<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
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                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:2.15.20-2.15.38</requestUrn>
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            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:2.15.20-2.15.38</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="2" type="textpart" subtype="book"><div n="15" type="textpart" subtype="chapter"><div n="20" type="textpart" subtype="section"><p> Being a Peripatetic he regards it as a science, not, like the Stoics, as
                            a virtue, while in adding the words <quote><hi rend="italic">likely to
                                    prove persuasie to the people</hi></quote> he inflicts a
                            positive insult on oratory, in implying that it is not likely to
                            persuade the learned. The same criticism will apply to all those who
                            restrict oratory to political questions, for they exclude thereby a
                            large number of the duties of an orator, as for example panegyric, the
                            third department of oratory, which is entirely ignored. </p></div><div n="21" type="textpart" subtype="section"><p> Turning to those who regard rhetoric as an art, but not as a virtue, we
                            find that Theodorus of Gadara is more cautious. For he says (I quote the
                            words of his translators), <quote><hi rend="italic"> rhetoric is the art
                                    which discovers and judges and expresses, mith an elegance duly
                                    proportioned to the importance of all such elements of
                                    persuasion as may exist in any subject in the field of politics.
                                </hi></quote>
                     </p></div><div n="22" type="textpart" subtype="section"><p> Similarly Cornelius Celsus defines the end of rhetoric as <pb n="v1-3 p.311"/>
                        <hi rend="italic">to speak persuasively on any
                                doubtful subject within the field of politics.</hi> Similar
                            definitions are given by others, such for instance as the following:—
                                    <quote><hi rend="italic"> rhetoric is the power of judging and
                                    holding forth on such political subjects as come before it with
                                    a certain persuasiveness, a certain action of the body and
                                    delivery of the words. </hi></quote>
                     </p></div><div n="23" type="textpart" subtype="section"><p> There are countless other definitions, either identical with this or
                            composed of the same elements, which I shall deal with when I come to
                            the questions concerned with the subject matter of rhetoric. Some regard
                            it as neither a power, a science or an art; Critolaus calls it the <hi rend="italic">practice of speaking</hi> (for this is the meaning of
                                <foreign xml:lang="grc">τριβή</foreign> ), Athenaeus styles it the
                                <hi rend="italic">art of deceiving,</hi>
                     </p></div><div n="24" type="textpart" subtype="section"><p> while the majority, content with reading a few passages from the Gorgias
                            of Plato, unskilfully excerpted by earlier writers, refrain from
                            studying that dialogue and the remainder of Plato's writings, and
                            thereby fall into serious error. For they believe that in Plato's view
                            rhetoric was not an art, but a certain <hi rend="italic">adroitness in
                                the production of delight and gratification,</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">Gorg.</hi> 462
                                c. </note>
                     </p></div><div n="25" type="textpart" subtype="section"><p> or with reference to another passage the <hi rend="italic">shadow of a
                                small part of politics</hi>
                        <note anchored="true" place="unspecified"><hi rend="italic">ib.</hi> 463 <hi rend="italic">p.</hi>
                        </note>
                            and the <hi rend="italic">fourth department of flattery.</hi> For Plato
                            assigns <note anchored="true" place="unspecified"><hi rend="italic">ib.</hi> 464 B. </note> two departments of politics to the
                            body, namely medicine and gymnastic, and two to the soul, namely law and
                            justice, while he styles the art of cookery <note anchored="true" place="unspecified"><hi rend="italic">ib.</hi> 464 B-465 E. </note>
                            a form of flattery of medicine, the art of the slave-dealer a flattery
                            of gymnastic, for they produce a false complexion by the use of paint
                            and a false robustness by puffing them out with fat: sophistry he calls
                            a dishonest counterfeit of legal science, and rhetoric of justice. </p></div><div n="26" type="textpart" subtype="section"><p> All these statements occur in the <hi rend="italic">Gorgias</hi> and are
                            uttered by Socrates who appears to be the <pb n="v1-3 p.313"/>
                            mouthpiece of the views held by Plato. But some of his dialogues were
                            composed merely to refute his opponents and are styled <hi rend="italic">refutative,</hi> while others are for the purpose of teaching and
                            are called <hi rend="italic">doctrinal.</hi>
                     </p></div><div n="27" type="textpart" subtype="section"><p> Now it is only rhetoric as practised in their own day that is condemned
                            by Plato or Socrates, for he speaks of it as <quote>the manner in which
                                you engage in public affairs</quote>
                        <note anchored="true" place="unspecified">500 c.</note> : rhetoric in itself he regards as
                            a genuine and honourable thing, and consequently the controversy with
                            Gorgias ends with the words, <quote>The rhetorician therefore must be
                                just and the just man desirous to do what is just.</quote>
                        <note anchored="true" place="unspecified">460 c.</note>
                     </p></div><div n="28" type="textpart" subtype="section"><p> To this Gorgias makes no reply, but the argument is taken up by Polus, a
                            hot-headed and headstrong young fellow, and it is to him that Socrates
                            makes his remarks about <quote>shadows</quote> and <quote>forms of
                                flattery.</quote> Then Callicles, <note anchored="true" place="unspecified">508 c.</note> who is even more hot-headed,
                            intervenes, but is reduced to the conclusion that <quote>he who would
                                truly be a rhetorician ought to be just and possess a knowledge of
                                justice.</quote> It is clear therefore that Plato does not regard
                            rhetoric as an evil, but holds that true rhetoric is impossible for any
                            save a just and good man. In the <hi rend="italic">Phaedrus</hi>
                        <note anchored="true" place="unspecified">261 A-273 E.</note>
                     </p></div><div n="29" type="textpart" subtype="section"><p> he makes it even clearer that the complete attainment of this art is
                            impossible without the knowledge of justice, an opinion in which I
                            heartily concur. Had this not been his view, would he have ever written
                            the Apology of Socrates or the Funeral Oration <note anchored="true" place="unspecified"><hi rend="italic">Menexenus.</hi></note> in
                            praise of those who had died in battle for their country, both of them
                            works falling within the sphere of oratory. </p></div><div n="30" type="textpart" subtype="section"><p> It was against the class of men who employed their glibness of speech
                            for evil purposes that he directed his denunciations. Similarly Socrates
                            thought it incompatible with his honour to <pb n="v1-3 p.315"/> make use
                            of the speech which Lysias composed for his defence, although it was the
                            usual practice in those days to write speeches for the parties concerned
                            to speak in the courts on their own behalf, a device designed to
                            circumvent the law which forbade the employment of advocates. </p></div><div n="31" type="textpart" subtype="section"><p> Further the teachers of rhetoric were regarded by Plato as quite
                            unsuited to their professed task. For they divorced rhetoric from
                            justice and preferred plausibility to truth, as he states in the <hi rend="italic">Phaedrus.</hi>
                        <note anchored="true" place="unspecified">267 A, with special reference to Tisias and
                                Gorgias.</note>
                     </p></div><div n="32" type="textpart" subtype="section"><p> Cornelius Celsus seems to have agreed with these early rhetoricians, for
                            he writes <quote>The orator only aims at the semblance of truth,</quote>
                            and again a little later <quote>The reward of the party to a suit is not
                                a good conscience, but victory.</quote> If this were true, only the
                            worst of men would place such dangerous weapons at the disposal of
                            criminals or employ the precepts of their art for the assistance of
                            wickedness. However I will leave those who maintain these views to
                            consider what ground they have for so doing. </p></div><div n="33" type="textpart" subtype="section"><p> For my part, I have undertaken the task of moulding the ideal orator,
                            and as my first desire is that he should be a good man, I will return to
                            those who have sounder opinions on the subject. Some however identify
                            rhetoric with politics, Cicero <note anchored="true" place="unspecified"><hi rend="italic">de Inv.</hi> I. v. 6. </note> calls it a <hi rend="italic">department of the science of politics</hi> (and
                            science of politics and philosophy are identical terms), while others
                            again call it a <hi rend="italic">branch of philosophy,</hi> among them
                            Isocrates. </p></div><div n="34" type="textpart" subtype="section"><p> The definition which best suits its real character is that which makes
                            rhetoric the <hi rend="italic">science of speaking well.</hi> For this
                            definition includes all the virtues of oratory and the character of the
                            orator as well, since no man can speak well who is not good himself.
                        </p></div><div n="35" type="textpart" subtype="section"><p> The definition given by Chrysippus, who <pb n="v1-3 p.317"/> derived it
                            from Cleanthes, to the effect that it is the <hi rend="italic">science
                                of speaking rightly,</hi> amounts to the same thing. The same
                            philosopher also gives other definitions, but they concern problems of a
                            different character from that on which we are now engaged. Another
                            definition defines oratory as the power of <hi rend="italic">persuading
                                men to do what ought to be done,</hi> and yields practically the
                            same sense save that it limits the art to the result which it produces.
                        </p></div><div n="36" type="textpart" subtype="section"><p> Areus again defines it well as <hi rend="italic">speaking according to
                                the excellence of speech.</hi> Those who regard it as the science of
                            political obligations, also exclude men of bad character from the title
                            of orator, if by science they mean virtue, but restrict it overmuch by
                            confining it to political problems. Albutius, a distinguished author and
                            professor of rhetoric, agrees that rhetoric is the science of speaking
                            well, but makes a mistake in imposing restrictions by the addition of
                            the words <hi rend="italic">on political questions</hi> and <hi rend="italic">with credibility;</hi> with both of these restrictions
                            I have already dealt. </p></div><div n="37" type="textpart" subtype="section"><p> Finally those critics who hold that the aim of rhetoric is <hi rend="italic">to think and speak rightly,</hi> were on the correct
                            track. These are practically all the most celebrated and most discussed
                            definitions of rhetoric. It would be both irrelevant and beyond my power
                            to deal with all. For I strongly disapprove of the custom which has come
                            to prevail among writers of text-books of refusing to define anything in
                            the same terms as have been employed by some previous writer. I will
                            have nothing to do with such ostentation. </p></div><div n="38" type="textpart" subtype="section"><p> What I say will not necessarily be my own invention, but it will be what
                            I believe to be the right view, as for instance that oratory is the
                            science of speaking well. For when the most satisfactory definition has
                            been <pb n="v1-3 p.319"/> found, he who seeks another, is merely looking
                            for a worse one. Thus much being admitted we are now in a position to
                            see clearly what is the end, the highest aim, the ultimate goal of
                            rhetoric, that <foreign xml:lang="grc">τέλος</foreign> in fact which
                            every art must possess. For if rhetoric is the science of speaking well,
                            its end and highest aim is to speak well. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
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