<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.4.1-3.4.14</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.4.1-3.4.14</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="3" type="textpart" subtype="book"><div n="4" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> There is, however, a dispute as to whether there are three kinds or
                            more. But it is quite certain that all the most eminent authorities
                            among ancient writers, following Aristotle who merely substituted the
                            term <hi rend="italic">public</hi> for <hi rend="italic">deliberative,</hi> have been content with the threefold division.
                        </p></div><div n="2" type="textpart" subtype="section"><p> Still a feeble attempt has been made by certain Greeks and by Cicero in
                            his <hi rend="italic">de Oratore,</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">de Or.</hi> ii. 10 <hi rend="italic">sq.</hi>
                        </note> to prove that there are not merely
                            more than three, but that the number of kinds is almost past
                            calculation: and this view has almost been thrust down our throats by
                            the greatest authority <note anchored="true" place="unspecified">Unknown. Perhaps the elder Pliny.</note> of our own times. </p></div><div n="3" type="textpart" subtype="section"><p> Indeed if we place the task of praise and denunciation in the third
                            division, on what kind of oratory are we to consider ourselves to be
                            employed, when we complain, console, pacify, excite, terrify, encourage,
                            instruct, explain obscurities, narrate, plead for mercy, thank,
                            congratulate, reproach, abuse, describe, command, retract, express our
                            desires and opinions, to mention no other of the many possibilities?
                        </p></div><div n="4" type="textpart" subtype="section"><p> As an adherent of the older view I must ask for indulgence and must
                            enquire what was the reason that led earlier writers to restrict a
                            subject <pb n="v1-3 p.393"/> of such variety to such narrow bounds.
                            Those who think such authorities in error hold that they were influenced
                            by the fact that these three subjects practically exhausted the range of
                            ancient oratory. </p></div><div n="5" type="textpart" subtype="section"><p> For it was customary to write panegyrics and denunciations and to
                            deliver funeral orations, while the greater part of their activities was
                            devoted to the law-courts and deliberative assemblies; as a result, they
                            say, the old writers of text-books only included those kinds of oratory
                            which were most in vogue. </p></div><div n="6" type="textpart" subtype="section"><p> The defenders of antiquity point out that there are three kinds of
                            audience: one which comes simply for the sake of getting pleasure, a
                            second which meets to receive advice, a third to give judgement on
                            causes. In the course of a thorough enquiry into the question it has
                            occurred to me that the tasks of oratory must either be concerned with
                            the law-courts or with themes lying outside the law-courts. </p></div><div n="7" type="textpart" subtype="section"><p> The nature of the questions into which enquiry is made in the courts is
                            obvious. As regards those matters which do not come before a judge, they
                            must necessarily be concerned either with the past or the future. We
                            praise or denounce past actions, we deliberate about the future. </p></div><div n="8" type="textpart" subtype="section"><p> Again everything on which we have to speak must be either certain or
                            doubtful. We praise or blame what is certain, as our inclination leads
                            us: on the other hand where doubt exists, in some cases we are free to
                            form our own views, and it is here that deliberation comes in, while in
                            others, we leave the problem to the decision of others, and it is on
                            these that litigation takes place. </p></div><div n="9" type="textpart" subtype="section"><p> Anaximenes regarded forensic and public oratory as <hi rend="italic">genera</hi> but held that there were seven <hi rend="italic">species</hi> :— exhortation, dissuasion, praise, denunciation, <pb n="v1-3 p.395"/> accusation, defence, inquiry, or as he called it
                                <foreign xml:lang="grc">ἐξεταστικόν.</foreign> The first two,
                            however, clearly belong to deliberative, the next to demonstrative, the
                            three last to forensic oratory. </p></div><div n="10" type="textpart" subtype="section"><p> I say nothing of Protagoras, who held that oratory was to be divided
                            only into the following heads: question and answer, command and
                            entreaty, or as he calls it <foreign xml:lang="grc">εὐχωλή.</foreign>
                            Plato in his <hi rend="italic">Sophist</hi>
                        <note anchored="true" place="unspecified">222 o.</note> in addition to public and forensic
                            oratory introduces a third kind which he styles <foreign xml:lang="grc">προσομιλητική,</foreign> which I will permit myself to translate by
                                <quote>conversational.</quote> This is distinct from forensic
                            oratory and is adapted for private discussions, and we may regard it as
                            identical with dialectic. </p></div><div n="11" type="textpart" subtype="section"><p> Isocrates <note anchored="true" place="unspecified"> Fr. 3 <hi rend="italic">s.</hi>
                        </note> held that praise and blame find a
                            place in every kind of oratory. </p></div><div n="12" type="textpart" subtype="section"><p> The safest and most rational course seems to be to follow the authority
                            of the majority. There is, then, as I have said, one kind concerned with
                            praise and blame, which, however, derives its name from the better of
                            its two functions and is called <hi rend="italic">laudatory;</hi> others
                            however call it <hi rend="italic">demonstrative.</hi> Both names are
                            believed to be derived from the Greek in which the corresponding terms
                            are <hi rend="italic">encomiastic,</hi> and <hi rend="italic">epideictic.</hi>
                     </p></div><div n="13" type="textpart" subtype="section"><p> The term <hi rend="italic">epideictic</hi> seems to me however to imply
                            display rather than demonstration, and to have a very different meaning
                            from <hi rend="italic">encomiastic.</hi> For although it includes
                            laudatory oratory, it does not confine itself thereto. </p></div><div n="14" type="textpart" subtype="section"><p> Will any one deny the title of <hi rend="italic">epideictic</hi> to <hi rend="italic">panegyric?</hi> But yet <hi rend="italic">panegyrics</hi> are advisory in form and frequently discuss the
                            interests of Greece. We may therefore conclude that, while there are
                            three kinds of oratory, all three devote themselves in part to the
                            matter in land, and in part to display. But it may be that Romans are
                            not <pb n="v1-3 p.397"/> borrowing from Greek when they apply the title
                                <hi rend="italic">demonstrative</hi> but are merely led to do so
                            because praise and blame demonstrate the nature of the object with which
                            they are concerned. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>