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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:5.14.21-6.pr.5</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:5.14.21-6.pr.5</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="5" type="textpart" subtype="book"><div n="14" type="textpart" subtype="chapter"><div n="21" type="textpart" subtype="section"><p> The <hi rend="italic">minor premise</hi> is refuted by all the methods
                            which we mentioned in dealing with refutation. <note anchored="true" place="unspecified">In the preceding chapter.</note> As to the <hi rend="italic">reason</hi> it must be pointed out that it is
                            sometimes true when the <hi rend="italic">proposition</hi> to which it
                            is attached is not true, but may on the other hand sometimes be false
                            although the proposition is true. For example, <quote>Virtue is a good
                                thing</quote> is true, but if the reason, <quote>Because it brings
                                us wealth,</quote> be added, we shall have an instance of a true <hi rend="italic">major premise</hi> and a false <hi rend="italic">reason.</hi>
                     </p></div><div n="22" type="textpart" subtype="section"><p> With regard to the <hi rend="italic">conclusion,</hi> we may either deny
                            its truth when it infers something which does not logically result from
                            the premises, or we may treat it as irrelevant. The truth is denied in
                            the following case: <quote> We are justified in killing one who lies in
                                wait for us; for since, like an enemy, he threatens us with
                                violence, we ought to repulse his attack as though he were an enemy:
                                therefore Milo was justified in killing Clodius as an enemy.
                            </quote> The conclusion is not valid, since we have not yet proved that
                            Clodius lay in wait for him But the conclusion that we are therefore
                            justified in killing one who lies in wait for us is perfectly true,
                            though irrelevant to the case, for it is not yet clear that Clodius lay
                            in wait for Milo. </p></div><div n="23" type="textpart" subtype="section"><p> But while the <hi rend="italic">major premise</hi> and the <hi rend="italic">reason</hi>
                        <pb n="v4-6 p.363"/> may both be true and
                            the conclusion false, yet if both are false, the conclusion can never be
                            true. </p></div><div n="24" type="textpart" subtype="section"><p> Some call the <hi rend="italic">enthymeme</hi> a <hi rend="italic">rhetorical syllogism,</hi> while others regard it as a part of the
                                <hi rend="italic">syllogism,</hi> because whereas the latter always
                            has its premises and conclusion and effects its proof by the employment
                            of all its parts, the <hi rend="italic">ethymeme</hi> is content to let
                            its proof be understood without explicit statement. </p></div><div n="25" type="textpart" subtype="section"><p> The following is an example of a syllogism: <quote> Virtue is the only
                                thing that is good, for that alone is good which no one can put to a
                                bad use: but no one can make a bad use of virtue; virtue therefore
                                is good. </quote> The <hi rend="italic">enthymeme</hi> draws its
                            conclusion from denial of consequents. <quote>Virtue is a good thing
                                because no one can put it to a bad use.</quote> On the other hand
                            take the following syllogism. <quote> Money is not a good thing; for
                                that is not good which can be put to a bad use: money may be put to
                                a bad use; therefore money is not a good thing. </quote> The <hi rend="italic">enthymeme</hi> draws its conclusion from
                            incompatibles. <quote>Can money be a good thing when it is possible to
                                put it to a bad use?</quote>
                     </p></div><div n="26" type="textpart" subtype="section"><p> The following argument is couched in syllogistic form: <quote> If money
                                in the form of silver coin is silver, the man who bequeathed all his
                                silver to a legatee, includes all money in the form of coined
                                silver: but he bequeathed all his silver: therefore he included in
                                the bequest all money in the form of coined silver. </quote> But for
                            the orator it will be sufficient to say, <quote>Since he bequeathed all
                                his silver, he included in his bequest all his silver
                            money.</quote>
                     </p></div><div n="27" type="textpart" subtype="section"><p> I think I have now dealt with all the precepts of those who treat
                            oratory as a mystery. But these rules still leave scope for free
                            exercise of the judgment. For although I consider that there are
                            occasions <pb n="v4-6 p.365"/> when the orator may lawfully employ the
                            syllogism, I am far from desiring him to make his whole speech consist
                            of or even be crowded with a mass of <hi rend="italic">epicheiremes</hi>
                            and <hi rend="italic">enthymemes.</hi> For a speech of that character
                            would resemble dialogues and dialectical controversies rather than
                            pleadings of the kind with which we are concerned, and there is an
                            enormous difference between the two. </p></div><div n="28" type="textpart" subtype="section"><p> For in the former we are confronted with learned men seeking for truth
                            among men of learning; consequently they subject everything to a minute
                            and scrupulous inquiry with a view to arriving at clear and convincing
                            truths, and they claim for themselves the tasks of invention and
                            judgment, calling the former <foreign xml:lang="grc">τοπική</foreign> or
                            the art of selecting the appropriate material for treatment, and the
                            latter <foreign xml:lang="grc">κριτική</foreign> or the art of
                            criticism. </p></div><div n="29" type="textpart" subtype="section"><p> We on the other hand have to compose our speeches for others to judge,
                            and have frequently to speak before an audience of men who, if not
                            thoroughly ill-educated, are certainly ignorant of such arts as
                            dialectic: and unless we attract them by the charm of our discourse or
                            drag them by its force, and occasionally throw them off their balance by
                            an appeal to their emotions, we shall be unable to vindicate the claims
                            of truth and justice. </p></div><div n="30" type="textpart" subtype="section"><p> Eloquence aims at being rich, beautiful and commanding, and will attain
                            to none of these qualities if it be broken up into conclusive inferences
                            which are generally expressed in the same monotonous form: on the
                            contrary its meanness will excite contempt, its severity dislike, its
                            elaboration satiety, and its sameness boredom. </p></div><div n="31" type="textpart" subtype="section"><p> Eloquence therefore must not restrict itself to narrow tracks, but range
                            at large over the open fields. Its streams must not be conveyed <pb n="v4-6 p.367"/> through narrow pipes like the water of fountains,
                            but flow as mighty rivers flow, filling whole valleys; and if it cannot
                            find a channel it must make one for itself. For what can be more
                            distressing than to be fettered by petty rules, like children who trace
                            the letters of the alphabet which others have first written for them,
                            or, as the Greeks say, insist on keeping the coat their mother gave
                            them. <note anchored="true" place="unspecified"> The proverb which is
                                also found in Plutarch ( <hi rend="italic">de Alex. Fort.</hi> i.
                                330 B) seems to refer to a child's passionate fondness for some
                                particular garment. </note> Are we to have nothing but premises and
                            conclusions from consequents and incompatibles? Must not the orator
                            breathe life into the argument and develop it? </p></div><div n="32" type="textpart" subtype="section"><p> Must lie not vary and diversify it by a thousand figures, and do all
                            this in such a way that it seems to come into being as the very child of
                            nature, not to reveal an artificial manufacture and a suspect art nor at
                            every moment to show traces of an instructor's hand? What orator ever
                            spoke thus? Even in Demosthenes we find but few traces of such a
                            mechanism. And yet the Greeks of to-day are even more prone than we are
                            (though this is the only point in which their practice is worse than
                            ours) to bind their thoughts in fetters and to connect them by an
                            inexorable chain of argument, making inferences where there was never
                            any doubt, proving admitted facts and asserting that in so doing they
                            are following the orators of old, although they always refuse to answer
                            the question who it is that they are imitating. However of figures I
                            shall speak elsewhere. <note anchored="true" place="unspecified">IX. i.
                                ii. iii.</note>
                     </p></div><div n="33" type="textpart" subtype="section"><p> For the present I must add that I do not even agree with those who hold
                            that arguments should always be expressed in language which is not only
                            pure, lucid and distinct, but also as free as possible from all
                            elevation and ornateness. I readily admit that <pb n="v4-6 p.369"/>
                            arguments should be distinct and clear, and further that in arguments of
                            a minor character the language and words should be as appropriate and as
                            familiar as possible. </p></div><div n="34" type="textpart" subtype="section"><p> But if the subject be one of real importance every kind of ornament
                            should be employed, so long as it does nothing to obscure our meaning.
                            For metaphor will frequently throw a flood of light upon a subject: even
                            lawyers, who spend so much trouble over the appropriateness of words,
                            venture to assert that the word <hi rend="italic">litus</hi> is derived
                            from <hi rend="italic">eludere,</hi> because the shore is a place where
                            the waves break in play. </p></div><div n="35" type="textpart" subtype="section"><p> Further, the more unattractive the natural appearance of anything, the
                            more does it require to be seasoned by charm of style: moreover, an
                            argument is often less suspect when thus disguised, and the charm with
                            which it is expressed makes it all the more convincing to our audience.
                            Unless indeed we think that Cicero was in error when he introduced
                            phrases such as the following into an argumentative passage: <quote>The
                                laws are silent in the midst of arms,</quote> and <quote>A sword is
                                sometimes placed in our hands by the laws themselves.</quote>
                            However, we must be careful to observe a happy mean in the employment of
                            such embellishments, so that they may prove a real ornament and not a
                            hindrance. </p></div></div></div><pb n="v4-6 p.373"/><div n="6" type="textpart" subtype="book"><head>Book VI</head><div n="pr" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> I undertook my present task, Marcellus Victorius, mainly to gratify your
                            request, <note anchored="true" place="unspecified"><hi rend="italic">cp.</hi> Proem, Bk. I. </note> but also with a view to assist
                            the more earnest of our young men as far as lay in my power, while
                            latterly the energy with which I have devoted myself to my labours has
                            been inspired by the almost imperative necessity imposed by the office
                            conferred on me, <note anchored="true" place="unspecified"><hi rend="italic">cp.</hi> Proem, Bk. IV. </note> though all the
                            while I have had an eye to my own personal pleasure. For I thought that
                            this work would be the most precious part of the inheritance that would
                            fall to my son, whose ability was so remarkable that it called for the
                            most anxious cultivation on the part of his father. Thus if, as would
                            have been but just and devoutly to be wished, the fates had torn me from
                            his side, he would still have been able to enjoy the benefit of his
                            father's instruction. </p></div><div n="2" type="textpart" subtype="section"><p> Night and day I pursued this design, and strove to hasten its completion
                            in the fear that death might cut me off with my task unfinished, when
                            misfortune overwhelmed me with such suddenness, that the success of my
                            labours now interests no one less than myself. A second bereavement has
                            fallen upon me, and I have lost him of whom I had formed the highest
                            expectations, and in whom I reposed all the hopes that should solace my
                            old age. What is there left for me to do? </p></div><div n="3" type="textpart" subtype="section"><p> Or <pb n="v4-6 p.375"/> what further use can I hope to be on earth, when
                            heaven thus frowns upon me? For it so chances that just at the moment
                            when I began my book on the causes of the decline of eloquence, I was
                            stricken by a like affliction. Better had I thrown that illomened work
                            and all my ill-starred learning upon the flames of that untimely pyre
                            that was to consume the darling of my heart, and had not sought to
                            burden my unnatural persistence in this wicked world with the fatigue of
                            fresh labours! </p></div><div n="4" type="textpart" subtype="section"><p> For what father with a spark of proper feeling would pardon me for
                            having the heart to pursue my researches further, and would not hate me
                            for my insensibility, had I other use for my voice than to rail against
                            high heaven for having suffered me to outlive all my nearest and
                            dearest, and to testify that providence deigns not at all to watch over
                            this earth of ours? If this is not proved by my own misfortune (and yet
                            my only fault is that I still live), it is most surely manifest in
                            theirs, who were cut off thus untimely; their mother was taken from me
                            earlier still, she had borne me two sons ere the completion of her
                            nineteenth year; but for her, though she too died most untimely, death
                            was a blessing. </p></div><div n="5" type="textpart" subtype="section"><p> Yet for me her death alone was such a blow that thereafter no good
                            fortune could bring me true happiness. For she had every virtue that is
                            given to woman to possess, and left her husband a prey to irremediable
                            grief; nay, so young was she when death took her, that if her age be
                            compared with mine, her decease was like the loss not merely of a wife,
                            but of a daughter. Still her children survived her, and I, too, </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>