<GetPassage xmlns:tei="http://www.tei-c.org/ns/1.0" xmlns="http://chs.harvard.edu/xmlns/cts">
            <request>
                <requestName>GetPassage</requestName>
                <requestUrn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.3.23-11.3.33</requestUrn>
            </request>
            <reply>
                <urn>urn:cts:latinLit:phi1002.phi001.perseus-eng2:11.3.23-11.3.33</urn>
                <passage>
                    <TEI xmlns="http://www.tei-c.org/ns/1.0"><text xml:lang="eng"><body><div n="urn:cts:latinLit:phi1002.phi001.perseus-eng2" type="translation" xml:lang="eng"><div n="11" type="textpart" subtype="book"><div n="3" type="textpart" subtype="section"><div n="23" type="textpart" subtype="section"><p> Nor is the same regime suitable as regards food: for the orator needs a
                            strong and enduring voice rather than one which is soft and sweet, while
                            the singer mellows all sounds, even the highest, by the modulation of
                            his voice, whereas we have often to speak in harsh and agitated tones,
                            must pass wakeful nights, swallow the soot that is produced by the
                            midnight oil and stick to our work though our clothes be dripping with
                            sweat. </p></div><div n="24" type="textpart" subtype="section"><p> Consequently, we must not attempt to mellow our voice by coddling it nor
                            accustom it to the conditions which it would like to enjoy, but rather
                            give it exercise suited to the tasks on which it will be employed, never
                            allowing it to be impaired <pb n="v10-12 p.257"/> by silence, but
                            strengthening it by practice, which removes all difficulties. </p></div><div n="25" type="textpart" subtype="section"><p> The best method for securing such exercise is to learn passages by heart
                            (for if we have to speak extempore, the passion inspired by our theme
                            will distract us from all care for our voice), while the passages
                            selected for the purpose should be as varied as possible, involving a
                            combination of loud, argumentative, colloquial and modulated utterance,
                            so that we may prepare ourselves for all exigencies simultaneously. This
                            will be sufficient. </p></div><div n="26" type="textpart" subtype="section"><p> Otherwise your delicate, over trained voice will succumb before any
                            unusual exertion, like bodies accustomed to the oil of the training
                            school, which for all the imposing robustness which they display in
                            their own contests, yet, if ordered to make a day's march with the
                            troops, to carry burdens and mount guard at night, would faint beneath
                            the task and long for their trainers to rub them down with oil and for
                            the free perspiration of the naked limbs. </p></div><div n="27" type="textpart" subtype="section"><p> Who would tolerate me if in a work such as this I were to prescribe
                            avoidance of exposure to sun, wind, rain or parching heat? If we are
                            called upon to speak in the sun or on a windy, wet or warm day, is that
                            a reason for deserting the client whom we have undertaken to defend?
                            While as for the warning given by some that the orator should not speak
                            when dyspeptic, replete or drunk, or immediately after vomiting, I think
                            that no sane person would dream of declaiming under such circumstances.
                        </p></div><div n="28" type="textpart" subtype="section"><p> There is, however, good reason for the rule prescribed by all
                            authorities, that the voice should not be overstrained in the years of
                            transition between boyhood and manhood, since at that period it is
                            naturally weak, not, I think, on account of heat, as some allege (for
                            there <pb n="v10-12 p.259"/> is more heat in the body at other periods),
                            but rather on account of moisture, of which at that age there is a
                            superabundance. </p></div><div n="29" type="textpart" subtype="section"><p> For this reason the nostrils and the breast swell at this stage, and all
                            the organs develop new growth, with the result that they are tender and
                            liable to injury. However, to return to the point, the best and most
                            realistic form of exercise for the voice, once it has become firm and
                            set, is, in my opinion, the practice of speaking daily just as we plead
                            in the courts. For thus, not merely do the voice and lungs gain in
                            strength, but we acquire a becoming deportment of the body and develop
                            grace of movement suited to our style of speaking. </p></div><div n="30" type="textpart" subtype="section"><p> The rules for delivery are identical with those for the language of
                            oratory itself. For, as our language must be correct, clear, ornate and
                            appropriate, so with our delivery; it will be correct, that is, free
                            from fault, if our utterance be fluent, clear, pleasant and
                                <quote>urbane,</quote> that is to say, free from all traces of a
                            rustic or a foreign accent. </p></div><div n="31" type="textpart" subtype="section"><p> For there is good reason for the saying we so often hear, <quote>He must
                                be a barbarian or a Greek</quote> : since we may discern a man's
                            nationality from the sound of his voice as easily as we test a coin by
                            its ring. If these qualities be present, we shall have those harmonious
                            accents of which Ennius <note anchored="true" place="unspecified"><hi rend="italic">Ann.</hi> ix. 305 (Vahlen). </note> expresses his
                            approval when he describes Cethegus as one whose <quote>words rang
                                sweetly,</quote> and avoid the opposite effect, of which Cicero
                                <note anchored="true" place="unspecified"><hi rend="italic">Brut.</hi> xv. 58. </note> expresses his disapproval by saying,
                                <quote>They bark, not plead.</quote> For there are many faults of
                            which I spoke in the first book <note anchored="true" place="unspecified"> I. i. 37; v. 32; viii. 1 and xi. 1 <hi rend="italic">sqq.</hi>
                        </note> when I discussed the method in
                            which the speech of children should be formed, since I thought it more
                            appropriate to mention them in connexion with a period of life when it
                            is still possible to correct them. </p></div><div n="32" type="textpart" subtype="section"><p> Again, the <pb n="v10-12 p.261"/> delivery may be described as correct if
                            the voice be sound, that is to say, exempt from any of the defects of
                            which I have just spoken, and if it is not dull, coarse, exaggerated,
                            hard, stiff, hoarse or thick, or again, thin, hollow, sharp, feeble,
                            soft or effeminate, and if the breath is neither too short nor difficult
                            to sustain or recover. </p></div><div n="33" type="textpart" subtype="section"><p> The delivery will be clear if, in the first place, the words are uttered
                            in their entirety, instead of being swallowed or clipped, as is so often
                            the case, since too many people fail to complete the final syllables
                            through over-emphasising the first. But although words must be given
                            their full phonetic value, it is a tiresome and offensive trick to
                            pronounce every letter as if we were entering them in an inventory. </p></div></div></div></div></body></text></TEI>
                </passage>
            </reply>
            </GetPassage>