<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.11.24-4.1.6</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:3.11.24-4.1.6</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="3" type="textpart" subtype="book"><div n="11" type="textpart" subtype="section"><div n="24" type="textpart" subtype="section"><p> And there is hardly anyone, unless he be a born fool without the least
                            acquaintance with the practice of speaking, who does <pb n="v1-3 p.535"/> not know what is the main issue of a dispute (or as they call it the
                                <hi rend="italic">cause</hi> or <hi rend="italic">central
                                argument</hi> ) and what is the <hi rend="italic">question</hi>
                            between the parties and the <hi rend="italic">point on which the judge
                                has to decide,</hi> these three being identical. For the <hi rend="italic">question</hi> is concerned with the matter in dispute
                            and the <hi rend="italic">decision of the judge</hi> is given on the
                            point involved in the <hi rend="italic">question.</hi>
                     </p></div><div n="25" type="textpart" subtype="section"><p> Still we do not keep our attention rigidly fixed on such details, but
                            the desire to win praise by any available means and the sheer delight in
                            speaking make us wander away from the subject, since there is always
                            richer material for eloquence outside the strict theme of the case,
                            inasmuch as the points of any given dispute are always few, and there is
                            all the world outside, and in the one case we speak according to our
                            instructions, in the other on the subjects of our own choice. </p></div><div n="26" type="textpart" subtype="section"><p> We should teach not so much that it is our duty to discover the <hi rend="italic">question, the</hi>
                        <hi rend="italic">central
                                argument,</hi> and the <hi rend="italic">point for the decision of
                                the judge</hi> (an easy task), as that we should continually keep
                            our attention on our subject, or if we digress, at least keep looking
                            back to it, lest in our desire to win applause we should let our weapons
                            drop from our grasp. </p></div><div n="27" type="textpart" subtype="section"><p> The school of Theodorus, as I have said, groups everything under <hi rend="italic">heads,</hi> by which they mean several things. First
                            they mean the <hi rend="italic">main question,</hi> which is to be
                            identified with the <hi rend="italic">basis;</hi> secondly they mean the
                            other questions dependent on the <hi rend="italic">main question,</hi>
                            thirdly the <hi rend="italic">proposition</hi> and the <hi rend="italic">statement of the proofs.</hi> The word is used as we use it when we
                            say <quote>It is the head of the whole business,</quote> or, as Menander
                            says, <foreign xml:lang="grc">κεφάλαιόν ἐστιν.</foreign>
                        <note anchored="true" place="unspecified"> Perhaps a gloss referring to
                                the late rhetorician Menander. If genuine, the words must refer to
                                the comic poet. </note> But generally speaking, anything which has
                            to be proved will be a head of varying degrees of importance. <pb n="v1-3 p.537"/> I have now set forth the principles laid down by
                            the writers of text-books, </p></div><div n="28" type="textpart" subtype="section"><p> though I have done so at a greater length than was necessary. I have
                            also explained what are the various parts of forensic causes. My next
                            book therefore shall deal with the <hi rend="italic">exordium.</hi>
                        <pb n="v1-3 p.539"/>
                     </p></div></div></div><div n="4" type="textpart" subtype="book"><head>Book IV</head><div n="pr" type="textpart" subtype="chapter"><div n="1" type="textpart" subtype="section"><p> I have now, my dear Marcellus Victorius, completed the third book of the
                            work which I have dedicated to you, and have nearly finished a quarter
                            of my task, and am confronted with a motive for renewed diligence and
                            increased anxiety as to the judgment it may be found to deserve. For up
                            to this point we were merely discussing rhetoric between ourselves and,
                            in the event of our system being regarded as inadequate by the world at
                            large, were prepared to content ourselves with putting it into practice
                            at home and to confine ourselves to the education of your son and mine.
                        </p></div><div n="2" type="textpart" subtype="section"><p> But now Domitianus Augustus has entrusted me with the education of his
                            sister's grandsons, and I should be undeserving of the honour conferred
                            upon me by such divine appreciation, if I were not to regard this
                            distinction as the standard by which the greatness of my undertaking
                            must be judged. </p></div><div n="3" type="textpart" subtype="section"><p> For it is clearly my duty to spare no pains in moulding the character of
                            my august pupils, that they may earn the deserved approval of the most
                            righteous of censors. The same applies to their intellectual <pb n="v4-6 p.5"/> training, for I would not be found to have
                            disappointed the expectations of a prince pre-eminent in eloquence as in
                            all other virtues. </p></div><div n="4" type="textpart" subtype="section"><p> But no one is surprised at the frequency with which the greatest poets
                            invoke the Muses not merely at the commencement of their works, but even
                            further on when they have reached some important passage and repeat
                            their vows and utter fresh prayers for assistance. </p></div><div n="5" type="textpart" subtype="section"><p> Assuredly therefore I may ask indulgence for doing what I omitted to do
                            when I first entered on this task and calling to my aid all the gods and
                            Himself before them all (for his power is unsurpassed and there is no
                            deity that looks with such favour upon learning), beseeching him to
                            inspire me with genius in proportion to the hopes that he has raised in
                            me, to lend me propitious and ready aid and make me even such as he has
                            believed me to be. </p></div><div n="6" type="textpart" subtype="section"><p> And this, though the greatest, is not the only motive for this act of
                            religious devotion, but my work is of such a nature that, as it
                            proceeds, I am confronted with greater and more arduous obstacles than
                            have yet faced me. For my next task is to explain the order to be
                            followed in forensic causes, which present the utmost complication and
                            variety. I must set forth the function of the <hi rend="italic">exordium,</hi> the method of the <hi rend="italic">statement of
                                facts,</hi> the cogency of <hi rend="italic">proofs,</hi> whether we
                            are confirming our own assertions or refuting those of our opponents,
                            and the force of the <hi rend="italic">peroration,</hi> whether we have
                            to refresh the memory of the judge by a brief recapitulation of the
                            facts, or to do what is far more effective, stir his emotions. </p></div><div n="7" type="textpart" subtype="section"><p> Some have preferred to give each of these points separate treatment,
                            fearing that if they undertook them as a whole the burden would be
                            greater than they <pb n="v4-6 p.7"/> could bear, and consequently have
                            published several books on each individual point. I have ventured to
                            treat them altogether and foresee such infinite labour that I feel weary
                            at the very thought of the task I have undertaken. But I have set my
                            hand to the plough and must not look back. My strength may fail me, but
                            my courage must not fail. </p></div></div><div n="1" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>I. The commencement or <hi rend="italic">exorditum</hi> as we call it in Latin is styled a <hi rend="italic">proem</hi> by the Greeks. This seems to me a more appropriate name,
                            because whereas we merely indicate that we are beginning our task, they
                            clearly show that this portion is designed as an introduction to the
                            subject on which the orator has to speak. </p></div><div n="2" type="textpart" subtype="section"><p> It may be because <foreign xml:lang="grc">οἴμη</foreign> means a tune,
                            and players on the lyre have given the name of <hi rend="italic">proem</hi> to the prelude which they perform to win the favour of
                            the audience before entering upon the regular contest for the prize,
                            that orators before beginning to plead make a few introductory remarks
                            to win the indulgence of the judges. </p></div><div n="3" type="textpart" subtype="section"><p> Or it may be because <foreign xml:lang="grc">οἶμος</foreign> in Greek
                            means a <hi rend="italic">way,</hi> that the practice has arisen of
                            calling an introduction a <hi rend="italic">proem.</hi> But in any case
                            there can be no doubt that by <hi rend="italic">proem</hi> we mean the
                            portion of a speech addressed to the judge before he has begun to
                            consider the actual case. And it is a mistaken practice which we adopt
                            in the schools of always assuming in our <hi rend="italic">exordia</hi>
                            that the judge is already acquainted with the case. </p></div><div n="4" type="textpart" subtype="section"><p> This form of licence arises from the fact that a sketch of the case is
                            always given before actual declamation. <note anchored="true" place="unspecified"><hi rend="italic">i.e.</hi> the statement of the
                                    <quote>hard case</quote> with which the declaimer has to deal.
                                    <hi rend="italic">cp.</hi> iv. ii. 98 </note> Such kinds of <hi rend="italic">exordia</hi> may, however, be employed in the <pb n="v4-6 p.9"/> courts, when a case comes on for the second time, but
                            never or rarely on the first occasion, unless we are speaking before a
                            judge who has knowledge of the case from some other source. </p></div><div n="5" type="textpart" subtype="section"><p> The sole purpose of the <hi rend="italic">exordium</hi> is to prepare
                            our audience in such a way that they will be disposed to lend a ready
                            ear to the rest of our speech. The majority of authors agree that this
                            is best effected in three ways, by making the audience well-disposed,
                            attentive and ready to receive instruction. I need hardly say that these
                            aims have to be kept in view throughout the whole speech, but they are
                            especially necessary at the commencement, when we gain admission to the
                            mind of the judge in order to penetrate still further. </p></div><div n="6" type="textpart" subtype="section"><p> As regards good-will, we secure that either from persons connected with
                            the case or from the case itself. Most writers have divided these
                            persons into three classes, the plaintiff, the defendant and the judge.
                        </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>