another third, while we must struggle not
                            merely to place these thoughts in their proper order, but to link them
                            together and give them such cohesion that there will be no trace of any
                            suture: they must form a body, not a congeries of limbs. </p></div><div n="17" type="textpart" subtype="section"><p> This end will be attained if we note what best suits each position, and
                            take care that the words which we place together are such as will not
                            clash, but will mutually harmonise. Thus different facts will not seem
                            like perfect strangers thrust into uncongenial company from distant
                            places, but will be united with what precedes and follows by an intimate
                            bond of union, with the result that our <pb n="v7-9 p.173"/> speech will
                            give the impression not merely of having been put together, but of
                            natural continuity. I fear, however, that I have been lured on from one
                            thing to another and have advanced somewhat too far, since I find myself
                            gliding from the subject of arrangement to the discussion of the general
                            rules of style, which will form the opening theme of the next book. </p></div></div></div><pb n="v7-9 p.177"/><div n="8" type="textpart" subtype="book"><head>Book VIII</head><div n="pr" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> THE observations contained in the preceding five books approximately
                            cover the method of invention and the arrangement of the material thus
                            provided. It is absolutely necessary to acquire a thorough knowledge of
                            this method in all its details, if we desire to become accomplished
                            orators, but a simpler and briefer course of instruction is more
                            suitable for beginners. </p></div><div n="2" type="textpart" subtype="section"><p> For they tend either to be deterred from study by the difficulties of so
                            detailed and complicated a course, or lose heart at having to attempt
                            tasks of such difficulty just at the very period when their minds need
                            special nourishment and a more attractive form of diet, or think that
                            when they have learned this much and no more, they are fully equipped
                            for the tasks of eloquence, or finally, regarding themselves as fettered
                            by certain fixed laws of oratory, shrink from making any effort on their
                            own initiative. </p></div><div n="3" type="textpart" subtype="section"><p> Consequently, it has been held that those who have exercised the
                            greatest care in writing text-books of rhetoric have been the furthest
                            removed from genuine eloquence. Still, it is absolutely necessary to
                            point out to beginners the road which they should follow, though this
                            road must be smooth and easy not merely to enter, but to indicate.
                            Consequently, our skilful instructor should select all <pb n="v7-9 p.179"/> that is best in the various writers on the subject
                            and content himself for the moment with imparting those precepts of
                            which he approves, without wasting time over the refutation of those
                            which he does not approve. For thus your pupils will follow where you
                            lead. </p></div><div n="4" type="textpart" subtype="section"><p> Later, as they acquire strength in speaking, their learning will grow in
                            proportion. To begin with, they may be allowed to think that there is no
                            other road than that on which we have set their feet, and it may be left
                            to time to teach them what is actually the best. It is true that writers
                            on rhetoric have, by the pertinacity with which they have defended their
                            opinions, made the principles of the science which they profess somewhat
                            complicated; but these principles are in reality neither obscure nor
                            hard to understand. </p></div><div n="5" type="textpart" subtype="section"><p> Consequently, if we regard the treatment of the art as a whole, it is
                            harder to decide what we should teach than to teach it, once the
                            decision has been made. Above all, in the two departments which I have
                            mentioned, the necessary rules are but few in number, and if the pupil
                            gives them ready acceptance, he will find that the path to further
                            accomplishment presents no difficulty. </p></div><div n="6" type="textpart" subtype="section"><p> I have, it is true, already expended much labour on this portion of my
                            task; for I desired to make it clear that rhetoric is the science of
                            speaking well, that it is useful, and further, that it is an art and a
                            virtue. I wished also to show that its subject matter consists of
                            everything on which an orator may be called to speak, and is, as a rule,
                            to be found in three classes of oratory, demonstrative, deliberative,
                            and forensic; that every speech is composed of matter and words, and
                            that as regards matter we must <pb n="v7-9 p.181"/> study invention, as
                            regards words, style, and as regards both, arrangement, all of which it
                            is the task of memory to retain and delivery to render attractive. </p></div><div n="7" type="textpart" subtype="section"><p> I attempted to show that the duty of the orator is composed of
                            instructing, moving and delighting his hearers, statement of facts and
                            argument falling under the head of instruction, while emotional appeals
                            are concerned with moving the audience and, although they may be
                            employed throughout the case, are most effective at the beginning and
                            end. As to the element of charm, I pointed out that, though it may
                            reside both in facts and words, its special sphere is that of style.
                        </p></div></div></div></div></body></text></TEI>
                </passage>
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