<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:2.2.1-2.2.13</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:2.2.1-2.2.13</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="2" type="textpart" subtype="book"><div n="2" type="textpart" subtype="section"><div n="1" type="textpart" subtype="section"><p>II. As soon therefore as a boy has made sufficient progress in his
                            studies to be able to follow what I have styled the first stage of
                            instruction in rhetoric, he should be placed under a rhetorician. Our
                            first task must be to enquire whether the teacher is of good character.
                        </p></div><div n="2" type="textpart" subtype="section"><p> The reason which leads me to deal with this subject in this portion of
                            my work is not that I regard character as a matter of indifference where
                            other teachers are concerned, (I have already shown how important I
                            think it in the preceding book), but that the age to which the pupil has
                            now attained makes the mention of this point especially necessary. </p></div><div n="3" type="textpart" subtype="section"><p> For as a rule boys are on the verge of manhood when transferred to the
                            teacher of rhetoric and continue with him even when they are young men:
                            consequently we must spare no effort to secure <pb n="v1-3 p.213"/> that
                            the purity of the teacher's character should preserve those of tenderer
                            years from corruption, while its authority should keep the bolder
                            spirits from breaking out into licence. </p></div><div n="4" type="textpart" subtype="section"><p> Nor is it sufficient that he should merely set an example of the highest
                            personal self-control; he must also be able to govern the behaviour of
                            his pupils by the strictness of his discipline. </p></div><div n="5" type="textpart" subtype="section"><p> Let him therefore adopt a parental attitude to his pupils, and regard
                            himself as the representative of those who have committed their children
                            to his charge. Let him be free from vice himself and refuse to tolerate
                            it in others. Let him be strict but not austere, genial but not too
                            familiar: for austerity will make him unpopular, while familiarity
                            breeds contempt. Let his discourse continually turn on what is good and
                            honourable; the more he admonishes, the less he will have to punish. He
                            must control his temper without however shutting his eyes to faults
                            requiring correction: his instruction must be free from affectation, his
                            industry great, his demands on his class continuous, but not
                            extravagant. </p></div><div n="6" type="textpart" subtype="section"><p> He must be ready to answer questions and to put them unasked to those
                            who sit silent. In praising the recitations of his pupils he must be
                            neither grudging nor over-generous: the former quality will give them a
                            distaste for work, while the latter will produce a complacent
                            self-satisfaction. </p></div><div n="7" type="textpart" subtype="section"><p> In correcting faults he must avoid sarcasm and above all abuse: for
                            teachers whose rebukes seem to imply positive dislike discourage
                            industry. </p></div><div n="8" type="textpart" subtype="section"><p> He should declaim daily himself and, what is more, without stint, that
                            his class may take his utterances home with them. For however many
                            models for imitation he may <pb n="v1-3 p.215"/> give them from the
                            authors they are reading, it will still be found that fuller nourishment
                            is provided by the living voice, as we call it, more especially when it
                            proceeds from the teacher himself, who, if his pupils are rightly
                            instructed, should be the object of their affection and respect. And it
                            is scarcely possible to say how much more readily we imitate those whom
                            we like. </p></div><div n="9" type="textpart" subtype="section"><p> I strongly disapprove of the prevailing practice of allowing boys to
                            stand up or leap from the seats in the expression of their applause.
                            Young men, even when they are listening to others, should be temperate
                            in manifesting their approval. If this be insisted upon, the pupil will
                            depend on his instructor's verdict and will take his approval as a
                            guarantee that he has spoken well. </p></div><div n="10" type="textpart" subtype="section"><p> The worst form of politeness, as it has come to be called, is that of
                            mutual and indiscriminate applause, a practice which is unseemly,
                            theatrical and unworthy of a decently disciplined school, in addition to
                            being the worst foe to genuine study. For if every effusion is greeted
                            with a storm of ready-made applause, care and industry come to be
                            regarded as superfluous. </p></div><div n="11" type="textpart" subtype="section"><p> The audience no less than the speaker should therefore keep their eyes
                            fixed on their teacher's face, since thus they will learn to distinguish
                            between what is praiseworthy and what is not: for just as writing gives
                            facility, so listening begets the critical faculty. </p></div><div n="12" type="textpart" subtype="section"><p> But in the schools of to-day we see boys stooping forward ready to
                            spring to their feet: at the close of each period they not merely rise,
                            but rush forward with shouts of unseemly enthusiasm. Such compliments
                            are mutual and the success of a declamation consists in this kind of
                            applause. The <pb n="v1-3 p.217"/> result is vanity and empty
                            self-sufficiency, carried to such an extent that, intoxicated by the
                            wild enthusiasm of their fellow-pupils, they conceive a spite against
                            their master, if his praise does not come up to their expectation. </p></div><div n="13" type="textpart" subtype="section"><p> But teachers must also insist on receiving an attentive and quiet
                            hearing from the class when they themselves declaim. For the master
                            should not speak to suit his pupil's standard, but they should speak to
                            suit his. Further he should, if possible, keep his eyes open to note the
                            points which each boy praises and observe the manner in which he
                            expresses his approval, and should rejoice that his words give pleasure
                            not only for his own sake, but for that of those who show sound judgment
                            in their appreciation. </p></div></div></div></div></body></text></TEI>
                </passage>
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